SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Henry Giffard"/1) | (@(roleclean,performerclean) "Mr Henry Giffard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4574 matches on Event Comments, 3506 matches on Author, 2600 matches on Performance Comments, 1684 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Albion Queens Or The Death Of Mary Queen Of Scots

Performance Comment: Duke of Norfolk-Smith; Morton-Clarke; Cecil-Hull; Davison-Perry; Giffard-Gardner; Douglas-Miss Macklin; Queen Elizabeth-Miss Miller; Queen Mary-Mrs Bulkley, being their first appearance in those characters.
Cast
Role: Giffard Actor: Gardner

Afterpiece Title: A Trip to Scotland

Entertainment: Epilogue End: (By Particular Desire) New Occasional Epilogue-Mrs Bulkley

Dance: Minuet-Aldridge, Mrs Bulkley (playbill) Fisher, Mrs Bulkley (Public Advertiser)

Event Comment: The United Company. The date of the first performance is not known, but the Gentleman's Journal, June 1694 (apparently appearing in late June) indicated that both parts of Don Quixote had by then appeared, and the Songs to Part I were announced in the London Gazette, No. 2983, 11-14 June 1694, to be published on 16 June 1694. Very likely Part I appeared in May 1694. The publication of The Songs in the New Play of Don Quixote, Part the First lists the following pieces. Sing, sing, all ye muses, the first song in Act II, composed by Henry Purcell. Young Chrysostome had vertue, sense, the second song in Act II, was composed by John Eccles. The third song in Act II, Sleep, poor youth, was composedy John Eccles. When the world first knew creation, sung in Act III, was composed by Henry Purcell. Let the dreadful engines, sung for Cardenio in Act IV, was set by Henry Purcell. 'Twas early one morning, in Act IV, for Sancho, was set by John Eccles. With this, this sacred charming wand, in Act V for Montesmo, Mellissa and Urganda, was set by Henry Purcell

Performances

Mainpiece Title: The Comical History Of Don Quixote Part I

Performances

Mainpiece Title: Rosamond

Performance Comment: King Henry-Lowe; Queen Elinor-Mrs Arne; Rosamond-Mrs Clive; Page-Miss Edwards; Sir Trusty-Savage; Grideline-Mrs Jones; between the Interludes will be performed several Grand Concertos-; end Act I, will be performed the Solemn Invocation@Scene in Oedipus-; with the Chorusses-; And after the Opera the Songs and Chorusses in As You Like It-; In which (By Desire) will be introduced the Song of Sweet Bird in the L'Allegro-Mrs Arne; accompanied on the Violin-Mr Arne.
Cast
Role: King Henry Actor: Lowe

Performances

Mainpiece Title: Richard Iii

Performance Comment: As17460422 but Richard III-Thomas? Lacy; King Henry-Davies; Tyrrel-Bransby.
Cast
Role: King Henry Actor: Davies
Role: Queen Elizabeth Actor: Mrs Giffard

Afterpiece Title: The Anatomist

Event Comment: Benefit Mrs Giffard

Performances

Mainpiece Title: Womans A Riddle

Performance Comment: Courtwell-Giffard; Manley-W. Giffard; Sir Amorous-Martin; Vulture-Lyon; Aspin-Penkethman; Butler-Hamilton; Lady Outside-Mrs Roberts; Necessary-Miss Tollett; Betty-Mrs M. Giffard; Miranda-Mrs Giffard .
Cast
Role: Courtwell Actor: Giffard
Role: Manley Actor: W. Giffard
Role: Betty Actor: Mrs M. Giffard
Role: Miranda Actor: Mrs Giffard

Afterpiece Title: The Mock Doctor

Related Works
Related Work: The Mock Doctor; or, The Dumb Lady Cur'd Author(s): Henry Fielding

Dance:

Event Comment: Mainpiece: Never Acted before. [By John Hewitt.] Preface to edition of 1737: This Comedy made it's Appearance under many Disadvantages:...It was read for the first Time to the Performers, Tuesday the 15th, and acted Monday the 21st. Mrs Giffard, who had been Ill the Whole Season, undertook the Character of Lady Betty Manly, but finding herself indisposed, returned the Part on Thursday Evening. It was then given to Mrs Hamilton, who on Saturday about one in the Afternoon declared she could not do it unless it was cut, which the Nature of that Part not admitting, there was a Necessity to ask the Favour of Miss Hughes to undertake it, who with a great deal of good Nature, studied and played it perfect, tho' at so short a Warning

Performances

Mainpiece Title: A Tutor For The Beaus Or Love In A Labyrinth

Performance Comment: Parts by Johnson, Wright, Bardin, W. Giffard, Penkethman, Rosco, Woodward, Lyon, Mrs Roberts, Mrs Marshall, Miss Hughes, Mrs M. Giffard, Miss Tollett, Miss Jones; but edition of 1737 lists: Lord Modely-Bardin; Lord Manly-Rosco; Sir Charles Freelove-Johnson; Belville-Wright; Heartly-W. Giffard; Young Manly-Woodward; Blunt-Lyon; Tom-Penkethman; Lady Betty Manly-Miss Hughes; Lady Worthy-Mrs Marshal; Harriot-Mrs Roberts; Finesse-Miss Tollett; Plaitwell-Miss Jones; Pinup-Mrs M. Giffard; Prologue-; Epilogue-.
Cast
Role: Heartly Actor: W. Giffard
Role: Pinup Actor: Mrs M. Giffard

Afterpiece Title: Hymens Triumph

Cast
Role: Mr Ashley Actor: W. Giffard
Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box & a Box for the Maids of Honor at ye Massacre of Paris. See also Nicoll, Restoration Drama, p. 352. The date of the first performance is not knwon, but as it was entered in the Term Catalogues, November 1689, it was probably first acted in early November or in October 1689. A song, Thy Genius lo!, composed by Henry Purcell, is in Orpheus Britannicus, 1698. Possibly it was sung by Bowman. See also The Works of Henry Purcell, Purcell Society, XX (1916), xviii-xix

Performances

Mainpiece Title: The Massacre Of Paris

Event Comment: The United Company. The date of the premiere is not known, but the Gentleman's Journal, January 1691@2, suggests that it was first given in December 1691, although the tendency of this journal to be dated one month and appear in the next month makes the interpretation of its information difficult: We have had a new Comedy this last Month, call'd The Wives Execuse; or Cuckolds make themselves: It was written by Mr Southern, who made that call'd Sir Anthony Love, which you and all the Town lik'd so well. I will send you The Wives Excuse, as soon as it comes out in Print, which will be very speedily: And tho' the Town hath not been so kind to this last, as to the former, I do not doubt but you will own that it will bear a Reading; which some that meet with a better Fate too often do not; some that must be granted to be good Judges commend the Purity of its Language (pp. 51-52). Henry Purcell composed the music for this work. One song, Corinna I excuse thy face, the words (according to the Edition of 1692) by Tho. Cheek, the music by Henry Purcell, but without the singer's name, is in The Banquet of Musick, The Sixth and Last Book, 1692 (licensed 17 Feb. 1691@2). Say, cruel Amoret, sung by Mountfort; Hang this whining way, sung by Mrs Butler; and Ingrateful lover, the words by Major General Sackville, are in Joyful Cuckoldom, ca. 1695. See also Purcell, Works, Purcell Society, XXI (1917), xxvi-xxix

Performances

Mainpiece Title: The Wives Excuse Or Cuckolds Make Themselves

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Rosamond

Performance Comment: King Henry-Beard; Sir Trusty-Rheinhold; Page-Miss Edwards; Queen-Mrs Arne; Rosamond-Mrs Clive; Grideline-Mrs Jones.
Cast
Role: King Henry Actor: Beard

Dance: I: Drunken Peasant-Master Ferg; II: L'Allamande-Mlle Chateauneuf; IV: Punches-Master Ferg, Miss Wright

Performances

Mainpiece Title: King John

Performance Comment: King John-Sparks; Bastard-Smith; Prince Henry-R. Smith; Salisbury-Anderson; Pembroke-Hull; Essex-Redman; Queen Elinor-Mrs Elmy; Lady Blanche-Mrs Vincent; Hubert-Ridout; King Philip-Clarke; Pandulph-Gibson; Austria-Buck; Chatillon-Davis; Dauphin-Dyer; Prince Arthur-Miss Mullart; Constance-Mrs Ward.
Cast
Role: Prince Henry Actor: R. Smith

Afterpiece Title: Thomasand Sally

Event Comment: Benefit W. Giffard. At the Particular Desire of several Gentlemen and Ladies

Performances

Mainpiece Title: The Merry Wives Of Windsor Or The Humours Of Sir John Falstaff

Performance Comment: Falstaff-W. Giffard; Ford-Giffard; Sir Hugh-Penkethman; Shallow-Collet; Page-Huddy; Caius-Bardin; Fenton-Lacy; Host-R. Williams; Pistol-Pearce; Bardolfe-Machen; Slender-Bullock; Mrs Ford-Mrs Giffard; Mrs Page-Mrs Haughton; Ann Page-Mrs Mountfort; Mrs Quickly-Mrs Kirk.
Cast
Role: Falstaff Actor: W. Giffard
Role: Ford Actor: Giffard
Role: Mrs Ford Actor: Mrs Giffard

Song: Miss Thornowets

Dance: SShepherd's Holiday, Two Pierrots, Turkish Dance-

Event Comment: Benefit Mrs Giffard. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Sir Charles-Giffard; Foppington-Wetherilt; Morelove-W. Giffard; Lady Betty-Mrs Giffard; Lady Easy-Mrs Thurmond; Lady Graveairs-Mrs Roberts; Edging-Mrs Hamilton.
Cast
Role: Sir Charles Actor: Giffard
Role: Morelove Actor: W. Giffard
Role: Lady Betty Actor: Mrs Giffard

Afterpiece Title: The Mad Captain

Event Comment: Benefit Mrs Giffard. At the particular Desire of several Persons of Quality and Distinction

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Fair Penitent-Mrs Giffard; Lothario-Delane; Altamont-Giffard; Horatio-Hulett; Sciolto-W. Giffard; Rossano-Harbin; Lavinia-Mrs Roberts; Lucilla-Mrs Hamilton .
Cast
Role: Fair Penitent Actor: Mrs Giffard
Role: Altamont Actor: Giffard
Role: Sciolto Actor: W. Giffard

Afterpiece Title: The Lovers Opera

Event Comment: Benefit Mrs Giffard. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Fatal Marriage

Performance Comment: Villeroy-Giffard; Biron-Johnson; Fernando-Penkethman; Child-Master Hamilton; Isabella-Mrs Giffard; Baldwin-W. Giffard; Carlos-Rosco; Frederick-Havard; Fabian-Richardson; Jaqueline-Norris; Belfond-Hamilton; Sampson-Lyon; Victoria-Mrs Hamilton; Julia-Mrs Haughton; Nurse-Mrs Wetherilt .
Cast
Role: Villeroy Actor: Giffard
Role: Isabella Actor: Mrs Giffard
Role: Baldwin Actor: W. Giffard

Afterpiece Title: Jupiter and Io

Event Comment: Benefit Norris and Havard. Tickets for Touchbury and Mrs M. Giffard taken also

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Bevil Jr-Johnson; Myrtle-Havard; Cimberton-Norris; Sealand-Rosco; Indiana-Mrs Giffard; Sir John-W. Giffard; Humphrey-Lyon; Daniel-Woodward; Phillis-Mrs Roberts; Mrs Sealand-Mrs Wetherilt; Isabella-Mrs Haughton; Lucinda-Miss Hughes; Tom-Giffard .
Cast
Role: Indiana Actor: Mrs Giffard
Role: Sir John Actor: W. Giffard
Role: Tom Actor: Giffard

Afterpiece Title: The Lover His Own Rival

Song:

Dance:

Event Comment: Benefit Mrs Giffard. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: Sir Harry Wildair

Performance Comment: Lady Lurewell-Mrs Giffard; Sir Harry-Giffard; Standard-Wright; Fireball-W. Giffard; Marquis-Bardin; Clincher-Penkethman; Dicky-Norris; Angelica-Mrs Hamilton; Parley-Miss Tollett.
Cast
Role: Lady Lurewell Actor: Mrs Giffard
Role: Sir Harry Actor: Giffard
Role: Fireball Actor: W. Giffard

Afterpiece Title: Hymens Triumph

Cast
Role: Mr Ashley Actor: W. Giffard
Event Comment: Benefit Giffard. At the Desire of several Ladies of Quality. Tickets at Giffard's, No. 4, Craven Buildings, dl

Performances

Mainpiece Title: The Inconstant Or The Way To Win Him

Performance Comment: Young Mirabel-Giffard; Old Mirabel-Macklin; Dugard-Havard; Duretete-Woodward; Petit-Cross; Bravos-Winstone, Turbutt, Taswell, Reed; Oriana-Mrs Hamilton; Bisarre-Mrs Giffard; Lamorce-Mrs Bennet.
Cast
Role: Young Mirabel Actor: Giffard
Role: Bisarre Actor: Mrs Giffard

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Punches Dance-Master Ferg, Miss Wright; III: Dutch Dance (new)-Baudoin, Miss Thompson; V: Grand Ballet-Muilment, Mrs Walter

Song: IV: By Desire, Oh Happy Pair (out of Alexander's Feast)-

Event Comment: Written by Shakespear. Garrick to Peter Garrick (Dec. 1741): You perhaps would be glad to know what parts I have play'd, King Richd-+Jack Smatter in Pamela-Clody fop's fortune-Lothario fair Penitent-Chamont Orphan-Ghost Hamlet-& Shall soon be ready in Bays in ye Rehearsal-and in ye part of Othello-Both of which I believe will do Me and Giffard great Service-I have had great Success in all, & 'tis not yet determin'd whether I play Trajedy or Comedy best-$Old Cibber has spoke with ye Greatest Commendation of my Acting, as to playing a Harlequin 'tis quite false-Yates last Season was taken very ill & was not able to begin ye Entertainment so I put on ye Dress & did 2 or three Scenes for him, but Nobody knew it but him & Giffard; I know it has been Said I play'd Harlequin at Covent Garden but it is quite false.-Little, Pineapples, pp. 28-29

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: Ghost-Garrick, Being the first Time of his Appearing in that Character; Hamlet-Giffard; King-Paget; Polonius-Julian; Laertes-Marshall; Horatio-W. Giffard; Osrick-Peterson; Rosencrans-Vaughan; Guildenstern-Naylor; Marcellus-Blakes; Queen-Mrs Steel; Ophelia-Miss Hippisley; Gravediggers-Yates, Dunstall.
Cast
Role: Hamlet Actor: Giffard
Role: Horatio Actor: W. Giffard

Afterpiece Title: The Lying Valet

Event Comment: Not acted these 25 years. At the Particular Desire of several Ladies of Quality for the Benefit of Mrs Giffard. Mainpiece: Written by Colley Cibber Esq., Poet-Laureat. Boxes 5s. Pit 3s. Gallery 2s. 6d. And the Company will continue to act every Day, Wednesdays and Fridays in Lent excepted

Performances

Mainpiece Title: The Nonjuror

Performance Comment: Maria-Mrs Giffard; the Nonjuror-Cibber; Sir John-Peterson; Heartly-Giffard; Woodvil-W. Giffard; Charles-Mozeen; Lady Woodvil-Mrs Butler.
Cast
Role: Maria Actor: Mrs Giffard
Role: Heartly Actor: Giffard
Role: Woodvil Actor: W. Giffard

Afterpiece Title: The Devil to Pay

Event Comment: Benefit Giffard. Mainpiece not acted these 7 years. Amphitheatre on the stage, so enclosed as to Prevent the Ladies from taking cold. Tickets of Hobson at the stage door

Performances

Mainpiece Title: The Fatal Marriage Or The Innocent Adultery

Performance Comment: Biron-Garrick, 1st time; Villeroy-Giffard; Fernando-Yates; Isabella-Mrs Giffard; Victoria-Mrs Woffington; Count Baldwin-Havard; Carlos-W. Giffard; Frederick-Cross; Fabian-Blakes; Belford-Woodburn; Pedro-Ray; Jaqueline-Collins; Sampson-Turbutt; Julia-Mrs Cross; Child-Miss Yates; Nurse-Mrs Egerton.
Cast
Role: Villeroy Actor: Giffard
Role: Isabella Actor: Mrs Giffard
Role: Carlos Actor: W. Giffard

Afterpiece Title: The Lying Valet

Dance: Muilment, Mlle Auguste

Event Comment: Benefit W. Giffard. Mainpiece: Never acted there. From a New Edition, with many additions and Alterations by the Author. Tickets deliver'd for Saturday the 08th will be taken this day

Performances

Mainpiece Title: Alzira Or Spanish Insult Repented

Performance Comment: Gamor (by Particular Desire)-Johnson, who has not appeared on any stage these 5 years; Alvarez-Giffard; Carlos-W. Giffard; Famont-Havard; Spanish Captain-Turbutt; American Captain-Winstone; Emira-Miss Budgell; Cephania-Miss Cole; Alzira-Mrs Giffard; With a New Prologue-Johnson.
Cast
Role: Alvarez Actor: Giffard
Role: Carlos Actor: W. Giffard
Role: Alzira Actor: Mrs Giffard

Afterpiece Title: The Anatomist

Dance: III: Mlle Auguste

Event Comment: Receipts: #157 15s. [The Account Book lists the payment of 2s. per acting night to each shareholder: @Shareholder Mrs Martha Bedwell No. Share 1@No. Nights 36@Payment #3 12s.@Shareholder Mrs Creighton No. Shares 1@No. Nights 36@Payment #3 12s.@Shareholder Mr Francis Bedwell No. Shares 1@No. Nights 37@Payment #3 14s.@Shareholder Mr Robert Griffin No. Share 1@No. Nights 37@Payment #3 14s.@Shareholder Mr John Mitchell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mrs Mary Michell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mr John Walsh No. Shares 1@No. Nights 86@Payment #8 12s.@Shareholder Mr Lucuss No. Shares 1@No. Nights 54@Payment #5 8s.@Shareholder Col. Wade No. Shares 1@No. Nights 8@Payment 16s.@Shareholder Sir Arthur Croft No Shares 1@No. Nights 8@Payment 16s.@Shareholder Mr John White No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr John Croft, Esq No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Rubin Adolphus No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Henry Woodfall No. Shares 1@No. Nights 3@Payment 6s.@Total No. Shares 14@No. Nights 494@Payment #49 8s.@ Winston MS 8 notes that on 1 Feb. dl had only 20 renters at 2s. a night.

Performances

Mainpiece Title: The Prophetess

Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage hater Matched

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3130, 7-11 Nov. 1695, suggests that it was acted not later than October 1695, although the first production may have been earlier than that. Part of the music was composed by Henry Purcell: Celia has a thousand charms, sung by Young Bowen; Take not a woman's anger ill, sung by Leveridge; and How happy is she, sung by Miss Cross; all are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XXI (1917), x-xi. Another song, To me you made a thousand vows, set by John Blow, is in Amphion Anglicus, 1700. Dedication, Edition of 1696: I...found so much interrutpion and discouragement from some prejudic'd Gentlemen, who ought to have us'd me better, or, at least, had no reason to use me ill, that I repented I had bestow'd any time upon it....In spite of 'em, my Lord, it was kindly receiv'd, and that too, at a time when the Town was never thinner of Nobility and Gentry

Performances

Mainpiece Title: The Rival Sisters Or The Violence Of Love

Performances

Mainpiece Title: Heroick Love

Performance Comment: Edition of 1698: Prologue- by Henry StJohn Esq; Epilogue- By Bevill Higgons, Esq; Agamemnon-Betterton; Achilles-Verbruggen; Nestor-Bowman; Ulysses-Sandford; Patroclus-Scudemore; Chryses-Kynaston; Chalcas-Freeman; Talthybius-Baily; Chruseis-Mrs Barry; Briseis-Mrs Bracegirdle; Artemis-Mrs Prince.
Cast
Role: Prologue Actor: by Henry StJohn Esq