SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr James Love"/1) | (@(roleclean,performerclean) "Mr James Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4697 matches on Event Comments, 3312 matches on Performance Title, 3052 matches on Performance Comments, 2196 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Mourning Bride

Cast
Role: King Actor: Love

Afterpiece Title: The Hermit

Related Works
Related Work: The Hermit; or, Harlequin at Rhodes Author(s): James Love

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Hermit or Harlequin at Rhodes

Related Works
Related Work: The Hermit; or, Harlequin at Rhodes Author(s): James Love

Dance: I: The Wake, as17680929

Entertainment: End of Opera: King (for that night only) will present the Audience with a Comic Paraphrase-King on Shakespeare's The Seven Ages

Performances

Mainpiece Title: The Tempest

Cast
Role: Caliban Actor: Love

Afterpiece Title: The Hermit

Related Works
Related Work: The Hermit; or, Harlequin at Rhodes Author(s): James Love

Song: End: The Albion Song-Vernon

Event Comment: Mas. Love was hiss'd for playing out of tune upon the Organ (Hopkins). This night Master Love was hissed for playing out of tune upon the organ (Hopkins Diary-MacMillan). Receipts: #179 9s. 6d. (MacMillan)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Col. Feignwell-King; Freeman-Packer; Obadiah-Moody; Tradelove-Burton; Sackbut-Bransby; Periwinckle-Parsons; Simon Pure-Vaughan; Mrs Prim-Mrs Bradshaw; Betty-Mrs Hippisley; Anne Lovely-Mrs Haughton.
Cast
Role: Tradelove Actor: Burton
Role: Anne Lovely Actor: Mrs Haughton.

Afterpiece Title: The Rites of Hecate

Related Works
Related Work: The Rites of Hectate; or, Harlequin from the Moon Author(s): James Love
Event Comment: Mainpece: By Desire. [An article appeared in the St James Chronicle; or, British Evening Post proposing reserved seats for the theatre, and suggesting a method by which to operate the system.

Performances

Afterpiece Title: The Hermit

Related Works
Related Work: The Hermit; or, Harlequin at Rhodes Author(s): James Love
Event Comment: letter in the St James Chronicle; or, British Evening Post suggests a one@way street for entrance to Drury Lane Theatre, because of the great confusion caused by carriages approaching from both directions.

Performances

Mainpiece Title: The Orphan

Cast
Role: Chaplain Actor: Love

Afterpiece Title: The Hermit

Related Works
Related Work: The Hermit; or, Harlequin at Rhodes Author(s): James Love
Event Comment: MMrs Clive taken extremely ill, The Clandestine Marriage deferred (Winston MS 9). [The St James Chronicle; or, British Evening Post, this day contained four epigrams on Foote's accident.

Performances

Mainpiece Title: Mahomet

Related Works
Related Work: Mahomet the Imposter Author(s): James Miller

Afterpiece Title: The Hermit

Related Works
Related Work: The Hermit; or, Harlequin at Rhodes Author(s): James Love
Event Comment: With New Habits, Scenes, Decorations and Music. Full Prices. Songs in the Entertainment will be given out at the Theatre. Afterpiece compos'd by Love, perform'd with success (Victor, I, 40). [N.B. In June 1762 the King of the Cherokee Indians arrived with two of his chiefs to pay respects to King George III. On 28 August they appeared at Marylebone Gardens. A dmission Price to see them 6d. (London Chronicle, No 857 & 860).

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Witches or Harlequin Cherokee

Related Works
Related Work: The Witches; or, Harlequin Cherokee Author(s): James Love

Song: IV: Miss Young

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, by agreement met Sir W. Pen, and saw Love in a Maze: but a sorry play: only Lacy's clowne's part, which he did most admirably indeed; and I am glad to find the rogue at liberty again. Here was but little, and that ordinary, company. We sat at the upper bench next the boxes, and I find it do pretty well, and have the advantage of seeing and hearing the great people, which may be pleasant when there is good store. Now was only Prince Rupert and my Lord Lauderdale, and my Lord [...]...But here was neither Hart, Nell, nor Knipp; therefore, the play was not likely to please me

Performances

Mainpiece Title: The Changes Or Love In A Maze

Related Works
Related Work: The Changes; or, Love in a Maze Author(s): James Shirley
Related Work: Love in a Maze Author(s): James Shirley
Event Comment: The King's Company. This is a Friday in Lent, when frequently the playhouses did not act. Pepys, Diary: To the King's playhouse, and there saw a piece of Love in a Maze, a dull, silly play, I think: and after the play, home with W. Pen and his son Lowther, whom we met there

Performances

Mainpiece Title: The Changes Or Love In A Maze

Related Works
Related Work: The Changes; or, Love in a Maze Author(s): James Shirley
Related Work: Love in a Maze Author(s): James Shirley
Event Comment: The King's Company. Pepys, Diary: To the King's house, and there did see Love in a Maze, wherein very good mirth of Lacy, the clown, and Wintersell, the country-knight, his master

Performances

Mainpiece Title: The Changes Or Love In A Maze

Related Works
Related Work: The Changes; or, Love in a Maze Author(s): James Shirley
Related Work: Love in a Maze Author(s): James Shirley
Event Comment: Benefit Lacy. Afterpiece: A new Satyrical, Allegorical, Political, Philosophical Farce, [Apparently by Lacy.] Daily Advertiser, 30 April: Yesterday I accidentally call'd in at the Theatre in the Hay-Market, and saw the Rehearsal of a new Farce call'd Fame...Which is to be acted there on Wednesday next...for the Benefit of Mr Lacy the Author. As I am neither acquainted with him, nor the Master of the Playhouse, I cannot be accus'd of Partiality, in affirming, that I think this the best Farce this Age has produc'd. It seems to be writ in Imitation of Shakespear, and entirely calculated for the present Taste. The Characters are strong, lively, majestic, and just; the incidents natural and moving; the Conduct regular; the Distresses extremely affecting; the Stile sublime; the Sentiments grand, full of Patriotism; and the Catastrophe so masterly wrought up, that, I am persuaded, no Farce whatsoever, now acting, will draw more Tears than this. But what affected me beyond all, was, the Zeal, the exemplary Zeal of a worthy Magistrate, who so strictly adheres to the very Letter of the Law, as to send a rich and honest Merchant, and Freeholder, to the House of Correction, as a sturdy Beggar, or Loiterer. I could enlarg in its Praise, but fear I may do the Author wrong, in raising your Expectations too high. See it, and I am convinc'd you will entertain the same Sentiments of it, as does Your Humble Servant, James Lacy. Alias Fustian, alias Sour-Wit, alias--But hold:--If I should be arraign'd for the Murder of this Farce, so many Alias's will half condemn me before I am heard

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame or Queen Elizabeths Trumpets or Never pleads Hopes of being a Lord Chancellor or The Lover turnd Philosopher or The Misers Resolve upon the Lowering of Interest

Performance Comment: The Characters are, Sir Hardheart Pelf, an Usurer, and Justice of the Peace-; Counsellor Pleadwell, a Man of Honour-; in love with Charlotte, the Miser's Daughter-; Counsellor Neverplead, of Brick-Court in the Temple, an Original-; Fustian turn'd Auctioneer, preparatory to a Presbyterian Parson-; Mr Jamaica, an honest Merchant, sent as a Vagrant to the House of Correction-; Mr Quidnunc, a very deep-headed Man-; a Pack of fashionable Ladies and Beaux-; Famine, the Usurer's Servant-; George, Counsellor Neverplead's chief Clerk-.
Related Works
Related Work: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest Author(s): James Lacy
Event Comment: Afterpiece [1st time; BALL. P 2, by James Byrn. Synopsis of action, somewhat enlarged from that on playbill (H. Macleish, 1794)]: The Music partly new by Shield, and partly selected from Haydn, Mazzinghi, Gluck, Baumgarten, Gretry, Martin? y Soler, Dezede, Eley. With a new Overture for a Double Orchestra composed by Reeve. The Scenery, Machinery, Dresses and Decorations are entirely New. The Scenery painted by Hodgins, Walmsley, Phillips and Lupino Jun., assisted by Hollogan, Byrn, &c. The Dresses chiefly designed by Lupino Sen., and executed under the direction of Dick. "This ballet [is] the most magnificent exhibited on the English stage for many years" (Universal Magazine, Nov. 1794, p. 378). Receipts: #136 13s. 6d. (123.12.6; 13.1.0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Related Works
Related Work: Hercules and Omphale Author(s): James Byrne
Event Comment: [Kemble's 1st appearance as Osman was in Dublin (Genest, VI, 295).] Afterpiece [1st time; P 2 (?), by James Cobb and Thomas King]: Partly formed on the Plan of the Italian Comedy, and embellished with Music and Machinery. The paintings by Greenwood. The Music compiled and composed by Linley [Sen.]. Nothing under Full Price will be taken. Books of the Songs [which assign no parts], Introduction, &c. to be had at the Theatre. [Synopsis of action in Universal Magazine, Dec. 1785, p. 335.] Account-Book, 31 Jan. 1786: Paid King for Hurly-Burly #165. Receipts: #181 2s. (174/17; 6/5)

Performances

Mainpiece Title: Zara

Afterpiece Title: Hurly Burly or The Fairy of the Well

Performance Comment: Harlequin Clack-Bannister Jun.; Magician-Staunton; Doctor-Fawcett; Harlequin Lack-Wright; Clodpate-Grimaldi. The other Characters by Moody, Wrighten, Burton, Chapman, Waldron, Phillimore, Chaplin, Wilson, Jones, Spencer, Alfred, &c.; Mrs Wilson, Miss Cranford, Mrs Cuyler, Mrs Love, Mrs Booth, Miss Tidswell, Mrs Burnett, Mrs Heard, Miss Burnett, Miss Barnes, Miss Palmer, Miss Simson, Mrs Haskey, Mrs Wrighten. [For assignments of Moody, Mrs Wilson, Miss Cranford, Mrs Wrighten, see17851229 Larpent MS 715 also lists: Lover, Lawyer, Clerk, Scotchman, Sailor, Taylor; Colombine.] hathi. Mrs Wilson, Miss Cranford, Mrs Cuyler, Mrs Love, Mrs Booth, Miss Tidswell, Mrs Burnett, Mrs Heard, Miss Burnett, Miss Barnes, Miss Palmer, Miss Simson, Mrs Haskey, Mrs Wrighten. [For assignments of Moody, Mrs Wilson, Miss Cranford, Mrs Wrighten, see17851229 Larpent MS 715 also lists: Lover, Lawyer, Clerk, Scotchman, Sailor, Taylor; Colombine.] hathi.
Related Works
Related Work: Hurly-Burly; or, The Fairy of the Well Author(s): James Cobb

Dance: In afterpiece, by Hamoir, Williamson, Miss Stageldoir, Mrs Sutton, &c. [The dance was included, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: Loves Cruelty

Related Works
Related Work: Love's Cruelty Author(s): James Shirley

Performances

Mainpiece Title: Loves Cruelty

Related Works
Related Work: Love's Cruelty Author(s): James Shirley

Performances

Mainpiece Title: Love Tricks Or The School Of Compliments

Related Works
Related Work: Love Tricks; or, The School of Compliments Author(s): James Shirley
Related Work: The School of Compliments Author(s): James Shirley
Event Comment: Afterpiece by James Miller

Performances

Mainpiece Title: The Double Gallant Or The Sick Ladys Cure

Related Works
Related Work: The Picture; or, Cuckold in Conceit Author(s): James Miller

Afterpiece Title: The Picture or Cuckold in Conceit

Related Works
Related Work: The Picture; or, Cuckold in Conceit Author(s): James Miller

Dance: IV: Peasant's Dance-Muilment

Event Comment: Benefit for Bannister. Under the Patronage of His Royal Highness The Prince of Wales. [In mainpiece the playbill retains Mrs Bland as Ariel , but "Ariel was, on account of the sudden indisposition of Mrs Bland, read by Miss Heard" (Diary, 8 May). Miss Heard may also have substituted for Mrs Bland in the afterpiece.] Afterpiece [1st time; F 2, by James Cobb, for whose authorship see Kemble Mem. Larpent MS 982; not published]. Public Advertiser, 2 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing Cross. Receipts: #227 8s. (95.17; 7.5; tickets: 124.6) (charge: #90 2s. 6d.)

Performances

Mainpiece Title: At Hay The Tempest

Afterpiece Title: Fortunes Wheel

Related Works
Related Work: Fortune's Wheel Author(s): James Cobb

Song: In: Vocal Parts, as17921213, Sedgwick, _Kelly, Mrs +Crouch; Masque of Neptune and Amphitrite, as17930102 In course of Evening: +The Little Farthing Rushlight-Bannister Jun

Event Comment: Benefit for Wild. 2nd piece [1st time; F 1, by Robert Woodbridge]. Morning Herald, 4 June 1793: This day is published The Pad (price not listed). 3rd piece [1st time; BALL. P 2 (?), by James Byrn, altered from his The Provocation!]: The Incidents partly new, and partly selected from the much admired Pantomime called Provocation. In the course of the Pantomime a representation of an Engagement between an English and French Man of War; A Ship-wreck; The original Allegoric Scene from Provocation: A View of an English Camp; A Naval and Military Procession. Morning Herald, 9 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #335 1s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Pad

Performance Comment: Principal Characters by Quick, Munden, Harley, Macready, Mrs Fawcett, Mrs Davis, Mrs Webb. Cast from text (J. Parsons, 1793): Sir Simon Meagre-Quick; Lovejoke-Munden; Captain Credulous-Harley; Clerimont-Macready; Gentlemen-Farley, Evatt, Thompson; Servants-Simmons, Blurton; Mrs Credulous-Mrs Fawcett; Nancy-Mrs Davis; Lady Meagre-Mrs Webb.
Cast
Role: Lovejoke Actor: Munden

Afterpiece Title: The Shipwreck or French Ingratitude

Related Works
Related Work: The Shipwreck; or, French Ingratitude Author(s): James Byrne
Related Work: The Shipwreck Author(s): Samuel James Arnold

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. Text (no publisher, 1790)]: Being a Collection of favorite Scenes from the Following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, and Harlequin Rambler. With new Dresses and Decorations. The Original Scenery, Machinery, &c. painted by Lambert, Dall [both deceased], Carver, Hodgins and Richards-and now all repaired and repainted. The Music selected by Shaw from Pepuch [sic], Dr Arne, Dr Arnold, Dr Fisher, ?M.? Arne, Vincent, Dibdin and Shield. Books of the Songs to be had at the Theatre. Account-Book, 31 Dec.: Paid Wild for his Attention to the Pantomime #30; Boyce for Ditto #15; Shaw for Ditto #10. Receipts: #233 5s. 6d. (204.8.6; 28.17.0)

Performances

Mainpiece Title: Werter

Afterpiece Title: Harlequins Chaplet

Performance Comment: Harlequin-Boyce; Clown-Delpini; Pantaloon-Ratchford; Lover-Farley; Barber (with A Twiggle and a Friz)-Edwin; Farmer (with Come Roger and Nell)-Bannister; Shepherd, Shepherdess (with Cast my Love, thine Eyes around)-Mrs Martyr, Mrs Mountain; Lawyers-Davies, Reeve, Cubitt; Serjeant-W. Powel; 1st Recruit-C. Powell; 2nd Recruit-Cubitt; Artist-Letteney; Carpenter-Lee; Bricklayers-Thompson, Evatt; Doctor-Jackson; Woodcutter-Rock; Monkey-Rayner; Peacock-Sloper; Principal Witches-Darley, Duffey, Mrs Mountain, Mrs Martyr; Fishwomen-Mrs Gray, Mrs Lefevre, Mrs Masters, Mrs White; Colombine-Miss L. Simonet.
Cast
Role: Lover Actor: Farley
Related Works
Related Work: Harlequin's Chaplet Author(s): James Wild

Dance: In afterpiece: Byrne, the two Miss Simonets

Song: In III: Epithalamium. Vocal Parts-Darley, Cubitt, Mrs Mountain, Mrs Martyr

Event Comment: Benefit Jenkins and James. At the Particular Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: Love For Love

Performance Comment: As17330120, but Tattle-Jenkins; Jeremy-James; Trapland-Norris; Nurse-Mrs Wetherilt; Prue-Mrs Hamilton; Ben-Rosco; A Comic Epilogue-Penkethman on an Ass.
Cast
Role: Jeremy Actor: James

Afterpiece Title: The Devil to Pay

Dance: DDutch Skipper-Mynheer Vanfleet, the first time of his appearing on any stage; Friendly Lasses-Miss Wherrit, Miss Sandham

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on DER DEUTSCHE HAUSVATER, by Otto Heinrich Freiherr von Gemmingen. Prologue by the author and John Thelwall (Boaden, Kemble, II, 114). Epilogue by the author (Knapp, p. 263)]: With new Scenes, Dresses and Decorations. Morning Chronicle, 18 Feb. 1794: This Day is published LOVE'S FRAILTIES (2s.). Oulton, 1796, II, 154: It was the first play published at the advanced price of 2s. [i.e. hitherto (since, at least, 1776) the price of full-length plays had been 1s. 6d.]. Receipts: #308 17s. 6d. (296/8/6; 12/9/0)

Performances

Mainpiece Title: Loves Frailties Or Precept Against Practice

Performance Comment: Principal Characters by Lewis, Quick, Holman, Munden, Farley, Blurton//Mrs Esten, Mrs Mattocks, Mrs Fawcett, Mrs Platt, Miss Leserve, Mrs Pope. [Cast from text (Shepperson and Reynolds, 1794): Mr Muscadel-Lewis; Sir Gregory Oldwort-Quick; Charles Seymour-Holman; Mr Craig Campbell-Munden; James-Farley; Footman [unassigned in text]-Blurton//Paulina-Mrs Esten; Nannette-Mrs Mattocks; Lady Louisa Compton-Mrs Fawcett; Mrs Wilkins-Mrs Platt; Julette-Miss Leserve; Lady Fancourt-Mrs Pope.] Prologue spoken by Bernard. Epilogue spoken by Mrs Esten. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Bernard. Epilogue spoken by Mrs Esten. [These were spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: James Actor: Farley

Afterpiece Title: HARTFORD BRIDGE

Event Comment: FFoote play'd Ben , Miss Macklin Miss Prue , Mrs Clive Mrs Frail . Foote cou'd not sing ye Song in Ben, so said two or three times, I can't do it & upon a little Hissing, said, Gentlemen I have no talents for singing-ye whole play Hum (Cross). [Opposed to Cross's summary of the effect of the performance appeared in Gray's Inn Journal the Murphy account (19 Jan.): The excellent Comedy of Love for Love has been revived here this week, the humorous and diverting Part of Ben, the sailor, was performed with great pleasantry by Mr Foote, who showed by his manner and his looks, that he had entered into the secret of the character, tho' twas visible at the same time, that his powers were greatly suppressed by his solicitude for his first appearance in a new character. It may be said of Miss Macklin, tho perhaps better qualified for spirited genteel comedy, that she acquitted herself with great applause in a part in which Mrs Clive has displayed so many inimitable strokes of humour."] Receipts: #160 (Cross)

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Foote; Sir Sampson Legend-Berry; Mrs Frail-Mrs Clive; Miss Prue-Miss Macklin (being their first appearance in those characters); Valentine-Havard; Scandal-Palmer; Foresight-Taswell; Jeremy-Blakes; Tattle-Woodward; Trapland-W. Vaughan; Nurse-Mrs James; Mrs Foresight-Mrs Bennet; Angelica-Miss Haughton.
Cast
Role: Nurse Actor: Mrs James

Afterpiece Title: The Chaplet

Related Works
Related Work: Harlequin's Chaplet Author(s): James Wild

Dance: III: A Hornpipe-Granier

Performances

Mainpiece Title: Love For Love

Performance Comment: As17321103, but Ben-Norris; Trapland-James; Prue-Miss Wherrit.
Cast
Role: Trapland Actor: James

Afterpiece Title: The Lovers Opera