SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr James Love"/1) | (@(roleclean,performerclean) "Mr James Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4692 matches on Event Comments, 3312 matches on Performance Title, 3052 matches on Performance Comments, 2196 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love And Money

Afterpiece Title: The Three and the Deuce

Afterpiece Title: New Hay at the Old Market

Performances

Mainpiece Title: Love And Money

Afterpiece Title: Three and the Deuce

Afterpiece Title: New Hay at the Old Market

Performances

Mainpiece Title: Love And Madness

Afterpiece Title: Tis a Wise Child Knows its Father

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Farm House

Dance: As17951005

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Irishman in London

Dance: As17951005

Performances

Mainpiece Title: Love And Money

Afterpiece Title: The Belles Stratagem

Afterpiece Title: No Song No Supper

Song: In: Thro the Wood Laddie-Miss Leak; In Masquerade Scene 2nd piece: Ally Croker-Miss Leak, Master Welsh

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Irishman in London

Dance: As17951125

Performances

Mainpiece Title: Love And Money Or The Fair Caledonian

Afterpiece Title: The Spanish Barber

Cast
Role: Sir James Elliot Actor: R. Palmer

Afterpiece Title: Katharine and Petruchio

Performances

Mainpiece Title: Mahomet

Related Works
Related Work: Mahomet the Imposter Author(s): James Miller

Afterpiece Title: Love in a Camp or Patrick in Prussia

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: An Harmonic Festival

Afterpiece Title: Lovers Quarrels

Related Works
Related Work: All Mistaken; or, The Mad Couple Author(s): James Howard

Dance: End I: The Statute Dance-

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Spoild Child

Song: End I: When on board our trim Vessel-Cooke (composed by Carter); End IV: Chelsea Quarters (composed by Schroeder)-Cooke

Entertainment: Imitations. End: a Variety of Imitations-Caulfield

Ballet: Following Imitations: The Scotch Ghost. As17961221

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Afterpiece Title: Love in a Camp or Patrick in Prussia

Entertainment: Monologue. End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Botheration

Afterpiece Title: Voluntary Contributions

Dance: End I 1st piece: The Statute Dance-

Song: In 2nd piece: Mr O'Blarney's Description of London, as17980508

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: The Prize

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Shipwreck

Related Works
Related Work: The Shipwreck; or, French Ingratitude Author(s): James Byrne
Related Work: The Shipwreck Author(s): Samuel James Arnold
Event Comment: The Rivals [advertised on playbill of 4 Jan.] is obliged to be deferred on account of the indisposition of a principal performer. "There seems to be a perverse and impolitic system introduced of late years in the management of this theatre, in virtue of which certain plays are suffered to remain in a state of slovenly representation, to serve as a kind of stage lumber, on which the manager can immediately lay his hand (confident of a good half-price, from the popularity of his after-piece); he wants something, no matter what, to fill up the intermediate space of time. This is a system, however, which in the event cannot fail to prove equally injurious to the interest of the proprietors, and the gratification of that part of the audience who pay the full amount of admission" (Dramatic Censor, I, 45). Receipts: #188 5s. (102.16; 83.17; 1.12)

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Love in a Camp or Patrick in Prussia

Song: End I: The Sailor's Journal-Incledon; In course Evening: Young William was a seaman true-Incledon; All get drunk together-Townsend; United Englishmen-Munden; The Anchor Smiths-Townsend

Performances

Mainpiece Title: Venice Preservd Or A Plot Discoverd

Performances

Mainpiece Title: Distressd Innocence Or The Princess Of Persia

Performances

Mainpiece Title: The Rape Or The Innocent Impostors