SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Hen Purcel"/1) | (@(roleclean,performerclean) "Mr Hen Purcel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4233 matches on Event Comments, 1144 matches on Performance Comments, 533 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for the Author. [At the half-price riots (25 Jan.) Moody had stopped a man from setting fire to the house. When called upon to apologize for interfering with a gentleman and for taking the manager's part he thought to restore good humor by assuming the tone of a low-bred Irishman, saying he was sorry he had displeased them by saving their lives and putting out the fire. The reply inflamed the rioters more (Genest, V, p. 15). On 5 Feb. Moody inserted the following apology in the Public Advertiser: Mr Moody begs leave to inform the Public that the impropriety of his behavoir at the theatre was intirely owing to the confusion of mind he was then under; which unhappily for him was misconstrued into disrespect; tho' nothing could at that, or that, or at any other time, be farther from his thoughts. He therefore earnestly hopes and entreats that he may be permitted to appear before them again; as he hereby most humbly asks their pardon for whatever he inadvertently said or did to incur their displeasure."

Performances

Mainpiece Title: The Discovery

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Sketch of a Fine Lady's Return from a Rout

Song: End of Farce: A Mimic Comic Italian Song from the Opera of Il Filosopho di Campagna-Mrs Clive

Dance: End of Play: The Cow@Keepers, as17630315

Performances

Mainpiece Title: The Discovery

Afterpiece Title: Miss in Her Teens

Dance: HHornpipe-Miss Dawson

Event Comment: Benefit for the Colleges of Philadelphia and New York. Mainpiece a Sacred Ode written by Dr Brown set to select Airs, Duets and Choruses from Mr Handel, and other Eminent Composers, with the addition of several new songs. Pit and Boxes to be put together. No Persons to be admitted without tickets, which will be deliver'd at the Office of the theatre at 1!2 a Guinea each; and also at the following Coffee House, viz: the Smyrna, Pall Mall; the Mount, Grosvenor St; George's, Temple Bar; the Rainbow, Cornhill, the New York, Sweetings's Alley; and the Pennsylvania, Birchin Lane. First Gallery 5s. Second Gallerp 3s. 6d. Galleries to be opened at half past Four, Pit and Boxes at Five. To begin at 1!2 after Six (playbill). This philanthropic enterprise, of which the theatrical benefit was but a part, seems not to have born much fruit for the respective Colleges. See Letter to the Governors of the Colleges of New York, respecting the Collection that was made in the Kingdom in 1762 and 1763, for the Colleges of Philadelphia and New York, to which are added Explanatory notes and appendix. By Sir James Jay, M. D. (London, 1771). The funds collected seem largely to have been used up in a law suit. The Governor of the College of New York, Rev. Dr Johnson, asked Jay to collect funds, which he did. Alderman Trecothick wrote Dr Johnson that the funds were not safe in Jay's hands. The Governors insulted Jay, and when they found they were wrong refused to apologize. They entered a bill against him in Chancery to gain the funds. It dragged out for four years. When the power of Attorney had been given to Trecothick, he claimed that a sum of #1437 15s. 6d. was unaccounted for by Jay, and was supposed to be in Jay's hands. Jay explained the Governors had not reckoned on reimbursement for his time and expenses for two years.

Performances

Mainpiece Title: The Cure Of Saul

Music: The Orchestra to be led by-Sg Giardini; Between acts: a Concerto on the Violin, Concerto on the violincello by Cervetto-Sg Giardini

Performances

Mainpiece Title: Artaxerxes

Dance: I: A New Comic Dance, as17630224; II: The Sicilian Peasants, as17621125

Performances

Mainpiece Title: King Lear

Afterpiece Title: Polly Honeycomb (Winston MS 9)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Miss in Her Teens

Dance: IV: The Irish Lilt, as17621023

Performances

Mainpiece Title: Lectures On English Oratory

Performances

Mainpiece Title: Concert

Dance: Miss Capitani, Master Rogers

Performances

Mainpiece Title: Alexander's Feast

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Prince Volscius-Davies; Gentleman Usher-Weston; Tom Thimble-Quin; Thunder-Johnson; Smith-Lewis; Prettyman-Death; The Sun-Blakey; Amaryllis-Mrs Osborne; Chloris-Miss Platt; two Kings of Brentford-Hayes, Jackson; Parthenope, Moon-Mrs Daly; Bayes-Wilkinson (with a variety of imitations); Johnson-Kennedy; with an additional Reinforcement of Mr Bayes's new rais'd Troops-.

Afterpiece Title: The Mayor of Garratt

Dance: II: A Serious Dance-Miss Street (scholar to Ghendi); V: The Venetian Gardeners-Master Rogier, Miss Street

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Mayor of Garratt

Dance: As17630824

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Event Comment: MMiss Cheney made her first appearance this Night, in Miss Prue, a Pretty Figure, play'd with Spirit, very Aukward, & Speaks too much at the top of her Voice (Hopkins). Miss Prue by a young Gentlewoman. Great Applause (Cross Diary). This night Miss Cheney made her first appearance on the stage in the character of Miss Prue--play'd with spirit,--a very pretty, genteel Figure, but very raw and aukward--got great applause. Think there is materials in her composition with care and application to make an actress.--Mr Yates in the speech where he says 'the more she cries, the less she'll p--' happened to speak the words a little too plain, and was justly hissed by the Audience--his song was encored,--he sung it again,--a Hiss and a Clap when he went off (Hopkins Diary--MacMillan). Receipts: #187 16s. 6d. (MacMillan)

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Havard; Tattle-Obrien; Ben (with song)-Yates; Foresight-Weston; Sir Sampson Legend-Burton; Scandal-Palmer; Jeremy-King; Angelica-Miss Haughton; Mrs Frail-Mrs Clive; Miss Prue-Miss Cheney, first appearance [she was afterwards Mrs Gardner]; Trapland-Vaughan; Nurse-Mrs Bradshaw; Mrs Foresight-Mrs Bennet.

Afterpiece Title: Fortunatus

Related Works
Related Work: Fortunatus Author(s): Henry Woodward

Performances

Mainpiece Title: The Earl Of Essex

Related Works
Related Work: The Earl of Essex Author(s): Henry Jones

Afterpiece Title: Love at First Sight

Dance: IV: The Provancalle, as17631014

Performances

Mainpiece Title: Philaster

Afterpiece Title: Miss in Her Teens

Dance: End II: The Provancalle, as17631014

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Deuce Is in Him

Related Works
Related Work: The Three and the Deuce! Author(s): Stephen Storace

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Henry Fielding
Related Work: The Miser Author(s): Henry Fielding

Afterpiece Title: The Deuce Is in Him

Related Works
Related Work: The Three and the Deuce! Author(s): Stephen Storace

Dance: End: The Italian Gardiners-Grimaldi, Miss Baker

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Fairy Tale

Dance: TThe Italian Gardiners, as17631119

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: Cleonice

Cast
Role: Pheniculs Actor: Niccolo Peretti

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: High Life below Stairs

Dance: TThe Provancalle, as17631014

Event Comment: Afterpiece: A New Pantomime, the Overture and Comic Tunes compos'd by Potter, the Airs and Chorusses by Batishall. Nothing under Full Prices will be taken. The Words of the Airs and Chorusses in the Entertainment will be given away at the theatre (playbill). At the end of the Play a great Noise & many cry'd out, the whole! the whole, &c. Mr Holland told 'em there never was any more play'd, which a little appeas'd em; but some noise continued till the Curtain was drawn up for the Pantomime & then all was quiet. The Pantomime got great applause; the Tunes were very bad, & a great want of Business & Incidents thro' the whole. The Scenery is very Pretty & well Executed. The Elephant is excellent & has a Fine Effect (Hopkins). Machinery Pleas'd. Business so, so (Cross Diary). [Wording in comment from Hopkins Diary-MacMillan, differs only slightly.] Receipts: #269 13s

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Rites of Hecate; or, Harlequin from the Moon

Performances

Mainpiece Title: The Recruiting Officer

Cast
Role: Rose Actor: Miss Cheney, first time

Afterpiece Title: The Rites of Hecate