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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr How"/1) | (@(roleclean,performerclean) "Mr How")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7760 results for: Keyword - Mr How
We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.

1026
15 February 1771 @ Drury Lane Theatre

Performances

Mainpiece Title: Samson

Music: First Violin-Mr Barthelemon; Concerto on Organ-Stanley; Solo on Violincello-Duport

1027
04 November 1771 @ Covent Garden

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Author

Dance: End: A New Comic Dance, call'd The Jovial Gardners-Sga Manesiere, Miss Hamoir, Mr Drouville[, being his 1st appearance. [See17630312.

1028
19 September 1774 @ Covent Garden

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: Thomasand Sally

Dance: End: A Comic Dance, The Italian Gardeners-Mr and Miss West (Late pupils of Sg Grimaldi) [their first appearance on this stage. [See dl 9 Dec. 1760.

1029
03 March 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Organ Concerto-Stanley; Part II: Violin Concerto-Barthelemon; After the Second Song in Part III: a Concerto on the Hautboy-Mr ThomasVincent (who has not performed in Public for several years)

1030
25 August 1777 @ Haymarket Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Fairy Tale

1031
September 1676 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Town-fopp; Or, Sir Timothy Tawdry

1032
May 1679 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is uncertain. The fact that the Epilogue suggests that it followed Settle's The Female Prelate is not a factor in the dating, as the Newdigate newsletters--see Wilson, Theatre Notes from the Newdigate Newsletters, p. 80--show that Settle's play was first acted on 31 May 1680, whereas Caesar Borgia was entered in the Term Catalogues, November 1679. Although the reference in the Epilogue to burning the Pope's Effigies" has been argued as referring to the Pope-burning procession of 17 Nov. 1679, the references in the Epilogue to Father Lewis, who was tried and convicted at York, 28 March 1679, suggest that it was written before his execution, 27 Aug. 1679. Hence the play may have been acted first some time in the late spring or the summer. A song, Blush not redder than the Morning, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681

Performances

Mainpiece Title: Caesar Borgia, Son Of Pope Alexander The Sixth

1033
December 1679 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Loyal General

1034
April 1682 @ Dorset Garden Theatre

Performances

Mainpiece Title: The City Heiress; Or, Sir Timothy Treatall

1035
December 1695 @ Westminster School

Performances

Mainpiece Title: Cleomenes

1036
April 1699 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Princess Of Parma

1037
04 July 1704 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Villain

Song: Mrs Hodgson, Cook, Davis

Dance: Firbank, Firbank's scholar, Miss Evans; Blouzabella-Prince, Mrs Clark

1038
18 January 1705 @ Drury Lane Theatre

Performances

Mainpiece Title: Farewell Folly; Or, The Younger The Wiser

1039
17 October 1715 @ Drury Lane Theatre

Performances

Mainpiece Title: The Busie Body

1040
10 February 1731 @ Drury Lane Theatre

Performances

Mainpiece Title: The Jovial Crew

1041
21 April 1732 @ Drury Lane Theatre

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Lottery

Dance: Essex, Thurmond, Lally, Houghton, Tench, Mrs Booth, Mrs Walter, Mrs Delorme, Miss Robinson; particularly The Masques-; Highland Dance-a Native of that Country , for his Diversion

1042
05 May 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: The Livery Rake; or, The Intriguing Servants

Dance: I: Drunken Peasant-LeBrun; II: Saraband, Minuet-Lally Jr, Miss Mears; IV: English Maggot-Haughton, Mrs Walter; V: The Watteau-Miss Robinson; End of Afterpiece: Bartholomew Fair-F. Tench, Mrs Delorme

1043
02 April 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Dance: The Polonese, as17340401 Grand Dance in Momus: Sailor-Nivelon; Lively Lass-Miss Man; Les Plaisirs-Essex, Miss Robinson; Nymphs-Miss Latour, Mrs D'Lorme, Mrs Davenport

Song: Per le Porte del Tormento by Miss Arne and Master Arne

1044
21 September 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: Cato

Afterpiece Title: The Burgo-Master Trick'd

Dance: As17340919

1045
25 September 1734 @ Goodman's Fields

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Britannia; or, The Royal Lovers

1046
30 September 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Burgo-Master Trick'd

1047
03 October 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Burgomaster Trick'd

Dance: La Follette s'cest ravisee. Revellers. Pierots. Les Bergeries. By Poitier, Nivelon, Essex, Pelling, Chose, Davenport, Janno, Mrs Walter, Mrs Pelling, Miss Mann, Miss Brett

1048
30 October 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Burgomaster Trick'd

Dance: As17341028

1049
12 December 1734 @ York Buildings

Performances

Mainpiece Title: P Ormio

1050
16 April 1735 @ Covent Garden

Performances

Mainpiece Title: Alcina