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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr How"/1) | (@(roleclean,performerclean) "Mr How")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7760 results for: Keyword - Mr How
We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.

2826
02 August 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Liar

2827
03 August 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Honest Thieves

Dance: End: Hornpipe-Sga Bossi DelCaro

Music: After Dancing: a favourite concerto by Dussek upon the Grand Piano Forte-Miss Gaudry (1st appearance in public)

Song: End I afterpiece: a favourite song by Webbe-Master Sincock

Entertainment: In the course of the Evening: a Variety of Imitations-Caulfield

2828
09 August 1797 @ Haymarket Theatre

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Mountaineers

Afterpiece Title: Cross Purposes

2829
13 September 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Guardian

2830
03 October 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Prize

2831
13 October 1797 @ Covent Garden

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: A Divertisement

Dance: Ballet, as17971002, but Mrs _Watts

2832
18 October 1797 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: England's Glory; or, The Defeat of the Dutch Fleet by the Gallant Admiral Duncan on the Memorable Eleventh of October

Dance: In Scene V 3rd piece: a Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

2833
20 October 1797 @ Covent Garden

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Maid of the Mill

Afterpiece Title: England's Glory

Dance: As17971018

2834
23 October 1797 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Maid of the Mill

Afterpiece Title: England's Glory

Dance: As17971018

2835
24 October 1797 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: England's Glory

Dance: End II : Les Delassemens Militaires, as17971021; End 2nd piece: Peggy's Love, as17971021

2836
25 October 1797 @ Covent Garden

Event Comment: "We consider Madame Mara, to use vulgar phrase, as upon he last legs...[Her] Polly is downright burlesque; her figure, countenance, and time of life are directly repugnant to our ideas of the character; and her foreign accent and gesticulation complete the absurdity" (Monthly Mirror, Nov. 1797, p. 299). "Mme Mara is merely a singer; her voice is by no means calculated to give effect to the dialogue of the part; and her performance, although she appears to have paid considerable attention to the degree of action necessary for the part, is greatly deficient in point of feeling...Her deficiency in person and performance, however, is amply compensated for in her ability as a singer" (Morning Herald, 26 Oct.) Receipts: #329 16s. (324.6; 5.10)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Honest Thieves

Dance: III: a Hornpipe in Fetters-Blurton

2837
26 October 1797 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Maid of the Mill

Afterpiece Title: England's Glory

2838
28 October 1797 @ Covent Garden

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: A Divertisement

Afterpiece Title: England's Glory

Dance: In 2nd piece: Ballet, as17971013

2839
31 October 1797 @ Covent Garden

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Irishman in London

Afterpiece Title: England's Glory

2840
01 November 1797 @ Covent Garden

Performances

Mainpiece Title: King Henry The Fourth, First Part

Afterpiece Title: The Highland Reel

Afterpiece Title: England's Glory

2841
08 November 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Richard Coeur de Lion

2842
10 November 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: A Trip to the Nore

Afterpiece Title: My Grandmother

Dance: In 2nd piece: As17971109; IV: a Masquerade Scene-; a Minuet-D'Egville, Miss Goddard

2843
11 November 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: A Trip to the Nore

Afterpiece Title: The Deaf Lover

2844
13 November 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: A Trip to the Nore

2845
14 November 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: A Trip to the Nore

Afterpiece Title: High Life below Stairs

Dance: IV: Minuet, as17971110; II 3rd piece: a Mock Minuet-Palmer, Miss Pope

2846
15 November 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Gamester

Afterpiece Title: A Trip to the Nore

Afterpiece Title: All the World's Stage

2847
16 November 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Devil to Pay

Afterpiece Title: A Trip to the Nore

2848
16 November 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: The Poor Soldier

2849
18 November 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Prize

Afterpiece Title: A Trip to the Nore

2850
20 November 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: Bon Ton

Afterpiece Title: A Trip to the Nore