SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Henry Giffard"/1) | (@(roleclean,performerclean) "Mr Henry Giffard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4572 matches on Event Comments, 3392 matches on Author, 2600 matches on Performance Comments, 1684 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performances

Mainpiece Title: Achilles; Or, Iphigenia In Aulis

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: The City Politiques

Performances

Mainpiece Title: The Deceiver Deceived

Event Comment: Rich's Company. The date of the premiere is not knwon, but the Dedication is dated February 1699@1700, the play was entered in the Term Catalogues in February 1699@1700, and advertised in the Flying Post, 16 March 1699@1700. The latest likely date for the first production is January 1700, but the play may have appeared in late December as a rival to lif's production of I Henry IV early in January 1700. Cibber, Apology, I, 275: But the Master of the Revels, who then licens'd all Plays for the Stage, assisted this Reformation [of the morality of the stage] with a more zealous Severity than ever. He would strike out whole Scenes of a vicious or immoral Character, tho' it were visibly shewn to be reform'd or punish'd; a severe Instance of this kind falling upon my self may be an Excuse for my relating it: When Richard the Third (as I alter'd it from Shakespear) came from his Hands to the Stage, he expung'd the whole first Act without sparing a Line of it. This extraordinary Stroke of a Sic volo occasion'd my applying to him for the small Indulgence of a Speech or two, that the other four Acts might limp on with a little less Absurdity! no! he had no leisure to consider what might be separately inoffensive. [Cibber continues with an explanation of the censor's argument for cutting the act.] Preface to Cibber's Ximena, 1719: Richard the Third, which I alter'd from Shakespear, did not raise me Five Pounds on Third Day

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Performance Comment: Edition of 1700: King Henry the Sixth-Wilks; Edward Prince of Wales-Miss Allison; Richard Duke of York-Miss Chock; Richard Duke of Gloucester-Cibber; Duke of Buckingham-Powel; Lord Stanley-Mills; Duke of Norfolk-Simpson; Ratcliff-Kent; Catesby-Thomas; Henry Earl of Richmond-Evans; Oxford-Fairbank; Elizabeth-Mrs Knight; Ann-Mrs Rogers; Cicely-Mrs Powel.
Event Comment: Benefit for Mrs Henry. [As afterpiece the playbill announces Arthur and Emmeline, but it was not acted. Kemble Mem. lists the substitute play.] Diary, 24 May: Tickets to be had of Mrs Henry, Bruton-street, Berkeley-square. Receipts: #153 12s. (38.6; 21.2; 0.19; tickets: 93.5) (charge: #111 13s. 9d.)

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Performance Comment: Sir Charles Marlow-Packer; Young Marlow-Kemble; Hardcastle-Suett; Hastings-Barrymore; Tony Lumpkin-Bannister Jun.; Mrs Hardcastle-Mrs Hopkins; Miss Hardcastle-Mrs Henry; Miss Nevil-Mrs Powell; Maid-Mrs Shaw Edition of 1799 (For the Proprietors) adds: Diggory-$Burton.
Cast
Role: Miss Hardcastle Actor: Mrs Henry

Afterpiece Title: The Island of St

Dance: End II: As17900308

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: Imposture Defeated; Or, A Trick To Cheat The Devil

Performances

Mainpiece Title: Courtship A La Mode

Performances

Mainpiece Title: The Rover

Entertainment: Young Gentlewoman, as17100817; Likewise a Vaulting the Managed Horse-famous Master who never appear'd on the Publick Stage

Dance: Ladder Dance-; French Peasant-; Wooden Shoe-; Harlequin Scaramouch Cooper and Wife-

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: IV: A Dutch Dance-Master Settree, Master Blagdon, Miss Blagdon

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: The Irish Widow

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

Performances

Mainpiece Title: Albion And Albanius

Performances

Mainpiece Title: The Rehearsal

Performances

Mainpiece Title: A Very Good Wife

Performances

Mainpiece Title: The Younger Brother; Or, The Amorous Jilt

Performances

Mainpiece Title: The City Bride; Or, The Merry Cuckold

Performances

Mainpiece Title: Love's A Jest

Performances

Mainpiece Title: The City Lady; Or, Folly Reclaim'd

Performances

Mainpiece Title: Iphigenia

Performances

Mainpiece Title: The Pilgrim

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Devil to Pay

Dance: I: Le Tambourine-Mlle Chateauneuf; In IV: Muilment; V: Ballet-Denoyer, Mlle Chateauneuf

Song: III: Would You Taste the Noon@Tide Air (Comus)-Miss Edwards

Performances

Mainpiece Title: Madrigal And Truletta

Afterpiece Title: Sir ThomasCallico; or, The Mock Nabob