SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr J Aickin"/1) | (@(roleclean,performerclean) "Mr J Aickin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4570 matches on Event Comments, 3497 matches on Performance Comments, 618 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Trueman Actor: Aickin

Afterpiece Title: Flora

Dance: End: By Particular Desire, a Minuet-Giorgi, Mrs Palmer; After which Cries of London, in which will be introduc'd a Description of the Tombs in Westminster Abbey-Vernon

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Barry; Roderigo-Dodd; Cassio-Palmer; Iago-Holland; Brabantio-Burton; Duke-Bransby; Lodovico-Packer; Montano-Aickin; Gratiano-Hurst; Emilia-Mrs Hopkins; Desdemona-Mrs Barry.
Cast
Role: Montano Actor: Aickin

Afterpiece Title: The Lottery

Performances

Mainpiece Title: King Richard Iii

Cast
Role: King Henry VI Actor: J. Aickin

Afterpiece Title: The Election

Afterpiece Title: The Elopement

Cast
Role: Patent Actor: Aickin

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: Harlequin Teague or The Giants Causeway

Dance: Afterpiece to conclude with a Grand Ballet in Spanish Characters by Giorgi, Byrn, Miss Byrn, Sga Dagueville and others. [This was danced, as here assigned, at all subsequent performances.]

Song: In Act I of mainpiece a song in character by Miss Hooke

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Kemble; Juba-Bannister Jun.; Syphax-Aickin; Sempronius-Banymore; Decius-Chaplin; Lucius-Packer; Marcus-Brereton; Portius-Palmer; Lucia-Mrs Brereton; Marcia-Miss Bannister (1st appearance in that character, and 2nd appearance on any stage) .
Cast
Role: Syphax Actor: Aickin

Afterpiece Title: Tom Thumb

Dance: As17840311athi

Song: End of Act II of mainpicce Auld Robin Grey, as17840426 imitations. After the Dancing, various Imitations, Vocal and Rhetorical by Bannister Jun

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: The London Hermit

Cast
Role: Old Pranks Actor: Aickin

Afterpiece Title: The Spoild Child

Afterpiece Title: The Prize or 2 5 3 8

Song: End I 2nd piece: The Country Club-Wathen

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Jew and the Doctor

Afterpiece Title: Obi or Three Fingerd Jack

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: A Song for Every Body

Afterpiece Title: Obi

Event Comment: By Command of their Majesties. Performed as an Oratorio, though only a Serenata. Words by Gay...set to music by Mr Handel for that princely nobleman the Duke of Chandos...This being too short for a whole evening's entertainment, Mr Dryden's celebrated Ode, also set by Handel, was performed after the Serenata. End of Part I Concerto on French Horn, by Ponta. End of Part II, Solo on Violincello-Janson (Theatrical Review, 18 March). Ross and Mossop engag'd for Haymarket for tragedy, also Bannister; Aickin, Baddeley, Parsons, Dibdin, Mrs Baddeley, Evans, Miss Miller, Miss Ambrose &c. (Winston MS 10). [For Summer season?]

Performances

Mainpiece Title: Acis And Galatea With Drydens Ode

Music: End Part I: Concerto on French Horn-Ponta; End Act II: Concerto on Violincello-Janson

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Virtuoso

Performances

Mainpiece Title: Love And A Bottle

Performances

Mainpiece Title: La Conquista Del Vello Doro

Performances

Mainpiece Title: Regulus

Afterpiece Title: The Amorous Goddess

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

Dance: In I: a Dutch Dance, as17481203; Savoyards, as17480920

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The London Merchant Or The History Of George Barnwell

Afterpiece Title: Lethe

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Mock Doctor

Dance: II: Comic Dance, as17501117

Ballet: V: The Birdcatchers. As17501127

Performances

Mainpiece Title: The Old Womans Oratory

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Standard Actor: Aickin

Afterpiece Title: The Lottery

Dance: End: Comic Dance, as17720326

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Cobler

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Polly Honeycomb

Dance: I: The Pirates, as17750422