SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr James Lowe"/1) | (@(roleclean,performerclean) "Mr James Lowe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4502 matches on Event Comments, 2553 matches on Performance Comments, 2196 matches on Author, 898 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Harlequins Invasion

Dance: As17820318athi

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Flitch of Bacon

Dance: End of Act II of mainpiece, as17820223

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lincos Travels

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpicce a Minuet and Gavot by Zuchelli and Miss M. Stageldoir

Song: In Act II of mainpiece a song by Du-Bellamy; End of Act III The Soldier tir'd of War's Alarms, as17820420

Event Comment: Afterpiece: Written by the Author of The Son-in-Law [John O'Keeffe]. The Overture and New Musick composed by Dr Arnold. "The same person who, in the play, performed the school-fellow of the Nabob with a great deal of nature, and original humour, here acted the part of the school-master; his name is Edwin, and he is, without doubt, one of the best actors of all that I have seen ... [He], in all his comic characters, still preserves something so inexpressibly good tempered in his countenance, that notwithstanding all his burlesques, and even grotesque buffoonery, you cannot but be pleased with him . . . Nothing could equal the tone and countenance of self-satisfaction, with which he answered one who asked him whether he was a scholar? 'Why, I was a master of scholars.' A Mrs Webb represented a cheesmonger, and played the part of a woman of the lower class, so naturally, as I have no where else ever seen equalled. Her huge, fat, and lusty carcase, and the whole of her external appearance seemed quite to be cut out for it" (Carl Philipp Moritz, Travels in England in 1782, London, 1924, pp. 73-74)

Performances

Mainpiece Title: The Nabob

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Genius of Nonsense

Dance: As17820606

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: None are so Blind as Those Who Wont See

Performances

Mainpiece Title: The Life And Death Of Common Sense

Afterpiece Title: Tunbridge Wells recte Walks or The Yeoman of Kent

Afterpiece Title: The Tobacco Box or The Soldiers Pledge of Love

Afterpiece Title: The Author

Performances

Mainpiece Title: The East Indian

Afterpiece Title: Harlequin Teague or The Giants Causeway

Dance: Afterpiece to conclude with a Grand Ballet, in Spanish Characters, by Giorgi, Byrn, Miss Byrn, Sga Vidini, and others

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Teague

Dance: In Act III of mainpiece a Hornpipe [performer not listed]; In afterpiece, as17820826

Song: In afterpiece The Tobacco Box by Brett and Miss Morris

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: As17820917

Song: In Act II of mainpiece song by Miss Field

Monologue: 1782 09 19 As 17 Sept

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Minor

Performances

Mainpiece Title: The Fatal Interview

Afterpiece Title: The Gentle Shepherd

Performances

Mainpiece Title: King Henry The Second Or The Fall Of Rosamond

Afterpiece Title: Rosina

Dance: End of mainpiece new Dance, composed by Harris, Damon and Musidora, by Harris, Miss Besford, and others

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Triumph of Mirth

Dance: End of Act II of mainpiece, as17820917

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Royal Chace or Harlequin Skeleton

Dance: In Act III of mainpiece a Hornpipe by Miss Besford

Performances

Mainpiece Title: The Tender Husband Or The Accomplishd Fools

Afterpiece Title: The Gentle Shepherd

Dance: As17821214

Performances

Mainpiece Title: Twelfth Night Or What You Will

Afterpiece Title: Tristram Shandy

Song: End of Act III of mainpiece The Pigeon by Mrs Kennedy; End of mainpiece Four and Twenty Fiddlers all on a Row by Edwin

Monologue: 1783 05 07 End of Act I of afterpiece A Description of the Tombs in Westminster-Abbey by Edwin

Performances

Mainpiece Title:

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Ghost

Dance: As17820927

Song: End of Act II of mainpiece The Huntsman's sweet Hollo!, as17830516; End of Dance ThomasDay. Goody Cramp-Bannister; Goody Rheum-Brett; Goody Twitch-Edwin

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Royal Chace

Song: End of Act iv of mainpiece Tally Ho!, as17830516

Performances

Mainpiece Title: The Son in law

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Genius of Nonsense

Dance: End of Act II of mainpiece, as17830604

Performances

Mainpiece Title: In A Village

Afterpiece Title: Man and Wife

Dance: As17830611

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: Harlequin Teague or The Giants Causeway

Dance: Afterpiece to conclude with a Grand Ballet in Spanish Characters by Giorgi, Byrn, Miss Byrn, Sga Dagueville and others. [This was danced, as here assigned, at all subsequent performances.]

Song: In Act I of mainpiece a song in character by Miss Hooke