SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Hook"/1) | (@(roleclean,performerclean) "Mr Hook")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4256 matches on Event Comments, 1150 matches on Performance Comments, 559 matches on Performance Title, 47 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Performances

Mainpiece Title: Henry The Third Of France Stabb'd By A Fryer: With The Fall Of The Duke Of Guise

Performances

Mainpiece Title: The Man's The Master

Performances

Mainpiece Title: The Country Wife

Performances

Mainpiece Title: Love In The Dark; Or, The Man Of Bus'ness

Performances

Mainpiece Title: The Libertine

Performances

Mainpiece Title: Every Man Out His Humour

Performances

Mainpiece Title: Alcibiades

Performances

Mainpiece Title: Gloriana; Or, The Court Of Augustus Caesar

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. Downes (Roscius Anglicanus, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, As Amoret with Phyllis sat, the words by Sir Car Scroope and the music by Nicholas Staggins, is in Choice Ayres and Songs, The Second Book, 1679; another, When first Amintas charmed my heart, the music by Staggins, is in the same collection, Fifth Book, 1684. John Dennis: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with Dorimont (A Defence of Sir Fopling Flutter, 1722, p. 18). For the full text of Dennis' discussion of this play, see The Critical Works of John Dennis, ed. E. N. Hooker (Baltimore, 1943), II, 241-50

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Virtuoso. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. The Diary of Robert Hooke, 25 May 1676: Mr Abraham Hill gave J. Hoskins, Aubery and I an account of Vertuoso play. A song, How retched is the slave to love, the music by Francis Forcer, is in Choice Ayres and Songs, The Second Book, 1679. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the company great Reputation

Performances

Mainpiece Title: The Virtuoso

Performances

Mainpiece Title: The Town-fopp; Or, Sir Timothy Tawdry

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

Performances

Mainpiece Title: Titus And Berenice

Afterpiece Title: The Cheats of Scapin

Performances

Mainpiece Title: The Siege Of Babylon

Performances

Mainpiece Title: Sir Patient Fancy

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performances

Mainpiece Title: The Rambling Justice; Or, The Jealous Husbands; With The Humours Of Sir John Twiford

Performances

Mainpiece Title: The Man Of Newmarket

Performances

Mainpiece Title: A True Widow

Performances

Mainpiece Title: Friendship In Fashion

Performances

Mainpiece Title: The Tragedy Of Sertorius

Performances

Mainpiece Title: The Feign'd Curtizans; Or, A Night's Intrigue

Performances

Mainpiece Title: Troilus And Cressida; Or, Truth Found Too Late