SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Hough"/1) | (@(roleclean,performerclean) "Mr Hough")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4233 matches on Event Comments, 1173 matches on Performance Comments, 529 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Captain O'Blunder; or, the Brave Irishman

Dance: The two Masters Granier, Miss Granier; Wooden Shoe Dance, Hornpipe-Banberry

Performances

Mainpiece Title: The New Occasional Oratorio

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Mock Doctor

Entertainment: II: Drunken Peasant-Chettle

Dance: III: Comic Dance-The Masters Granier, Miss Granier; V: Hornpipe-Williams

Song: III: Merry Cobler or +Monsieur Defeated-

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: Pyramus and Thisbe

Dance: Cooke, Sga Campioni, Sodi

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Phebe

Dance: DDrunken Tyrolese-Sodi; Peasant-Cooke

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Song: Between the Acts: particularly The Noon/Tide Air, Polly Willis-Mrs Hooper

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: The Double Disappointment

Song: II: Lowe; III: Polly Willis-Mrs Clive

Dance: IV: Muilment

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Lying Valet

Dance: PPeasant-Cooke; Comic Ballet-Cooke, Sga Campioni

Song: SSong of Diana, as17460313 Genius of England-Beard

Performances

Mainpiece Title: The Relapse

Song: I: Leveridge; II: Song of Diana, as17460313 IV: New Ballad Mirth gives Courage-Leveridge; V: The Wisdom of the Ancients-Leveridge

Dance: II: Drunken Tyrolese, as17460405 V: The Peasants, as17460405

Performances

Mainpiece Title: The Humours Of The Army; Or, The Female Officer

Afterpiece Title: Will and no Will; or, A Bone for Lawyers

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: Phebe

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Intriguing Chambermaid

Song: II: Bibby; IV: Colin and Phebe-Bibby, Miss Edwards

Dance: III: Italian Peasants, as17460206

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Schoolboy

Dance: LLes Allemandes, as17460421 The Peasants, as17460405

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Anatomist; or, the Sham Doctor

Song: IV: Lowe; V: Mrs Clive

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

Event Comment: [Full column in Daily Advertiser describing Barry's and Mrs Macklin's acting techniques.] Barry from the Theatre in Dublin, perform'd the part of Othello, at Drury Lane, before a numerous and polite audience; and met with as great Applause as could be express'd.--General Advertiser, 6 Oct. Thomas Gray to Horace Walpole: You have probably been there since I left you, and consequently have seen the Mr Barry you desired some account of; yet as I am not certain of this and should be glad to know whether we agree about him, I will nevertheless tell you what he is, and the impression he made upon me. He is upwards of six feet in height; wdll and prortionably made, treads well and knows what to do with his limbs; in short a noble graceful figure. I can say nothing of his face but that it was all black, with a wide mough and good eyes. His voice is of a clear and pleasing tone, something like Delane's, but not so deep-mouthed, not so like a passing bell. When high strain'd it is apt to crack a little and be hoarse, but in its common pitch, and when it sinks into any softer passion, particularly expressive and touching. In the first scene, especially when he recounts to the Senate the progress of his love and the means he used to win Desdemona, he was quite mistaken, and I took a pique against him; instead of a cool narration he flew into a rant of voice and action, as though he were relating the circumstance of a battle that was fought yesterday. I expected nothing more from him, but was deceiv'd: in the scenes of rage and jealousy he was seldom inferior to Quin in the parts of tenderness and sorrow far above him. These latter seem to be his peculiarly; his action is not very various, but rarely improper, or without dignity, and some of his attitudes are really fine. He is not perfect to be sure, but I think may make a better player than any now on the stage in a little while. However, to see a man in one character, and but once, is not sufficient, so I rather ask your opinion by this, than give you mine.--Horace Walpole's Correspondence with Thomas Gray, II, 6-7

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Devil to Pay

Song: Between the acts: Lowe, Mrs Mozeen

Performances

Mainpiece Title: The Fair Penitent

Performances

Mainpiece Title: The Provok'd Wife

Performances

Mainpiece Title: 1 Henry Iv

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Duke and no Duke

Performances

Mainpiece Title: Cato

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Performances

Mainpiece Title: Jane Shore

Performances

Mainpiece Title: Jane Shore