SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr J Rich"/1) | (@(roleclean,performerclean) "Mr J Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4804 matches on Event Comments, 1999 matches on Performance Comments, 688 matches on Author, 646 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Libertine

Performances

Mainpiece Title: Macbeth

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: London's Triumphs

Performances

Mainpiece Title: Musick; Or, A Parley Of Instruments

Event Comment: The Duke's Company. The date of the premiere is not known, but the fact that play was licensed for printing on 23 Feb. 1676@7 suggests a first performance about this time. The play was entered in the Term Catalogues, May 1677. Langbaine (English Dramatick Poets, p. 36) refers to this play as altered from Richard Brome's The Mad Couple

Performances

Mainpiece Title: The Debauchee; Or, The Credulous Cuckold

Performances

Mainpiece Title: The History Of Timon Of Athens, The Man-hater

Performance Comment: Edition of 1678: Prologue to Timon-; Timon of Athens-Betterton; Alcibiades-Smith; Apemantus-Harris; Nicias-Sandford; Phaeax-Underhill; Aelius-Leigh; Cleon-Norris; Isander-Percival; Isidore-Gillo; Demetrius-Medburne; Dephilus-Bowman; Old Man-Richards; Poet-Jevon; Evandra-Mrs Betterton; Melissa-Mrs Shadwell; Chloe-Mrs Gibbs; Thais-Mrs Seymour; Phinias-Mrs Le-Grand; Epilogue-.
Cast
Role: Old Man Actor: Richards

Performances

Mainpiece Title: Tunbridge Wells; Or, A Day's Courtship

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Female Prelate

Event Comment: The Duke's Company. The date of the first production is not known, but the entry of this play in the Term Catalogues for November 1680 suggests a first offering in September or October 1680. The music for the play was composed by Henry Purcell, his first (according to Downes composing for the stage. Downes (Roscius Anglicanus, p. 38) gives a shortened cast and adds: All the Parts in't being perfectly perform'd, with several Entertainments of Singing; Compos'd by the Famous Master Mr Henry Purcell, (being the first he e'er Compos'd for the Stage) made it a living and Gainful Play to the Company: The Court; especially the Ladies, by their daily charming presence, gave it great Encouragement. Dedication, Edition of 1680: The Reputation that this Play received on the Stage, some few Errors excepted, was more than I could well hope from so Censorious an Age....You [the Duchess of Richmond] brought her Royal Highness just at the exigent Time, whose single Presence on the Poet's day is a Subsistence for him all the Years after. A song, Hail to the myrtle shade, is in Choice Ayres and Songs, The Third Book (dated 2 Nov. 1680)

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Performances

Mainpiece Title: Sir Barnaby Whigg; Or, No Wit Like A Womans