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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr How"/1) | (@(roleclean,performerclean) "Mr How")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7760 results for: Keyword - Mr How
We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.

1101
27 June 1774 @ Haymarket Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Padlock

Dance: As17740613

1102
11 October 1774 @ Covent Garden

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Chaplet

1103
01 November 1774 @ Covent Garden

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: No One's Enemy but His Own

Dance: II: The Provencale, as17740928; End: The Reel, as17741028

1104
18 March 1775 @ Covent Garden

Event Comment: Benefit for Mrs Barry. Mainpiece: A Tragedy altered from Thomson [by Thomas Hull] never perform'd. Part of Pit laid into the Boxes. Servants who are to keep places are desired to be at the stage door by 4 o'clock, and those Ladies and Gentlemen who have taken seats in the Pit are requested to come early to prevent confusion in getting to their places. Epilogue by Sheridan. [This play had been refused a license on 26 March 1739, While Walpole was still Prime Minister, probably because of such speeches as: @Is there a cure on Humankind so fell@So pestilent, to Prince and People,@As the base servile vermin of a court;@Corrupt, Corrupting ministers and favourites?@How oft have such eat up the widow's morsel,@The Peasant's toil, the Merchant's far-sought gain,@And wantoned to the ruin of a nation!-Larpent MS, op. p. 65.@ Also the play equalizes Christianity and Mohammedanism before God, and gives a slight edge to the latter (Act IV, scene ii), suggesting the part politics play in Christian churches. An account of the alterations made for the present performance is given in the Westminster Magazine for March. The review concludes: The Play was got up altogether well, and reputedly acted, and is in its present state what the Ladies call "a very pretty tragedy."

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Dance: End Epilogue: The Vintage Festival, as17741007

1105
06 March 1778 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Sacred Canons

Music: End Part I: concerto on the German flute-Florio; End of Part III: concerto on the piano forte-Miss Weichsel; concerto on the hautboy-LeBrun; concerto on the violin-Master Weichsel

1106
26 March 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The Orphan Of China

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Entertainment: End: a variety of Imitations-Kelly; Monologue. After which: A Monody on the late Mr Henderson-the Gentleman who performs Zamti

1107
23 February 1789 @ Haymarket Theatre

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: Bon Ton; or, High Life above Stairs

Song: End: The Noon Tide Airfrom Comus-Mrs Farrer; The Soldier tired of War's Alarms-Mrs Nathan

Entertainment: Monologue. After Singing: A Monody on the Death of the late Mr Henderson (2nd time)-Baker

1108
23 August 1798 @ Haymarket Theatre

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Shipwreck

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

1109
12 February 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: Tunbridge Walks

Music: A piece of Instrumental Musick- to be perform'd on the Stage

Song: Mr Laroon, Mrs Hughs; particularly a Two/part Song-Mr Laroon, Mrs Hughs compos'd by the late Mr Henry Purcell

Song: Country Farmer's Daughter, Highland Lilt-the Devonshire Girl; The Whip of Dunbyn-Claxton; a new Entry-Mrs Campion, others; A Scotch Dance-Mrs Bicknell; a new Scaramouch Man and Scaramouch Woman-Laferry, Mrs Lucas

1110
21 March 1737 @ Haymarket Theatre

Event Comment: By the Great Mogul's Company of Comedians. Mainpiece: Written by the Author of George Barnwell. Afterpiece: A new Dramatick Satire: With freshest Advices Foreign and Domestick. Written by the Author of Pasquin [Henry Fielding]. These Characters will all be seen cheap; 1n the Boxes at 5s.; in the Pit at 3s.; in the Gallery at 2s. Note, None will be admitted after the House is full; for which Reason, the sooner you come, or secure your Places, the better. All Persons are desir'd to cry at the Tragedy, and laugh at the Comedy, being quite contrary to the present general Practice. Mr Hen gives Notice, that if any Joke is both Hiss'd and Clapp'd, such Division will be consider'd an Encore, and the said Joke be put up again. Daily Advertiser, 22 March: Last Night the two new Performances at the Hay-Market...were receiv'd with the greatest Applause ever shown at the Theatre

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Historical Register

1111
04 May 1722 @ Clafton

Performances

Mainpiece Title: The Siege Of Damascus

1112
25 February 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: Rosamond

1113
12 March 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Judgment of Paris

1114
22 July 1735 @ Haymarket Theatre

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Honest Yorkshireman

Music: As17350715

Dance: French Peasant by Vallois and Mrs Woodward. Two Pierrots by Vallois and Davenport. Le Gout Anglois by Mr and Mrs Davenport

Song: As17350718

1115
04 May 1737 @ Haymarket Theatre

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

1116
20 April 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The What D'ye Call It

Dance: II: A Hornpipe-aYoung Gentlewoman, 1st appearance; V: The Sailors Revels, as17711008

1117
24 March 1794 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: WHO'S THE DUPE

1118
25 April 1702 @ Chelsea College

Performances

Mainpiece Title: Concert

Music: Mr Abell's new Consort of English Musick-; [composed on the Royal Subject [the Queen's Coronation]: With other Songs in several Languages-; accompanied-the greatest Masters [of Instrumental Musick

1119
25 November 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: The Emperor Of The Moon

Song: Mr Mason, who never appear'd upon the Stage before

Music:

Dance:

1120
26 November 1713 @ Tennis Court

Performances

Mainpiece Title: Rope Dancing

Entertainment: Mr Gibbons's Company of French Rope Dancers; where you will see stiff Rope-little Child (about two Years and a half old) perform such wonderful things, as is surprising to all that behold him; extraordinary Dancing on the stiff Rope-A Young Maiden who dances to Admiration; Dancing on the Rope, Playing on the Violin-the famous Scaramouch lately come from France, who turns himself as if he was going on the Ground; Walking on the Slack Rope after the Italian manner-A Young Man; Lastly Tumbles-The Famous Gibbon who has had the honour to perform before most of the Courts in Europe, for Lightness, and Agility, far beyond what has ever yet been seen; You will likewise be entertained with good Musick-

1121
03 October 1720 @ Southwark

Performances

Mainpiece Title: Love For Love

Song: Comical Dialogue between Dr Thornhill and his Old Merry Andrew-Mr Platt, others

Dance: Mr Jones, others

1122
14 April 1722 @ Greenwich

Performances

Mainpiece Title: Tamerlane

1123
20 December 1725 @ Drury Lane Theatre

Performances

Mainpiece Title: The Funeral

Dance: Mr Sandham's Children, who never appeared on any Stage before; La Folette, as17250928

1124
24 March 1726 @ Haymarket Theatre

Performances

Mainpiece Title: La Fille Allamode; Ou, La Parisien Duppe

Afterpiece Title: L'Ombre D'Arlequin

Dance: Mr Poitiers, others

1125
09 May 1726 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Dance: I: Passacaille-Miss Robinson; II: Peirette-Mrs Brett; III: Polonese-Miss Robinson, Rainton; IV: Harlequin-Rainton; V: Spanish Entry-Miss Robinson

Music: II: Serenade on Violin-Roger , to his Mistress in the Character of Pierot