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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr James Todd"/1) | (@(roleclean,performerclean) "Mr James Todd")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8561 results for: Keyword - Mr James Todd
We found 4457 matches on Event Comments, 2196 matches on Author, 2127 matches on Performance Comments, 546 matches on Performance Title, and 0 matches on Roles/Actors.

5601
11 March 1777 @ Drury Lane Theatre

Event Comment: Benefit for Miss Younge. Interlude [1st time; M. INT I, by Edward Jerningham]: Interspersed with Music [by James Hook. Text 1st published in Jerningham's Poems, vol. I (J. Robson, 1786)]. Public Advertiser, 20 Feb.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #222 9s. (80.14; 18.10; 1.19; tickets: 121.6) (charge: #65 17s.)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe

Afterpiece Title: Margaret of Anjou

Afterpiece Title: The Deserter

Dance: End V: The Irish Fair, as17761031

5602
22 March 1777 @ Covent Garden

Event Comment: Benefit for Macklin. Public Advertiser, 8 Mar.: Tickets to be had of Macklin, James-street, Covent Garden. Receipts: #273 16s. (charge: #64 10s.). [Of this amount #177 17s. was "Money," i.e. tickets sold at the door. The remainder, #95 19s., was "Tickets," disposed of by Macklin: 305 in the boxes, 104 in the pit, 41 in the gallery.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End III: Pastoral Dance, as17761123; End IV: Mirth and Jollity, as17761015

5603
10 August 1779 @ Haymarket Theatre

Event Comment: Benefit for Dimond. Tickets to be had of Dimond, No. 3, Upper James-street, Golden-square

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Tony Lumpkin in Town

Dance: As17790618

Entertainment: Monologue End: Bucks have at ye all-Master Hitchcock

5604
12 August 1780 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; MF 1, by James Cobb; music by Samuel Arnold. Larpent MS 530; not published]: Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Wedding Night

Related Works
Related Work: The Wedding Night Author(s): James Cobb

5605
26 August 1780 @ Haymarket Theatre

Event Comment: [3rd piece 1st acted at dl, 5 Apr. 1779, as The Contract; or, The Female Captain. Prologue by James Cobb (Public Advertiser, 19 Sept. 1780).] Tickets delivered by Kenny and Painter will be admitted

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Fryar

Afterpiece Title: The Female Captain

Related Works
Related Work: The Contract; or, The Female Captain Author(s): James Cobb

5606
08 September 1781 @ Haymarket Theatre

Event Comment: [MS annotation on playbill in Harvard Theatre Collection: "Mrs Cargill run away this day with Colman Jun. James? Winston?." And see 11 Sept.

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

5607
25 November 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Taylors

Performance Comment: Francisco (with an occasional Prologue in the character of Harlequin)-Pressley; Abrahamides-Cross; the other Characters by Marks, Bailey, Singer, Thomas, Sparrows, Middleton, Stephens, Jones, Browne, Goodman, James, Barnet, Newton, Hunt, Jackson, Hurst, Bulls, Crowther; Tailors' Ladies-Mrs Burden, Miss Nash, Miss Jameson, Miss Hemet .
Cast
Role: Tailors' Ladies Actor: Mrs Burden, Miss Nash, Miss Jameson, Miss Hemet

Dance: End of mainpiece a Hornpipe (over 12 eggs blindfold) by Middleton

Song: End of Act III of mainpiece a favourite song by Mrs Coxe; End of Act IV a favourite song by Miss Hemet

Monologue: 1782 11 25 After the Hornpipe John Bull, Half Seas Over (a new Scene) by Ryder

5608
11 December 1782 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; f 2, by Miles Peter Andrews, with incidental music by James Hook. MS: Larpent 607; not published; synopsis of plot in Public Advertiser, 12 Dec. Prologue by Edward Topham {London Chronicle, 20 Dec.)]. Receipts: #129 13s. 6d. (76/6/0; 53/0/0; 0/7/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Best Bidder

5609
01 October 1783 @ Covent Garden

Event Comment: Mainpiece: Not acted these 6 years [acted 18 Sept. 1778. Miss Scrase (see 19 Sept.) had become Mrs James Bates on 23 Sept.]. Receipts: #195 13s. 6d. (193/3/6; 2/10/0)

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Impostor

Afterpiece Title: The Flitch of Bacon

Dance: End of mainpiece Damon and Musidora by Harris and Miss Besford

5610
08 March 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Watts. Mainpiece: Written by Mrs Centlivre; Not acted these 40 years [not acted since 27 Apr. 1731, at Goodman's Fields]. Prologue written by a Gentleman [unidentified; printed in Town and Country Magazine, Apr. 1784, p. 214. The playbill for this performance is as printed in Morning Chronicle, 8 Mar. Gazetteer, 8 Mar., assigns Captain Constant to Reynolds, Laura to Miss Beaufield, Maria to Mrs Green, Belinda to Miss Johnson]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had of Connolly, at the King's Head Tavern, Fenchurch-street; of Watts, No. 2, Upper James-street, Golden-square

Performances

Mainpiece Title: The Mans Bewitchd Or The Devil To Do About Her

Afterpiece Title: The Mayor of Garratt

Dance: End of mainpiece Hornpipe by Rothery

Song: Between the Acts Singing [singer not listed]

5611
15 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for Wells. Public Advertiser, 9 Apr.: Tickets to be had of Mrs Wells, No. 417, Strand. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by James Hook. Prologue-Epilogue by Edward Topham {Public Advertiser, 21 Apr.)]. Morning Herald, 25 Apr. 1786: This Day is published The Fool (1s.)-Receipts: #174 15s. 6d. (45/3/0; 20/14/6; 0/2/0; tickets: 108/16/0) (charge: #108 13s. 9d.)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Fool

Related Works
Related Work: The Fortune-Hunters; or, Two Fools Well Met Author(s): James Carlile
Related Work: An Hospital for Fools Author(s): James Miller

Dance: End of mainpiece, as17850307athi

5612
27 April 1785 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 4 years. Afterpiece [1st time; F 2, by James Cobb. MS: Larpent 698; not published; synopsis of plot in Public Advertiser, 28 Apr. Prologue by the author (Public Advertiser, 9 June)]. Account-Book, 30 May: Paid Cobb in full for Humourist #100. Receipts: #58 16s. (28/15; 29/1; 1/0)

Performances

Mainpiece Title: The Earl Of Essex Or The Unhappy Favourite

Related Works
Related Work: The Fall of the Earl of Essex Author(s): James Ralph

Afterpiece Title: The Humourist or Whos Who

Related Works
Related Work: The Humourist; or, Who's Who? Author(s): James Cobb

Dance: As17850307athi

5613
22 September 1785 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. [Afterpiece: Prologue by James Cobb.] Receipts: #303 13s. (285/4/0; 17/1/6; 1/7/6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Humourist or Whos Who

Related Works
Related Work: The Humourist; or, Who's Who? Author(s): James Cobb

Dance: End of mainpiece The Provencalle by Mills and Miss Stageldoir

5614
18 February 1786 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time in London; F 2, by John Philip Kemble, 1st acted at Manchester, 25 Mar. 1778, as The Female Officer. MS: Larpent 723; not published; synopsis of plot in Public Advertiser, 20 Feb. Prologue by James Cobb (European Magazine, Feb. 1786, p. 129)]. Receipts: #222 8s. 6d. (192/0/0; 29/6/0; 0/7/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Projects

Dance: End of Act I of mainpiece The Lucky Return, as17860105

Song: In Act V of mainpiece a song by Mrs Forster

5615
13 March 1786 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. "The Captives were set at liberty last night, amidst roars of laughter. I see the doctor [i.e. the author] publishes it this week . . . Cadell bought this sublime piece before it appeared, for fifty pounds, agreeing to make it a hundred on its third representation. It has been played three times, and I dare say old Sanctimony will have no remorse in taking the other fifty." J. P. Kemble to Edmond Malone (Life of Edmond Malone, by Sir James Prior, i860, p. 126). Receipts: #138 13s. 6d. (91/19/0; 40/18/0; 5/16/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Captives

Afterpiece Title: The Gentle Shepherd

Dance: As17860223

Song: As17860309athi

5616
25 November 1786 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley, based on The Lucky Chance, by Aphra Behn. Prologue and Epilogue by James Cobb (see text)]: With Variety of new Scenes, Dresses, &c. Morning Chronicle, 28 Dec. 1786: This Day is published A School for Grey-Beards (1s. 6d.). Receipts: #220 8s. (206.14; 13.4; 0.10)

Performances

Mainpiece Title: A School For Grey beards Or The Mourning Bride

Afterpiece Title: The Englishman in Paris

Dance: In afterpiece: Minuet de la Cour-Hamoir, Miss Stageldoir

Song: III: song (in character)-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

5617
12 October 1787 @ Covent Garden

Event Comment: [Cambray was the stage name of James Fennell; he was from the Edinburgh theatre (and see 16 Oct. 1789). Ryder's 1st appearance as Iago was at the Smock Alley Theatre, Dublin, 14 Jan. 1767.] "Ryder wore his villainy on his sleeve, and evinced nothing of the insidiousness ordinarily expressed by other representatives of the part" (Public Advertiser, 13 Oct.). Receipts: #196 7s. (195.16; 0.11)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Romp

5618
01 February 1788 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. The Heiress [advertised on playbill of 31 Jan.] is deferred till Monday next. [Afterpiece in place of Selima and Azor, advertised on playbill of 31 Jan. Prologue by James Cobb.] Receipts: #238 6s. 6d. (219.17.0; 18.7.0; 0.2.6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourist; or, Who's Who? Author(s): James Cobb

Dance: End III: As17870920; End IV: a Scotch dance, The Lucky Return-Mills, Miss Blanchet, Miss J. Stageldoir

5619
08 May 1788 @ King's Theatre

Event Comment: Benefit for Marchesi. A new Serious Opera [composed by Cimarosa; 1st performed at Vicenza, 1784]. Under the direction of Mazzinghi. Tickets to be had of Marchesi, No. 37, Upper James-street, Golden-square. There will be no Opera on Saturday on account of Whitsun Eve. Receipts not listed

Performances

Mainpiece Title: Lolimpiade

Dance: End I: Les Offrandes a l'Amour, as17880417; End Singing: L'Amour et Psiche-[see17880129]

Song: End Opera: Marchesi will return thanks to the Audience in a piece of Music of his own composing, piece of Music-Marchesi

5620
16 March 1789 @ Covent Garden

Event Comment: 2nd piece [1st time; ball. P 3, adapted by Sir George Collier from La Mort du Capitaine Cook a son Troisieme Voyage au Nouveau Monde, by Jean Francois Mussot, dit Arnould. For a detailed synopsis of the action, see 13 Apr.]: As now representing in Paris with uncommon Applause. With the original French Music. New Dresses, Scenery, Machinery and Decorations. Books, containing a description of the Ballet [by James Byrne (World, 23 Mar.)], to be had at the Theatre. Receipts: #257 16s. 6d. (247.16.0; 10.0.6)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Death of Captain Cook

Afterpiece Title: The Poor Soldier

5621
02 April 1789 @ Covent Garden

Event Comment: [This was Mrs Kennedy's last appearance on the stage.] Paid One Years Insurance on #10,000, Phoenix Off., #32 10s. Receipts: #269 2s. (262.1; 7.1). pking's L'Olimpiade. See 4 Apr. Benefit for Marchesi. Tickets to be had of Marchesi, No. 37, Upper James-street, Golden-square

Performances

Mainpiece Title: The Sultan

Afterpiece Title: The Death of Captain Cook

Afterpiece Title: Rosina

Dance: 1st piece conclude with: Grand Dance, as17890219

Dance: End Opera: Les Jalousies du Serail-[See17890317 After which: Admete-[See17890331

Song: I: a new song-Sga Giuliani; II: a new song-Marchesi; [By particular desire the favourite duet in [The Deserter-[i.e. Il Disertore [will be introduced; End Opera: Ariettes [by Marchesi-Marchesi; accompanied on the harp-[the Mme Krumpholtz [and see17890430]

5622
16 April 1790 @ Drury Lane Theatre

Event Comment: Benefit for Kelly. Afterpiece [1st time, MF 2, by Prince Hoare]: The Music chiefly composed by Storace; the Rest selected from Pleyel, Harington, Giordani, Gluck, &c. [text adds Gretry]. Account-Book, 16 Dec. 1790: Paid P. Hoare for the Copyright of No Song No Supper #63. Gazetteer, 2 Apr.: Tickets to be had of Kelly, No. 27, James-street, Covent-garden. Receipts: #273 5s. (125.19; 38.18, 2.2; tickets: 106.6) (charge: #109 19s. 4d.)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: No Song No Supper

Dance: III: Hornpipe-Bourk

5623
04 June 1790 @ Covent Garden

Event Comment: 3rd piece [1st time; M. ENT 1, James Byrne. Larpent MS 872; not published]: With new and selected Music and Songs; Scenes and Decorations. Books of the Songs to be had at the Theatre. Receipts: #150 2s. (141.3; 8.19)

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: The Dramatist

Afterpiece Title: Nootka Sound or Britain Prepard

Related Works
Related Work: Nootka Sound; or Britain Prepar'd Author(s): James Byrne

5624
11 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Whitfield. Afterpiece [1st time; F 2] Translated from the French [La Nuit aux Aventures; on, Les Deux Morts Vivants, by Antoine Jean Bourlin, dit Dumaniant] by Mrs Inchbald, the Author of I'll Tell You What, Such Things Are, A Simple Story, &c. [Larpent MS 900; not published. In 1797 altered by J. C. Cross as An Escape into Prison. "In January 1788 Mrs Inchbald was translating an unnamed French play, acted three years later as The Hue and Cry" (James Boaden, Memoirs of Mrs Inchbald, 1833, I, 255-56). "Mrs Inchbald is now adapting La Nuit aux Aventures, by Dumaniant" (World, 26 Jan. 1788). In the text of Dumaniant's play the dramatis personae is the same as that in the Larpent MS. Author of Prologue unknown.] Morning Chronicle, 30 Apr.: Tickets to be had of Whitfield, No. 19, Great Piazza, Covent-Garden. Receipts: #263 13s. (68.19.0; 31.7.6; 3.13.6; tickets: 159.13.0) (charge: #116 4s. 4d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Hue and Cry

5625
02 January 1792 @ Drury Lane at King's Theatre

Event Comment: "The Pageant had some additional embellishments. The horses had complete dresses in the style of chivalry. The unhorsing of St. James was dexterously performed. He fell so as to give the impression of reality to every heart. The rearing and plunging of the black horse was admirable. He is the best disciplined animal we ever saw" (Morning Chronicle, 3 Jan.). Account-Book: Paid Barratt, Wax Chandler #178 2s. 3d. Receipts: #401 9s. (362.8; 38.14; 0.7)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourist; or, Who's Who? Author(s): James Cobb