SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr James Lowe"/1) | (@(roleclean,performerclean) "Mr James Lowe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4502 matches on Event Comments, 2553 matches on Performance Comments, 2196 matches on Author, 898 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Deserter

Dance: The Sailors Revels, as17740920

Monologue: End of Play: Henry and Emma. Henry-Brereton; Eugenius-Palmer; Venus-Mrs Smith; Emma-Mrs Baddeley

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Bon Ton

Dance: III: The Pirates, as17750422

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Polly Honeycomb

Dance: I: The Pirates, as17750422

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Padlock

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Irish Widow

Dance: End I: A New Dance call'd The Merry Peasants-M Fontaine (from the Opera at Paris), Mrs Sutton, Others; End I Afterpiece: The Irish Fair, as17751003

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Rival Candidates

Dance: II: A Grand New Ballet, call'd The Savage Hunters-Slingsby first appearance this season, Grimaldi, Como, Giorgi, Sga Crespi, Sga Paccini, first appearance on the English Stage

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day or The Little Gipsy

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: May Day

Dance: End: The Savage Hunters, as17751020

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: May Day

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Universal Passion Author(s): James Miller

Afterpiece Title: May Day

Dance: III: The Merry Peasants, as17751018

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Lottery

Dance: II: The Savage Hunters, as17751118

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Genii

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Jubilee

Dance: III: The Merry Peasants, as17751018

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Jubilee

Dance: I: A New Comic Dance call'd The Gardeners-Sg Martini, first appearance on the English Stage, and Sga Paccini

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Jubilee

Dance: II: The Jealous Harlequin, as17760117

Performances

Mainpiece Title: The Discovery

Afterpiece Title: The Lottery

Dance: II: The Gardeners, as17760116

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Jubilee

Dance: I: The Savage Hunters, as17760210

Event Comment: By Command of their Majesties. Tickets to be had and places for the Boxes to be taken of Mr Fosbrooke at the Stage Door of the Theatre, at Half a guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Half past Five. To begin at Half past Six. N.B. Those ladies who have had boxes for the Oratorios and who intend continuing them are humbly requested to give notice to Mr Fosbrooke at the Stage Door. Rec'd Stoppages #1 1s. (Treasurer's Book). [The Westminster Magazine, Feb., p. 75, contained an article on the "Origin of Oratorios," followed by one on the Musical Powers of Handel, particularly relating to his Oratorios. The Morning Chronicle for 24 Feb. commented as follows on Miss Linley's performance in Acis and Galatea: "Miss Linley...gave every delight that the ear, the heart, or understanding could receive from Music...Miss Linley's manner of delivering Recitative is peculiarly distinct and sensible; a circumstance of infinite importance in a performance of this nature. Her voice is clear and melodious, and capable of truest expression as was peculiarly evident in the song of 'Must I my Acis still bemoan?'...Their Majesties' presence and apparent satisfaction lead us to hope that the Royal countenance and encouragement will never again be withdrawn to grace the innovations of foreigners on the only musical ground which is left for English genius to take root and flourish"( (Quoted in Hampden, Journal).]

Performances

Mainpiece Title: Acis And Galatea With Drydens ode

Music: Concerto on Organ-Stanley

Performances

Mainpiece Title: Zara

Afterpiece Title: The Spleen or Islington Spa

Dance: V: The Sailors Revels, as17751220

Event Comment: A few hisses at the End of the Farce (Hopkins Diary). [Public Advertiser: A correspondent, who was at Drury Lane Theatre Thursday evening, remarks that the Ridicule of the Head-Dresses in Mr Garrick's last Epilogue, and in his performance of Sir John Brute, has had its proper Effect; for the Ladies have lowered their Main Top-Gallant Sails from nine inches to twelve; so that they are not present above three quarters of a yard higher than they ought to be.] Paid salary list 4 days #416 4s. 4d.; Tallow chandler #35 9s. 9d.; Mr Parsons on note by order #25; Settre and Co., Mercers #9 6s. 10d. Receipts: #252 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Spleen

Event Comment: Lyric Ode (never performed) "On the Witches, Fairies, and Aerial Beings in Shakespeare. The Music entirely New." [The Westminster Magazine for March commented: "This poem is said to be written by a young gentleman of Oxford, and has many strokes of genius and inagination in it. The music, we hear, is composed by Mr Linley Jr, who has (since his return from Italy) been a student under that most excellent musician Dr Boyce. This composition must be allowed to be an extraordinary effort of genius in so young a man. The Fugue of the overture is masterly. The song of 'There in old Arden's inmost shade,' is well suited to the scene described by the poet....But what we think most deserving of praise is the power our young composer has shown in the chorusses....From the general and sincere applause with which the Ode was received, we may venture to pronounce, that if Mr Linley Jr pursues his studies, he will one day stand foremost in the list of modern composers."

Performances

Mainpiece Title: A Lyric Ode Alexanders Feast And The Coronation Anthems

Music: After the Ode: A Miscellaneous Act-; New Overture-; Song-a Gentleman (his first appearance in Public); Concerto on Oboe-Fischer; Song-Miss M. Linley (composed by Bach); Concerto on violin-Linley Jr; Song-Miss Linley (composed by Sacchini); Duetto-the Two Miss Linley's (composed by Piccini); Chorus

Performances

Mainpiece Title: Samson Alexanders Feast And The Coronation Anthems

Music: I: Concerto on Organ-Stanley