SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr J B Rich"/1) | (@(roleclean,performerclean) "Mr J B Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4848 matches on Event Comments, 2026 matches on Performance Comments, 1062 matches on Author, 651 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Genii

Dance: I: The Sailors Revels, as17730928

Performances

Mainpiece Title: The Committee

Afterpiece Title: Edgar and Emmeline

Dance: V: The Irish Fair, as17730918

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Elopement

Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Performances

Mainpiece Title: Electra

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: Medea

Related Works
Related Work: Medea Author(s): Richard Glover

Afterpiece Title: A Peep behind the Curtain

Song: The Azure God, composed by Giordani, sung-Mrs Smith

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: Harlequins Jacket

Dance: Slingsby, Sga Hidou. [Title unspecified.

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Wedding Ring

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Dance: I: The Irish Lilt-Giorgi, Mrs King; End: A Comic Dance-Duquesney, Mrs King

Entertainment: LLinco's Travels-King

Performances

Mainpiece Title: The Minor

Performance Comment: Mrs Cole, Smirk-Foote; The Minor-Davis; Shift (with Imitations), Squintum-Bannister; Sir William Wealthy-Castle; Transfer-Weston; Loader-Palmer; Sir Richard Wealthy-Gardner; Dick-Quick; Tally-Pynn; Lucy-a young Gentlewoman, first appearance on any stage; Occasional Prologue in Prose-Laconic-J. Palmer; Scaffold the Builder-Bannister; Snarl-Weston; Manager-Foote-London Magazine.
Cast
Role: Sir Richard Wealthy Actor: Gardner

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Jubilee

Performance Comment: Parts-King, Moody, Parsons, Ackman, Hurst, Waldron, Castle, Wheeler, W. Palmer, Wright, Keen, Hartry, Mesink, Clough, Booth, J. Burton, Mas. Cape, Mrs Bradshaw, Mrs Lowe. The Vocal Parts-Vernon, Dibdin, Bannister, Champnes, Fawcett, Kear, Miss Radley, Mrs Baddeley; The Dances-Dagueville, Mrs King, Sga Vidini, Miss Rogers; In which will be introduced The Pageant as it was intended for Stratford-Upon-Avon; Ralph-King; Irishman-Moody; Ballad Singer-Vernon; Ostler-Parsons; Country Girls-Mrs Baddeley, Miss Radley; Margery Jervis-Mrs Love; Female Ballad Singer-Dibdin; Prologue-King; Characters in the pageant: Benedict-Garrick; Beatrice-Miss Pope; Touchstone-King; Richard III-Holland; Romeo-Brereton; Hamlet-Cautherly; Falstaff-Love; Lear-Reddish; Antony-Aikin; Portia-Mrs W. Barry; Apollo-Vernon; Tragic Muse-Mrs Barry; Comic Muse-Mrs Abington; Also: Hurst, Wheeler, Castle, Waldron, Wright, Keen, Clough, Hartry, Messink, Booth, J. Burton, Master Cape, Mrs Bradshaw, Mrs Love; Dancing-; Singing- New Dresses, Scenes; Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926). Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926).
Cast
Role: Richard III Actor: Holland

Performances

Mainpiece Title: Timon Of Athens

Related Works
Related Work: Timon of Athens Author(s): Richard Cumberland

Afterpiece Title: Amelia

Related Works
Related Work: Amelia Author(s): Richard Cumberland

Performances

Mainpiece Title: The Fashionable Lover

Related Works
Related Work: The Fashionable Lover Author(s): Richard Cumberland

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: The Humours of the Turf

Dance: II: The Sailors Revels, as17711008

Entertainment: V: The entertainment A Picture of the Playhouse or Bucks Have at ye All-Palmer

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Minor

Cast
Role: Richard Wealthy Actor: Wrighten

Monologue: 1773 5 11 After the Play: True Blue; or, The Press Gang. True Blue-Davies; Lieut.-Bannister; Careful-Wright; Nancy-Mrs Wrighten; In which will be introduced a Hornpipe-Atkins

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Mayor of Garratt

Event Comment: Afterpiece [1st time; c 3, altered from the same, probably by the author, Richard Bentley]: Written in the manner of the Italian Comedy. With new Scenes and Dresses. [Author of Prologue unknown.] "It was originally produced at Drury Lane in the summer of 1761 [27 July] . . . and has now been new dished up, and seasoned to the day" (European Magazine, ibid). J. P. Collier states that "it is not a revival of the former piece" (MacMillan, Larpent Catalogue, p. 98). It was not, strictly speaking, a "revival", but, rather, a revision, as a collation of Larpent MS 586 (the present version, which is unpublished) with MS 199 (Bentley's 1761 version) makes clear. In 1761 Bentley introduced "the speaking Harlequin after the manner of the Italians . . . Mr Harris some years after gave it a second chance on the stage" (Cumberland, Memoirs, I, 212-14). Receipts: #215 19s. (213/5/6; 2/13/6)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Wishes

Related Works
Related Work: The Wishes; or, Harlequin's Mouth Opened Author(s): Richard Bentley
Related Work: The Wishes Author(s): Richard Bentley

Performances

Mainpiece Title: The Careless Lovers

Performances

Mainpiece Title: No Performance

Performances

Mainpiece Title: Aurelio And Miranda

Afterpiece Title: The Prize

Song: As17981231

Event Comment: Benefit Lacy. Afterpiece: A new Satyrical, Allegorical, Political, Philosophical Farce, [Apparently by Lacy.] Daily Advertiser, 30 April: Yesterday I accidentally call'd in at the Theatre in the Hay-Market, and saw the Rehearsal of a new Farce call'd Fame...Which is to be acted there on Wednesday next...for the Benefit of Mr Lacy the Author. As I am neither acquainted with him, nor the Master of the Playhouse, I cannot be accus'd of Partiality, in affirming, that I think this the best Farce this Age has produc'd. It seems to be writ in Imitation of Shakespear, and entirely calculated for the present Taste. The Characters are strong, lively, majestic, and just; the incidents natural and moving; the Conduct regular; the Distresses extremely affecting; the Stile sublime; the Sentiments grand, full of Patriotism; and the Catastrophe so masterly wrought up, that, I am persuaded, no Farce whatsoever, now acting, will draw more Tears than this. But what affected me beyond all, was, the Zeal, the exemplary Zeal of a worthy Magistrate, who so strictly adheres to the very Letter of the Law, as to send a rich and honest Merchant, and Freeholder, to the House of Correction, as a sturdy Beggar, or Loiterer. I could enlarg in its Praise, but fear I may do the Author wrong, in raising your Expectations too high. See it, and I am convinc'd you will entertain the same Sentiments of it, as does Your Humble Servant, James Lacy. Alias Fustian, alias Sour-Wit, alias--But hold:--If I should be arraign'd for the Murder of this Farce, so many Alias's will half condemn me before I am heard

Performances

Mainpiece Title: Pasquin

Related Works
Related Work: The Life and Death of Common Sense Author(s): Richard Wilson

Afterpiece Title: Fame or Queen Elizabeths Trumpets or Never pleads Hopes of being a Lord Chancellor or The Lover turnd Philosopher or The Misers Resolve upon the Lowering of Interest

Event Comment: Paid Quin on account #100. Gilbert Walmesley to Garrick, 3 Nov,: I see by the prints you are engaged with Mr Rich. I hope you will take care not to hurt your health by playing more than you can well bear....But I must not forget to tell you what Lord Chesterfield says of you. He says you are not only the best tragedian now in the world, but the best, he believes, that ever was in the world; but he does not like your comedy, and particularly objects to your playing Bayes, which he says is a serious solemn character and that you mistake it. He spoke much in praise of Barry's handsome figure, but made a joke of his rivaling or hurting you.-Boaden, Private Correspondence of Garrick, I, 44. Receipts: #170 9s

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked