SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr How"/1) | (@(roleclean,performerclean) "Mr How")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Albumazar

Event Comment: CCross: (Pam: publish'd). Play dislik'd. Hiss'd much. [The pamphlet referred to was "Mr Garrick's Conduct as Manager of TRDL considered in a Letter Addressed to him," by E. F. 18 Oct.: As a manager, Sir, it is your business not only to prepare the Evening's Entertainment, but to prepare it in the best manner you are able; and the manager who does otherwise uses his customers ill." The burden of the author's complaints was: (1) the theatre has been operating for a month yet Garrick has appeared in only one character; (2) that he should buy himself off with speaking a prologue only, then sell that to the public at 6d. shows vanity, avarice, and lack of managerial responsibility; (3) that plays such as Albumazar (simple and poorly cast) and Scornful Lady, (with irreligious and atheistical parts) should not have been passed off on the public, whose expectations were raised high at the thought of Garrick's management. Macklin even had to apologize to the audience as he played the part of Sir Roger in the latter play. E. F. closed by urging: "Get up the best of our English Tragedies and Comedies; encourage the rising Wits and be under no apprehesion of the want of success." If you use common sense in casting your actors, as your former managers did (with all their other faults) in casting you, you will not yourself have to play every night. Above all remember your responsibility to the public.] Receipts: #100 (Cross); #127 4s. 6d. (Powel)

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The Double Disappointment

Dance: II: Dance-Cooke

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Afterpiece Title: The Double Disappointment (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Virgin Unmask'd

Dance: DDance-Cooke

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Tea

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: Lucius Verus

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: Roxana

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lying Valet

Dance: Cooke, Anne Auretti

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Virgin Unmask'd

Dance: I: Tambourine-Anne Auretti; III: Savoyards, as17471215; V: Dutch Dance, as17471128

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Dragon of Wantly

Dance: Cooke, Anne Auretti

Event Comment: Benefit for Mrs Horton. [A "puff" for Leveridge's forthcoming benefit (31 March) in a letter to the General Advertiser, followed by 3 stanzas of verse]: Sir, The Remembrance of the pleasure I have often receiv'd, in a series of years, by hearing Mr Leveridge's Performances on the stage, occasion'd the following Lines: which however artless they are wrote, will I dare say give no offense to the good natur'd part of Mankind. I am your constant reader. T.H.: @I Whilst Garrick justly claims applause,@Old Leveridge humbly sues,@That you'll not quite neglect his cause@Nor now his suit refuse.@Whilst youthful vigor tun'd his voice@With song he rais'd the heart;@To cheer that voice, now chilled with Age@Becomes a noble part.@Then shew that faithful service past@Your thoughts does still employ;@And by your num'rous Presence grac'd@Revive old age with joy.

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: Damon and Phillida

Song: n Irish Song %Ellen a Roon-Mrs Storer

Dance: Master Granier, Miss Granier

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Lying Valet

Dance: I: Polish Dance, as17471109; III: Dutch Dance, as17471128; IV: Pastoral Dance-Cooke, Janeton Auretti; V: A Ball Dance, call'd The Louvre-; concluding with: a Minuet-Cooke, Anne Auretti

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: A Will and No Will

Song: II: Mrs Mozeen

Dance: III: Savoyards, as17471215; IV: Dance-Cooke, Janeton Auretti