SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Hen Purcel"/1) | (@(roleclean,performerclean) "Mr Hen Purcel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4233 matches on Event Comments, 1144 matches on Performance Comments, 533 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: No Performance

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Cobler; or, a Wife of Ten Thousand

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Rival Candidates

Related Works
Related Work: The Rival Candidates Author(s): Henry Bate
Event Comment: Benefit for Brereton. Music of the Afterpiece (entirely new) composed by Dibdin. Mr Brereton-Jaffier, Much Applause. The Quaker is Mr Dibdins Production he has sold it to Mr Brereton. The Music is pretty & Novel it was very badly perform'd--when it is properly Cast & got up with care it will do very well (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] [The Reviewer for the Westminster Magazine for May gave a paragraph to Dibdin's afterpiece: "The words will not add to Mr Dibdin's reputation as a writer, nor Will the music increase his fame as a composer, the latter, however, possessed more merit than the former. The Finale was in new stile and pleased. Upon the whole this piece, like the rest of Mr Dibdin's performances, proves that this would-be author, is resolv'd in spite. Of Nature and the Stars, to write."] Receipts: #105 19s. 6d. Charges: #69 18s. Profits to Brereton: #36 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Deserter

Performance Comment: Henry-Vernon; Russet-Bannister; Simpkin-Fawcett; Soldiers-Legg, Kear, Griffith, Carpenter; Skirmish-Parsons; Flint-Wright; Jenny-Mrs Wrighten; Margaret-Mrs Love; Louisa-Mrs Smith.
Cast
Role: Henry Actor: Vernon

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Queen Mab

Related Works
Related Work: Queen Mab Author(s): Henry Woodward

Dance: II: The Savage Hunters, as17751118

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Waterman

Dance: I: The Sailors Revels, as17751220

Entertainment: A Variety of New Imitations, vocal and rhetorical-Bannister

Event Comment: Mainpiece: Not acted these 2 years. [For Henderson as Bayes see hay, 25 Aug. 1777.] Receipts: #113 16s. (91.5; 22.7; 0.4)

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes (1st time [at this theatre])-Henderson; Mr Johnson-Palmer; Mr Smith-Aickin; The other Characters-Baddeley, Moody, Parsons, Burton, Hurst, R. Palmer, Waldron, Lamash, Chambers, Holcroft, Chaplin, Carpenter, Griffiths, Norris, Wrighten, Wright, Legg, Master Pulley, Mrs Colles, Miss Collett, Mrs Davies. With an Additional Reinforcement of Mr Bayes's New Raised Troops [These were "hobby-horses and other novelties' (Davies, III, 303).]. [Edition of 1777 (John Bell) specifies: Gentleman Usher-Baddeley; Physician-Moody; Cordelio-Burton; Prince Prettyman-Hurst; 1st King of Brentford-Waldron; Fisherman-Griffiths; Thunder-Wrighten; Earth-Legg; Lightning-Master Pulley; Cloris-Mrs Colles; Parthenope-Miss Collett; Amaryllis-Mrs Davies; Pallas-Mr Parsons. [It assigns the remaining characters-2nd King of Brentford, Prince Volscius, Drawcansir, Lieut. General, Tom Thimble, Sun, Moon-to actors of previous season.
Cast
Role: Bayes Actor: Henderson
Role: Parthenope Actor: Miss Collett

Afterpiece Title: A ChristmasTale

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Cady of Bagdad

Dance: In II: Masquerade Scene Dancing-Blurton, Henry; End III: The Provincalle, as17780128

Song: Masquerade Scene As17771031

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: Midas

Performances

Mainpiece Title: At King's Othello

Afterpiece Title: The Patron

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Farmer

Event Comment: 1st piece [1st time; PREL I, by Thomas Holcroft, based on The Covent Garden Tragedy, by Henry Fielding. Larpent MS 1039; not published; synopsis of plot in Morning Herald, 16 Sept.]. "The two Queens are represented by Munden and Fawcett, who are dressed up fantastically, wearing as Crowns Models of the two Theatres" (Morning Chronicle, 16 Sept.). Covent-Garden was crowned with a triangular representation of the Piazza; Drury-Lane with her own Theatre, surmounted by Apollo" (Morning Herald, 16 Sept.). [This was Burton's 1st appearance in London; he was from the Norwich theatre. Miss Cornelys was from the Dublin theatre.] No Money to be returned. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 30 Oct.]. Receipts: #305 1s. 6d. (296.10.6; 8.11.0)

Performances

Mainpiece Title: The Rival Queens; Or, Drury-lane And Covent-garden

Related Works
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Henry Fielding
Related Work: The Covent Garden Tragedy Author(s): Henry Fielding

Afterpiece Title: The Suspicious Husband

Afterpiece Title: Sprigs of Laurel

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performances

Mainpiece Title: The Cutter Of Coleman Street

Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Performances

Mainpiece Title: The Man's The Master

Performances

Mainpiece Title: Tryphon

Performances

Mainpiece Title: Tryphon

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

Related Works
Related Work: The Disappointment Author(s): Henry Carey

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Performances

Mainpiece Title: The Mistakes

Related Works
Related Work: Cephalus and Procris: With The Mistakes Author(s): Henry Carey
Event Comment: The United Company. The date of the premiere is not certain, but reference to it in the Gentleman's Journal, May 1693 (issued in June 1693), suggests that it appeared in May: We have had since my last a new Comedy called, The Female Vertuosos, something in it was borrowed from Moliere's Femmes Savantes, and as it hath Wit and Humour, it cannot but please in the perusal, as in the representation (p. 168). One song, Love thou art best of human joys, to words by Anne, Countess of Winchelsea, was set by Henry Purcell

Performances

Mainpiece Title: The Female Vertuosos