SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr James Lowe"/1) | (@(roleclean,performerclean) "Mr James Lowe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4502 matches on Event Comments, 2553 matches on Performance Comments, 2196 matches on Author, 898 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: The Irish Widow

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

Performances

Mainpiece Title: The Anatomist Or Sham Doctor

Afterpiece Title: The School Boy

Dance: James, Mrs Ratcliff

Performances

Mainpiece Title: The Gamester

Cast
Role: Galloon Actor: James
Related Works
Related Work: The Gamester Author(s): James Shirley

Afterpiece Title: The Toy Shop

Cast
Role: Old Man Actor: James

Music: The Overture of Ariadne

Dance: I: Les Bergers Champetre by Mlle Grognet, Miss Rogers, Mlle Delorme. III: Richmond Maggot by Le Sac and Miss Rogers. IV: Flanderkins by Duke and Mrs Ogden. V: Tambourine by Glover and Miss Rogers. End Afterpiece: Minuet by Mlle Grognet in Men's Cloths, and Miss Baston

Song: II: As17350422

Performances

Mainpiece Title: The Gamester

Cast
Role: Hector Actor: James
Role: Mrs Topknot Actor: Mrs James
Related Works
Related Work: The Gamester Author(s): James Shirley

Afterpiece Title: The Royal Chace

Dance: As17410207

Performances

Mainpiece Title: Albion And Albanius

Performances

Mainpiece Title: The Rehearsal

Performances

Mainpiece Title: King Arthur Or The British Worthy

Performances

Mainpiece Title: Cleomenes The Spartan Heroe

Performances

Mainpiece Title: The Richmond Heiress Or A Woman Once In The Right

Event Comment: The United Company. The date of the first performance is not precisely known, but the Gentleman's Journal, April 1693 (issued in May) states that it followed D'Urfey's comedy: And since that [The Richmond Heiress] another by Mr George Powell, call'd, a very good Wife, which hath already been acted five times (p. 130). It is likely that Powell's comedy first appeared late in April or very early in May. Dedication, Edition of 1693: The unexpected Success of this Play. A Comparison between the Two Stages (p. 16): Ramble: The next? Sullen: A very good Wife. Ramble: That's almost a Solaecism: whose is't? Sullen: Oh an excellent Author's! one George Powell's, the Player. Ramble. What was it's Fate? Sullen: Damn'd, damn'd, as it deserv'd

Performances

Mainpiece Title: A Very Good Wife

Performances

Mainpiece Title: Oroonoko

Performances

Mainpiece Title: The Younger Brother Or The Amorous Jilt

Performances

Mainpiece Title: The City Bride Or The Merry Cuckold

Performances

Mainpiece Title: Loves A Jest

Performances

Mainpiece Title: The City Lady Or Folly Reclaimd

Performances

Mainpiece Title: Iphigenia

Performances

Mainpiece Title: The Pilgrim

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Devil to Pay

Dance: I: Le Tambourine-Mlle Chateauneuf; In IV: Muilment; V: Ballet-Denoyer, Mlle Chateauneuf

Song: III: Would You Taste the Noon@Tide Air (Comus)-Miss Edwards

Performances

Mainpiece Title: Madrigal And Truletta

Afterpiece Title: Sir ThomasCallico or The Mock Nabob

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: The Diversions of the Morning

Entertainment: S+Specialty.II: An Ode in Honour of the Anti@Gallicans written by Mr Boyce-Beard

Performances

Mainpiece Title: Venice Preservd Or A Plot Discoverd

Event Comment: The United Company. There is no certainty as to when the first performance occurred, but it can hardly be later than 11 Nov. 1690, when it was entered in the Stationers' Register; it was then advertised in the London Gazette, No. 2618, 11-15 Dec. 1690. On the assumption that the performance of Amphitryon on 21 Oct. 1690 followed its premiere, Distress'd Innocence has been assigned to late October 1690. The Overture and seven Act Tunes were composed by Henry Purcell. See Purcell's Works, Purcell Society, XVI (1906), xix. Dedication, Edition of 1691: I must still own my self indebted on all Hands, not only to the kind Audience, but likewise to the kind Company, who amongst other Favours, were pleased to be at the Charge of dressing my Play to so much Advantage. But above all I must make my publick Acknowledgments to Mr Betterton for his several extraordinary Hints to the heightening of my best Characters, nor am I a little indebted to Mr Montfort, for the last Scene of my Play which he was so kind to write for me

Performances

Mainpiece Title: Distressd Innocence Or The Princess Of Persia

Performances

Mainpiece Title: Love For Money Or The Boarding School

Performances

Mainpiece Title: The Rape Or The Innocent Impostors

Event Comment: The United Company. The date of the first performance is not known, but according to the Gentleman's Journal, May 1694, it followed Have at All: the other call'd The married Beau, or the Curious Impertinent, by Mr Crown, already acted many times (p. 134). The manuscript of a song composed by John Eccles and sung by Doggett is in Bodleian, School of Music Collection, c. 95, f 102. One by Henry Purcell, See, where repenting Celia lyes, sung by Mrs Ayliff, is in Thesaurus Musicus, 1695. See also Purcell's Works, Purcell Society, XX (1916), xvii-xviii

Performances

Mainpiece Title: The Married Beau Or The Curious Impertinent