SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr J B Rich"/1) | (@(roleclean,performerclean) "Mr J B Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4848 matches on Event Comments, 2026 matches on Performance Comments, 953 matches on Author, 651 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Register Office

Dance: The Sailors Revels, as17730928

Monologue: End: Linco's Travels. Linco-King; Old Woman-Mrs Bradshaw

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Richard Actor: Smith, first appearance there
Role: Richmond Actor: Palmer

Afterpiece Title: The Election

Cast
Role: Richard Actor: Vernon

Afterpiece Title: The Elopement

Cast
Role: Richard Actor: Vernon
Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: Phebe; or, The Beggar's Wedding

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece to conclude with a Grand Ballet in Spanish Characters by Giorgi, Byrn, Miss Byrn, Sga Dagueville and others. [This was danced, as here assigned, at all subsequent performances.]

Song: In Act I of mainpiece a song in character by Miss Hooke

Performances

Mainpiece Title: Cato

Afterpiece Title: Tom Thumb

Dance: As17840311athi

Song: End of Act II of mainpicce Auld Robin Grey, as17840426 imitations. After the Dancing, various Imitations, Vocal and Rhetorical by Bannister Jun

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Virgin Unmask'd

Song: In: The original Music by Matthew Locke, with full Chorusses and additional Accompaniments-Bannister, Sedgwick, Dignum, Danby, Maddocks, Caulfield, Cooke, Alfred, Shaw, Lyons, Mrs Bland, Mrs Edwards, Miss Hagley, Miss DeCamp, Mrs Shaw, Mrs Edwin, Mrs Butler, Mrs Bramwell, Mrs Gawdry, Miss Kirton

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Fortune's Frolick

Performances

Mainpiece Title: The London Hermit

Afterpiece Title: The Spoil'd Child

Afterpiece Title: The Prize; or, 2, 5, 3, 8

Song: End I 2nd piece: The Country Club-Wathen

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Jew and the Doctor

Afterpiece Title: Obi; or, Three-Finger'd Jack

Performances

Mainpiece Title: The Birth Day

Related Works
Related Work: The Birth Day Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: A Song for Every Body

Afterpiece Title: Obi

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lying Valet

Dance: The Faggot Binders, as17640224

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Receipt Tax

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Related Works
Related Work: Chrononhotonthologos Author(s): Richard Charke

Monologue: 1783 08 13 End of 2nd piece Joe Haynes's Epilogue by Wilson, riding on an Ass

Event Comment: Mainpiece [1st time; C 5, by John Burgoyne, based in part on Le Pere de Famille, by Denis Diderot. Prologue by the Hon. Richard Fitzpatrick; Epilogue by the author (see text)]: With a Variety of new Scenes [by Greenwood (Daily Universal Register, 16 Jan.)], Dresses, and Decorations. Public Advertiser, 4 Feb. 1786: This Day is published The Heiress (1s. 6d.). "It rarely happens that all the characters of a piece are so well sustained" (Morning Chronicle, 16 Jan.). "We never saw a play more admirably performed in all its parts" (Gazetteer, 16 Jan.). "In point of performance the comedy had every advantage" (Morning Herald, 16 Jan.). Receipts: #226 2s. (205/10; 20/7; 0/5)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Sword Of Peace; Or, A Voyage Of Love

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser; or, Wagner and Abericock Author(s): Richard Jones

Afterpiece Title: Ut Pictura Poesis

Afterpiece Title: Half an Hour after Supper

Dance: End 2nd piece: The Graces-the Miss Simonets

Performances

Mainpiece Title: The Sword Of Peace; Or, A Voyage Of Love

Afterpiece Title: The Agreeable Surprise

Event Comment: Mainpiece [1st time; C 5, by Joseph Richardson, based on The Coxcomb, Francis Beaumont and John Fletcher. Prologue by Richard Tickell. Epilogue by John Burgoyne (see text)]: With new Dresses, Decorations, &c. Morning Herald, 1 May 1792: This Day is published The Fugitive (1s. 6d.). Receipts: #315 7s. 6d. (275.0.0; 39.2.0; 1.5.6)

Performances

Mainpiece Title: The Fugitive

Related Works
Related Work: The Fugitive Author(s): Joseph Richardson

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: The Wicklow Mountains

Performances

Mainpiece Title: The Scowrers

Performance Comment: Edition of 1691: Mr Rant-Kynaston; Sir Will. Rant-Mountfort; Wildfire-Williams; Tope-Leigh; Whachum-Bowman; Bluster-Freeman; Dingboy-Cudworth; Sir Rich. Maggot-Bright; Ralph-Bowen; Jasper-Will Peer; Lady Maggot-Mrs Leigh; Eugenia-Mrs Barry; Clara-Mrs Bracegirdle; Priscilla-Mrs Cory; Lettice-Mrs Richeson; Abigal-Mrs Osborn; Prologue-; Epilogue-.
Cast
Role: Lettice Actor: Mrs Richeson
Event Comment: Not Acted these Fourteen Years. Written by the late Mr Farquhar. N.B. In Consideration of the Diversion the French Children have given the Town, Mr Rich has engag'd their Stay in England for some time longer, and on Thursday next they will perform again. Receipts: #25 1s

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Song: A Dialogue between-Cook, a Gentlewoman, who never appear'd on any Stage before

Dance: Thurmond Jr, Mrs Bullock, Mrs Schoolding, Miss Smith

Event Comment: [By Thomas Southerne.] Receipts: #93 10s. 6d. Victor, History of the Theatres, II, 152: I happened to be behind the Scenes the first Night of this Comedy, and was very sorry to find that the Audience did not take the Age, as well as the great Merit of this Author, into their Consideration, and quietly dismiss this last weak Effort to please them. When they were hissing dreadfully in fifth Act, Mr Rich, who was standing by Mr Southern, asked him, if he heard what the Audience were doifg? His Answer was, No, Sir, I am very deaf.

Performances

Mainpiece Title: Money The Mistress

Event Comment: LLondon Daily Post and General Advertiser, 6 Feb., contains a letter: To Mr John Hill, on his Answer to Mr Rich's Defence

Performances

Mainpiece Title: King Henry The Fourth, Part Ii

Afterpiece Title: The Dragon of Wantley

Dance: II: Comic Ballet-Villeneuve, Miss Oates; IV: Grand Ballet-Glover, Mlle Roland Ynger; In Afterpiece: Grecian Sailors-Glover

Event Comment: We hear that the play Venice Preserv'd is in Rehearsal at the Theatre Royal in Covent Garden, and is to be perform'd on Friday next; and that the part of Pierre will be attempted by a Gentleman who never appear'd on any stage before (General Advertiser). [This month was published A Letter to a certain Patentee, in which the Conduct of Managers is impartially considered, and a few Periods bestowed on those darlings of the Publick, Mr G k, Mr F te, Mrs P d, &c." Addressed to Rich it is criticism of his personnel policies as manager, with side comments on his morals, and some on his performances: of his Orpheus and Eurydice, the author agrees that three flaming scenes of Hell, now left out, should have been omitted from the beginning. The Serpent, however, generally behaves himself so well, that "I have had more real pleasure in his appearance than if he had been a living one." Dislikes his replacing Ryan with Hallam, dislikes his abuse of Mrs Pritchard, criticizes his casting Hippisley as Polonius, since Polonius requires more than Hippisley can give, the latter being able to act only in the comic way.

Performances