SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr J B Rich"/1) | (@(roleclean,performerclean) "Mr J B Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4848 matches on Event Comments, 2026 matches on Performance Comments, 1062 matches on Author, 651 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; T 4, but published in 5, by Richard Bentley. The assignments of Fearon, Booth, Mahon (who are not listed in the text) are my own conjecture. Prologue and Epilogue by Richard Bentley Jun. (Public Advertiser, 18 Dec.)]: New Dresses, &c. Words of the Epithalamium will be given at the Box Doors. Public Advertiser, 11 Jan. 1783: This Day is published Philodamus (1s. 6d.). Afterpiece: Never performed at this Theatre. Receipts: #203 2s. (198/16/6; 4/5/6)

Performances

Mainpiece Title: Philodamus

Related Works
Related Work: Philodamus Author(s): Richard Bentley

Afterpiece Title: The Quaker

Dance: End of mainpiece Diversion a-la-Mode, as17821211 in which The Devonshire Minuet, as17821129

Song: In Act III of mainpiece an Epithalamium by Mrs Kennedy and Mrs Martyr

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Irish Widow

Dance: As17821005

Event Comment: Benefit for Jewell, treasurer. 3rd piece [1st time; F 1, by Richard Paul Jodrell. Text 1st published (with cast for later season) by W. Lowndes and J. Barker, 1786]

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Summer Amusement

Afterpiece Title: Seeing is Believing A Dramatic Proverb

Related Works
Related Work: Seeing is Believing: A Dramatic Proverb Author(s): Richard Paul Jodrell

Dance: As17830610

Performances

Mainpiece Title: The Magic Picture

Afterpiece Title: The Poor Soldier

Song: In Act II of mainpiece a Grand Chorus [Crowned with conquest] by Bannister, Reinhold, Johnstone, Mattocks, Brett, Mahon, Doyle, Darley; Mrs Bannister, Mrs Johnstone, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Kennedy. [For songs, see below.]

Performances

Mainpiece Title: Robin Hood Or Sherwood Forest

Afterpiece Title: Harlequin Rambler

Dance: End of mainpiece a New Dance by Le Bccuf and Mlle Constance (from the King's Theatre in Paris; 1st appearance)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Three Weeks after Marriage

Dance: End of mainpiece Adelaide de Brabant, as17840508

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Irish Widow

Dance: End of Act I of afterpiece Hornpipe, as17840416

Performances

Mainpiece Title: The Conscious Lovers

Related Works
Related Work: The Conscious Lovers Author(s): Richard Steele

Afterpiece Title: The Spanish Rivals

Song: In Act II of mainpiece a song by Miss Stageldoir

Event Comment: [Mainpiece in place of Tamerlane, announced on playbill of 23 Dec] Afterpiece [1st time; P 2 (?), by Ralph Wewitzer and Frederick Pilon. MS not in Larpent; not published. Synopsis of action in Town and Country Magazine, Supp. 1784, p. 717]: With new Scenery, Music, Dresses and Decorations. The Scenes chiefly designed by Richards, and executed by him, Carver, Hodgins, and assistants. The Overture, Songs, Chorusses and the whole Music of the Pantomime new, and composed by Shield. Nothing under Full Price will be taken. The Words of the Songs, &c to be had at the Theatre. "The performance was such as the first performance of pantomimes generally--machinery and scenery not so perfectly executed as when practice has rendered the movements more familiar to those to whom they belong, which, as the beauty of a pantomime depends on the celerity and adroitness of the scene-men, it seldom is discovered on the first night" (Public Advertiser, 28 Dec)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Magic Cavern or Virtues Triumph

Song: In Act I of mainpiece song by Brett

Performances

Mainpiece Title: Nitteti

Dance: End of Act I Le Jugement de Paris, as17850212, but omitted: Mme Rossi; End of Opera The Deserter, as17850111, but omitted: Nivelon, Mlle Dorival

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: Barataria or Sancho Turnd Governor

Dance: As17841201

Monologue: 1785 03 29 Preceding the mainpiece Mother Shipton's Review of the Audience (Written by the late D. Garrick, Esq.) [speaker not listed, but probably Quick]

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Nunnery

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: The Campaign Or Love In The East Indies

Afterpiece Title: Retaliation

Dance: As17841116

Performances

Mainpiece Title: Orfeo

Dance: Dances incidental to the Opera composed by Lepicq, and performed by him, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Deuce is in Him

Dance: As17840918

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Humourist

Dance: As17851103

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Song: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss Stageldoir, and Singing by Miss Field; End of Act III The Market-Day, as17851024

Performances

Mainpiece Title: The Captives

Related Works
Related Work: The Virgin Queen; or, The Captive Princess Author(s): Richard Barford

Afterpiece Title: The Humourist

Song: In Act II of mainpiece an Ode (composed by Dr Cooke). Vocal Parts by Dignum, Danby, Wilson, Phillimore, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Burnett, Miss J. Stageldoir, Mrs Forster

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I Divertissement Villageois, as17860218; End of Opera a New Divertissement (composed by Giroux) by Vestris, Sga Carolina, Sga Crespi, Henry, Marseilles, Duquesney Jun., the two Mlles Simonet, Mlle Mozon, Fabiani (1st King's appearance in England)

Performances

Mainpiece Title: The Captives

Related Works
Related Work: The Virgin Queen; or, The Captive Princess Author(s): Richard Barford

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd; or, Patie and Roger Author(s): Richard Tickell

Dance: As17860223

Song: As17860309athi

Performances

Mainpiece Title: The Peruvian

Afterpiece Title: The Country Wife

Performances

Mainpiece Title: The Provokd Husband

Cast
Role: Squire Richard Actor: Suett

Afterpiece Title: Catherine and Petruchio

Dance: As17860601

Performances

Mainpiece Title: Seeing Is Believing A Dramatic Proverb

Related Works
Related Work: Seeing is Believing: A Dramatic Proverb Author(s): Richard Paul Jodrell

Afterpiece Title: The Spanish Barber

Afterpiece Title: Rosin a

Event Comment: Afterpiece [1st time; MD 3, by John Burgoyne]: From the French of Michel Jean? Sedaine. With new Scenery, Dresses and Decorations. The Music by the celebrated Gretry [adapted by Linley Sen.]; and the Paintings by Greenwood. Books of the Dialogue & also of the Songs to be had at the Theatre. Morning Chronicle, 25 Oct 1786: This Day is published Richard Coeur de Lion (1s. 6d.). Receipts: #226 (191.3; 32.14; 2.3)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: Richard Coeur de Lion

Performance Comment: Principal Characters by Kemble, Barrymore, Suett, Williames, Fawcett, Phillimore, Chaplin, Bannister, Miss Romanzini, Mrs Crouch, Mrs Love, Miss Cranford, Miss DeCamp, Mrs Jordan. Cast from text (J. Debrett, 1786): Richard-Kemble; Blondel-Barrymore; Guillot-Suett; Florestan-Williames; Old Mathew-Fawcett; The Seneschal-Phillimore; Pilgrim-Chaplin; Sir Owen-Bannister; Antonio-Miss Romanzini; William-Spencer; Laurette-Mrs Crouch; Dorcas-Mrs Love; Collette-Miss Cranford; Julie-Miss DeCamp; Matilda-Mrs Jordan.
Cast
Role: Richard Actor: Kemble

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.