SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr James Love"/1) | (@(roleclean,performerclean) "Mr James Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4697 matches on Event Comments, 3312 matches on Performance Title, 3052 matches on Performance Comments, 2196 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: The Commissary

Performance Comment: The Commissary-Quick; Isaac Fungus-Fearon; Gruel-Thompson; Simon-Helme; Coachman-Stevens; Young Loveit-Davies; Mrs Loveit-Mrs Pitt; Jenny-Mrs Poussin; Dolly-Miss Platt; Mrs Mechlin-Mrs Webb .
Cast
Role: Young Loveit Actor: Davies
Role: Mrs Loveit Actor: Mrs Pitt

Dance: End of mainpiece Rural Merriment by Jackson and Mrs Ratchford, to conclude with a Caledonian Reel by Eves and Mr and Mrs Ratchford

Performances

Mainpiece Title: Amphitryon Or The Two Sosias

Afterpiece Title: Whos the Dupe

Song: dl

Dance: Plutus-Staunton; Wit-Miss George; the Dance by Mr and Miss Hamoir. End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs

Song: In mainpiece an Interlude of

Performances

Mainpiece Title: The West Indian

Afterpiece Title: ATrip to Scotland

Performance Comment: Griskin-Parsons; Cupid-Miss Heard; Chamberlain-Burton; Jemmy Twinkle-Bannister Jun.; Fillagree-Mrs Hopkins; Landlady-Mrs Love; Chambermaid-Miss Simson; Miss Flack-Miss Tidswell; Miss Griskin-Mrs Brereton .
Cast
Role: Landlady Actor: Mrs Love

Dance: End of mainpiece The Sportsmen's Return by Mr and Miss Hamoir; Afterpiece: With a Postillion Dance (performers not listed)

Performances

Mainpiece Title: Deception

Performance Comment: Principal Characters by Palmer, Dodd, Bensley, Brereton, Aickin, Parsons; Miss Pope, Mrs Wilson, Miss Farren. [Cast from European Magazine, Oct. 1784, p. 328: Wharton-Palmer; Vainlove-Dodd; Sir Henry Lofty-Bensley; Henry-Brereton; Lord Courtly-Aickin; Mr Salter-Parsons; Lady Betty Friendly-Miss Pope; Miss Salter-Mrs Wilson; Clarissa-Miss Farren.] Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren . Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren .
Cast
Role: Vainlove Actor: Dodd

Afterpiece Title: The Padlock

Cast
Role: Ursula Actor: Mrs Love

Dance: End of Act IV of mainpiece a New Dance incident to the Piece by Mr and Miss Hamoir

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Arthur and Emmeline

Dance: End of Act III of mainpiece a new Dance, The Merry Woodcutters, by Mr and Miss Hamoir

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Palmer; Duke-Packer; Petruchio-Aickin; Antonio-Waldron; Peter-Burton; Antony-Suett; Francisco-Wright; Surgeon-Wrighten; Frederick-Brereton; 1st Constantia-Mrs Ward; Mother-Mrs Hopkins; Landlady-Mrs Love; Nurse-Mrs Booth; 2nd Constantia-Miss Farren .
Cast
Role: Landlady Actor: Mrs Love

Afterpiece Title: The Caldron or Pantomimical Olio

Performance Comment: Harlequin-Wright; Clown-Grimaldi; Colombine-Miss M. Stageldoir. The other Principal Characters by Suett, R. Palmer, Burton, Williames, Waldron, Staunton, Wrighten, Fawcett, Chaplin, Wilson, Phillimore, Spencer, Alfred; Mrs Booth, Miss Hale, Mrs Burnett, Miss Cranford, Miss Barnes, Mrs Heard, Miss Palmer, Mrs Smith, Miss Tidswell, Miss Burnett, Mrs Love. 1st Singing Witch-Chapman .

Dance: In afterpiece, by Mr and Miss Hamoir, Mills, Miss Stageldoir. [The dances were included, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Diana Trapes Actor: Mrs Love

Afterpiece Title: The Gentle Shepherd

Cast
Role: Mause Actor: Mrs Love

Dance: End of Act II of mainpiece Dance by Mr and Miss Hamoir

Performances

Mainpiece Title: The Young Quaker

Performance Comment: Young Sadboy-Palmer; Clod-Edwin; Spatterdash-Bannister Jun.; Captain Ambush-Williamson; Lounge-Riley; Twig-Gaudry; Shadrach (1st time)-Barrett; Coachman-Ledger; Waiter-Lyons; Goliah-Miss Painter; Old Sadboy-Gardner; Chronicle (1st time)-Swords; Lady Rounceval-Mrs Webb; Araminta (1st time)-Miss George; Mrs Millefleur-Mrs Love; Judith-Miss Hale; Pink-Mrs Lloyd; Dinah Primrose-Mrs Riley .
Cast
Role: Mrs Millefleur Actor: Mrs Love

Afterpiece Title: The Flitch of Bacon

Dance: As17850617

Song: End of Act III of mainpiece The Tobacco Box by Mr and Miss Brett

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: True Blue or The Parting Lovers

Afterpiece Title: The Contrivances

Dance: In 2nd piece Dance incident to the piece by Blurton

Song: End of Act II of 1st piece The Tobacco Box by Mr and Miss Brett

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Nunnery

Dance: End of mainpiece The Irish Lilt by Mr and Mrs Ratchford

Performances

Mainpiece Title: The Young Quaker

Performance Comment: Young Sadboy-Palmer; Clod (1st time)-Barrett; Spatterdash-Bannister Jun.; Captain Ambush-Williamson; Shadrach-Wewitzer; Old Sadboy-Gardner; Chronicle-Parsons; Lady Rounceval-Mrs Webb; Araminta-Miss George; Mrs Millefleur-Mrs Love; Judith-Mrs Edwin; Pink-Mrs Brett; Dinah Primrose-Mrs Riley .
Cast
Role: Mrs Millefleur Actor: Mrs Love

Afterpiece Title: Comus

Song: End of Act II of mainpiece The Tobacco Box by Mr and Miss Brett

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Double Disguise

Music: Afterpiece: Overture by Shield-; Duett on Two Flutes-Mr Forster

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe

Afterpiece Title: The Poor Soldier

Dance: End: The Irish Lilt-Mr and Mrs Ratchford

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-L'Estrange; Lord Trinket-Cooper; Capt. O'Cutter-Griffiths; Tom-Goodwin; Major Oakly-Follett; Lady Freelove-Mrs Day; Mrs Oakly-Mrs Hunter.
Cast
Role: Lady Freelove Actor: Mrs Day

Afterpiece Title: Miss in her Teens

Dance: End IV: Double Hornpipe-Mr and Miss Bourk

Song: End I: Crazy Kate-Chambers; End III: song-Arrowsmith

Entertainment: End II: Imitations-a Gentleman [unidentified]

Monologue: Vaudeville. End: Bunbury's Representation of the Prince's Bow. Teacher-Delpini; in which he will introduce a song, Woman turn us round about-Delpini

Performances

Mainpiece Title: King Henry Ii Or The Death Of Fair Rosamond

Afterpiece Title: The Humours of Sir John Brute

Performance Comment: Sir John Brute (for that night only)-Wilkinson; Constant-Frodsham; Heartfree-Rundell; Taylor-Nicholls; Col. Bully (with songs)-Upton; Dermot O'Whiskey-Hopton; Lord Rake (with Hippisley's Drunken Man)-Doggett; Lady Brute-Mrs Hunter; Lovewell-Miss Barnes;Belinda-A Young Lady (1st appearance [unidentified]).unidentified]).
Cast
Role: Lovewell Actor: Miss Barnes

Entertainment: Monologue End: The Monody on the Death of Mr Henderson (3rd time at this theatre)-Baker

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Rival Soldiers

Cast
Role: Lovelace Actor: Farley

Afterpiece Title: The Honest Thieves

Song: In I 1st piece: the original Duet-Mr and Mrs Pope

Entertainment: Monologue. End 2nd piece: [Collins' Ode on the Passions-Mrs Pope (1st and only Time [see17980515])

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Britons Roused

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: a Minuet-Mr and Miss Betterton

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Beggars Opera

Afterpiece Title: Botheration

Dance: In III 2nd piece: Hornpipe in Fetters, as17971025

Song: In 3rd piece: Mr O'Blarney's Description of London, as17980508

Performances

Mainpiece Title: Hes Much To Blame

Afterpiece Title: Botheration

Dance: Between mainpiece and afterpiece: a Hornpipe-Jackson

Song: End: The Irish Newsman-Clarke; In afterpiece: Mr O'Blarney's Description of London, as17980508

Performances

Mainpiece Title: She Stoops To Conquer Or The Mistakes Of A Night

Afterpiece Title: The Agreeable Surprise

Song: End: a favourite duet-Mr and Mrs Humphreys; and a comic song-Twaits

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Naval Pillar

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: afterpiece: As17991007, but Mr Speaker tho' 'tis late-_

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: A New Divertisement (composed by D'Egville)-Didelot, Mme Rose Didelot, Mr Laborie, Mme Laborie, Mme Hilligsberg, Deshayes (1st appearance in this country), Mlle Parisot (1st appearance at this theatre these 2 years); End Opera: a new Anacreontic Ballet, in 2 parts, Les Jeux d'Egle-Deshayes, Laborie, D'Egville, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Deserter of Naples

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally