SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Hill"/1) | (@(roleclean,performerclean) "Mr Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4311 matches on Event Comments, 1313 matches on Performance Comments, 570 matches on Performance Title, 265 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Englishman in Paris

Dance: II: Hearts of Oak, as17620421 End: Dancing-Baltazar, Miss Dawson

Performances

Mainpiece Title: Arianna E Teseo

Performances

Mainpiece Title: The Lyar

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Old Maid

Dance: End: Hornpipe-Vincent

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Afterpiece Title: High Life below Stairs

Dance: HHearts of Oak, as17620925

Performances

Mainpiece Title: Il Tutore E La Pupilla

Performances

Mainpiece Title: Love In A Village

Dance: II: The Jealous Woodcutter, as17621023

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Contrivances

Dance: II: Pleasures of Spring, as17621202; End: The Jealous Woodcutter, as17621023

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: The Magician of the Mountain

Performances

Mainpiece Title: The Discovery

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Sketch of a Fine Lady's Return from a Rout

Song: End of Farce: A Mimic Comic Italian Song from the Opera of Il Filosopho di Campagna-Mrs Clive

Dance: End of Play: The Cow@Keepers, as17630315

Performances

Mainpiece Title: The Discovery

Afterpiece Title: Miss in Her Teens

Dance: HHornpipe-Miss Dawson

Event Comment: Benefit for the Colleges of Philadelphia and New York. Mainpiece a Sacred Ode written by Dr Brown set to select Airs, Duets and Choruses from Mr Handel, and other Eminent Composers, with the addition of several new songs. Pit and Boxes to be put together. No Persons to be admitted without tickets, which will be deliver'd at the Office of the theatre at 1!2 a Guinea each; and also at the following Coffee House, viz: the Smyrna, Pall Mall; the Mount, Grosvenor St; George's, Temple Bar; the Rainbow, Cornhill, the New York, Sweetings's Alley; and the Pennsylvania, Birchin Lane. First Gallery 5s. Second Gallerp 3s. 6d. Galleries to be opened at half past Four, Pit and Boxes at Five. To begin at 1!2 after Six (playbill). This philanthropic enterprise, of which the theatrical benefit was but a part, seems not to have born much fruit for the respective Colleges. See Letter to the Governors of the Colleges of New York, respecting the Collection that was made in the Kingdom in 1762 and 1763, for the Colleges of Philadelphia and New York, to which are added Explanatory notes and appendix. By Sir James Jay, M. D. (London, 1771). The funds collected seem largely to have been used up in a law suit. The Governor of the College of New York, Rev. Dr Johnson, asked Jay to collect funds, which he did. Alderman Trecothick wrote Dr Johnson that the funds were not safe in Jay's hands. The Governors insulted Jay, and when they found they were wrong refused to apologize. They entered a bill against him in Chancery to gain the funds. It dragged out for four years. When the power of Attorney had been given to Trecothick, he claimed that a sum of #1437 15s. 6d. was unaccounted for by Jay, and was supposed to be in Jay's hands. Jay explained the Governors had not reckoned on reimbursement for his time and expenses for two years.

Performances

Mainpiece Title: The Cure Of Saul

Music: The Orchestra to be led by-Sg Giardini; Between acts: a Concerto on the Violin, Concerto on the violincello by Cervetto-Sg Giardini

Performances

Mainpiece Title: Artaxerxes

Dance: I: A New Comic Dance, as17630224; II: The Sicilian Peasants, as17621125

Performances

Mainpiece Title: King Lear

Afterpiece Title: Polly Honeycomb (Winston MS 9)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Miss in Her Teens

Dance: IV: The Irish Lilt, as17621023

Performances

Mainpiece Title: Lectures On English Oratory

Performances

Mainpiece Title: Concert

Dance: Miss Capitani, Master Rogers

Performances

Mainpiece Title: Alexander's Feast

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Afterpiece Title: The Mayor of Garratt

Dance: II: A Serious Dance-Miss Street (scholar to Ghendi); V: The Venetian Gardeners-Master Rogier, Miss Street

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Mayor of Garratt

Dance: As17630824

Event Comment: MMrs Love play'd Mrs Peachum very bad. Her fit seem'd a very Aukward Imitation of Mrs Pritchard in the Jealous Wife (Hopkins). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money received at the Stage Door. None returned after the curtain is up. Play to begin exactly at 6 o'clock. Places may be had of Mr Johnston at the Stage Door. Vivat Rex et Regina. [Customary notice, which will not be repeated here, Sept. 15 David Garrick & his Lady set out for Italy from his house in Southampton St. Covent Garden (Winston MS 9). Winston also refers to a Sept. 9 Letter from T. Davies, cg, to the poet Charles Churchill begging he would not introduce so unimportant a person as himself in his Smithfield Rosciad.] Receipts: #248 9s. (Cross Diary)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Fortunatus