SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Heard"/1) | (@(roleclean,performerclean) "Mr Heard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4481 matches on Event Comments, 1673 matches on Performance Comments, 534 matches on Performance Title, 20 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Almeyda; Queen Of Granada

Performance Comment: Characters by Palmer, Aickin, Wroughton, Kemble, Caulfield, C. Kemble, Wentworth, Mrs Siddons, Mrs Powell, Miss Heard. Cast from text (Cadell and Davies, 1796): Abdallah-Palmer; Ramirez-Aickin; Orasmyn-Wroughton; Alonzo-Kemble; Nourassin-Caulfield; Hamet-C. Kemble; Almeyda-Mrs Siddons; Victoria-Mrs Powell; Abra-Miss Heard; Wentworth [is unassigned; Prologue-Whitfield; Epilogue-King; [These were spoken, as here assigned, at all subsequent performances.] [These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Abra Actor: Miss Heard

Afterpiece Title: The Smugglers

Performances

Mainpiece Title: The Purse

Afterpiece Title: The London Hermit; or, Rambles in Dorsetshire

Performance Comment: Young Pranks-Fawcett; Whimmy-Suett; Old Pranks-Aickin; Peregrine-C. Kemble (1st appearance in that character); Barleycorn-R. Palmer (1st appearance in that character); Apathy-Trueman; Barebones-Burton; Tully-Johnstone; Natty Maggs-Palmer Jun.; Carter-Waldron Jun.; Toby Thatch-Wathen; Diana-Miss Heard; Mrs Maggs-Mrs Booth; Kitty Barleycorn-Mrs Kemble.
Cast
Role: Diana Actor: Miss Heard

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Lord Edmund-Davies; Count Fripon-Waldron Jun.; Trap-Caulfield; Jack Connor-R. Palmer; Dowdle-Suett; Rachel-Mrs Harlowe; Adelaide-Miss Heard; Landlady-Mrs Heard; Mary-Mrs Gibbs.
Cast
Role: Adelaide Actor: Miss Heard
Role: Landlady Actor: Mrs Heard

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin Captive; or, The Magick Fire

Performance Comment: Ormandine-Caulfield; Harlequin-W. Banks; Ariel-Master Welsh; Clown-Dubois; Sailor-Cooke; Ormandine's Servant-Grimaldi; Sir Epicure-Hollingsworth; Landlord-Phillimore; Countrymen-Maddocks, Thompson; Constable-Webb; Prigg-Fisher; Gardener-Whitmell; Furies-Roffey, Wells, Master Gregson; Waiter-Butler; Cheesemonger-Nicolini; Crop-Trueman; Postboy-Master Herron; Colombine-Miss DeCamp; Minerva-Miss Mellon; Spirit-Miss Heard; Lady-Miss Tidswell; Landlady-Mrs Booth; Countrywomen-Mrs Maddocks, Mrs Heard; Chambermaid-Miss Chatterley; Cook-Mrs Brooker; Gipsies-Garman, Evans, Mrs Butler, Mrs Mills, Miss Granger, Mrs Benson; Chorus of Knights and Ladies-Welsh, Wentworth, Cook, Atkins, Meyers, Caulfield Jun., Denman, Willoughby, Peck, Mrs Arne, Mrs Jackson, Miss Menage, Mrs Wentworth.
Cast
Role: Spirit Actor: Miss Heard
Role: Countrywomen Actor: Mrs Maddocks, Mrs Heard

Performances

Mainpiece Title: The Queen Of Carthage

Performance Comment: Characters-Barrymore, Palmer, Caulfield, Aickin, Packer, C. Kemble, Whitfield, Cooke, Maddocks, Webb, Mrs Siddons, Miss Stuart, Miss Heard. Partial cast from European Magazine, May 1797, p. 341: Aeneas-Barrymore; Narbal-Palmer; Iopas-Caulfield; Dido-Mrs Siddons; Characters-Aickin, Packer, C. Kemble, Whitfield, Cooke, Maddocks, Webb, Miss Stuart, Miss Heard; [Text (Longman [et al], 1808) lists the other parts: Bitias, Achates, Gyas, Cloanthus, Sergestus, Adoam, Barce, Anna Prologue-C. Kemble.

Afterpiece Title: The Spoil'd Child

Performance Comment: Little Pickle-Mrs Jordan; Old Pickle-Suett; Tag-R. Palmer; Miss Pickle-Miss Tidswell; Maria-Miss Heard; Margery-Mrs Booth; Susan-Mrs Hale.
Cast
Role: Maria Actor: Miss Heard

Afterpiece Title: My Nightgown and Slippers

Ballet: The Scotch Ghost. As17970105

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Fairy Festival

Afterpiece Title: The Wandering Jew; or, Love's Masquerade

Performance Comment: Characters by Suett, Bannister Jun., R. Palmer, Wewitzer, Russell, Hollingsworth, Wathen, Webb, Evans, Phillimore, Miss Pope, Miss DeCamp, Miss Heard, Miss Tidswell, Miss Stuart. Cast from text (George Cawthorn, 1797): Sir Solomon Swallow-Suett; Major Atall-Bannister Jun.; Captain Marall-R. Palmer; Cook-Hollingsworth; Toby-Wathen; Servants-Webb, Evans; Porter-Phillimore; Lady Swallow-Miss Pope; Camilia-Miss DeCamp; Lydia-Miss Heard; Susan-Miss Tidswell; unassigned-Wewitzer, Russell, Miss Stuart; Prologue-R. Palmer.
Cast
Role: Lydia Actor: Miss Heard

Dance: As17970513

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Italian Monk

Performance Comment: Characters by Palmer, C. Kemble, Aickin, Suett, R. Palmer, Trueman, Abbot, Caulfield, Waldron Jun., Usher, Ledger, Chippendale, Mrs Harlowe, Miss Heard, Miss DeCamp, Mrs Hale, Mrs Edward, Mrs Booth, Mrs Bland. [Cast from text (G. G. J. and J. Robinson, 1797), and playbill of 30 June 1798: Schedoni-Palmer; Vivaldi-C. Kemble; Ansaldo-Aickin; Paullo-Suett; Spalatro-R. Palmer; Carlo-Trueman; Familiar-Abbot; Stiletto-Caulfield; Corvino-Waldron Jun.; Priest-Usher; Guards-Ledger, Chippendale; Marchioness-Mrs Harlowe; Olivia-Miss Heard; Ellen de Rosalba-Miss DeCamp; Abbess-Mrs Hale; Margaritone-Mrs Edward [in text: unassigned]; Gradisca-Mrs Booth; Fioresca-Mrs Bland.
Cast
Role: Olivia Actor: Miss Heard

Song: 2nd piece: General Chorus [of Assassins and Nuns (text)]-Linton, Brown, Lyons, Aylmer, Little, Willoughby, Dibble, Kenrick, Caulfield Jun., Mrs Andrews, Miss Menage, Mrs Butler, Mrs Brown, Mrs Benson, Mrs Masters, Mrs Norton, Mrs Gaudry, Miss Leserve

Performances

Mainpiece Title: The Inquisitor

Performance Comment: Characters by Johnston (1st appearance on this stage), Barrymore, Aickin, C. Kemble, R. Palmer, Trueman, Caulfield, Abbot, Miss Heard, Mrs Harlowe, Miss DeCamp. Cast from text (G. G. and J. Robinson, 1798): Alberto-Johnston; Francisco-Barrymore; The Patriarch-Aickin; Fernando-C. Kemble; Lelio-R. Palmer; Don Manuel-Trueman; Alguazil-Caulfield; Servant-Abbot; Violante-Miss Heard; Licia-Mrs Harlowe; Leonora-Miss DeCamp; Prologue-C. Kemble; Epilogue-Mrs Harlowe.
Cast
Role: Violante Actor: Miss Heard

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: False And True

Performance Comment: Characters by Munden, Barrymore, Trueman, C. Kemble, Davenport, Waldron Jun., Johnstone, D'Arcy, Ledger, Caulfield, Abbot, Chippendale, Lyons, Miss Heard, Miss Griffiths, Mrs Davenport, Mrs Bland. Cast from text (J. Bell, 1798): Count Benini-Munden; Marchese Caliari-Barrymore; Count Florenzi-Trueman; Lealto-C. Kemble; Tomaso-Davenport; Malevole-Waldron Jun.; O'Rafarty-Johnstone; Nicolo-D'Arcy; Lupo-Ledger; Assassins-Caulfield, Abbot, Chippendale; Chairman-Knight; 1st Mob-Lyons; Juliana-Miss Heard; Lauretta-Miss Griffiths; Marchesa Veteria-Mrs Davenport; Janetta-Mrs Bland.
Cast
Role: Juliana Actor: Miss Heard

Afterpiece Title: Two Strings to Your Bow

Song: In: Chorusses-Linton, Aylmer, Brown, Dibble, Kenrick, Little, Caulfield Jun., Walker, Willoughby, Ms Edward, Ms Menage, Ms Hale, Ms Gawdry, Ms Butler, Ms Masters, Ms Norton, Ms Benson, Ms Leserve

Performances

Mainpiece Title: Aurelio And Miranda

Performance Comment: Characters by Kemble, Barrymore, C. Kemble, Bannister Jun., Wewitzer, Archer, Webb, Evans, Maddocks, Sparks, Ryder, Wentworth, Mrs Siddons, Mrs Powell, Miss Tidswell, Miss Wentworth, Miss Heard, Mrs Sparks, Mrs Bland. Cast from text (J. Bell, 1799): Aurelio-Kemble; Raymond-Barrymore; Lorenzo-C. Kemble; Christoval-Bannister Jun.; Pedro-Wewitzer; Zingaro-Archer; Claude-Webb; Lopez-Evans; Hilario-Maddocks; Bonaventure-Sparks; Servant-Ryder; Juan-Wentworth; Miranda (Eugenio)-Mrs Siddons; Agnes-Mrs Powell; St. Agatha-Miss Tidswell; Teresa-Miss Wentworth; Antonia-Miss Heard; Leonella-Mrs Sparks; Zingarella-Mrs Bland.
Cast
Role: Antonia Actor: Miss Heard

Afterpiece Title: The Children in the Wood

Song: Mainpiece: Chorusses-Danby, Wentworth, Brown, Tett, Denman, Atkins, [J.] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates

Performances

Mainpiece Title: The Castle Of Montval

Performance Comment: Characters by Kemble, Aickin, Holland, C. Kemble, Barrymore, Packer, Fisher, Mrs Siddons, Mrs Powell, Miss Heard. [Cast from text (R. Phillips, 1799), and European Magazine, May 1799, p. 328: Old Count-Kemble; Count of Colmar-Aickin; Count of Montval-Holland; Marquis of Vaublane-C. Kemble; Lapont-Barrymore; Blaise-Packer; Ambrose-Fisher; Countess of Montval-Mrs Siddons; Matilda-Mrs Powell; Teresa-Miss Heard; Prologue-Powell; Epilogue-Mrs Powell. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Teresa Actor: Miss Heard

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: Adelaide

Performance Comment: Characters by Aickin, Kemble, Barrymore, C. Kemble, Cory, Maddocks, Mrs Siddons, Miss Heard, Mrs Coates. Cast from text (John Stockdale, 1800): King Henry-Aickin; Prince Richard-Kemble; Prince John-Barrymore; Clifford-C. Kemble; Legate-Cory; Officer-Maddocks; Adelaide-Mrs Siddons; Emma-Miss Heard; Abbess-Mrs Coates; Prologue-C. Kemble; Epilogue-Miss Mellon.
Cast
Role: Emma Actor: Miss Heard

Afterpiece Title: The First Floor

Cast
Role: Charlotte Actor: Miss Heard

Performances

Mainpiece Title: De Montfort

Performance Comment: Characters by Kemble, Talbot, Barrymore, Cory, Dowton, Powell, Caulfield, Packer, Holland, Archer, Maddocks, Clarke, Sparks, Trueman, Surmont, Fisher, Chippendale, Ryder, Mrs Siddons, Miss Heard, Mrs Crouch, Miss DeCamp, Miss Tidswell. Cast from Dramatic Censor, II, 115: De Montfort-Kemble; Rezenvelt-Talbot; Count Freberg (Albert)-Barrymore; Jerome-Dowton; Manuel-Powell; Grimbald (Conrad)-Caulfield; Jane De Montfort-Mrs Siddons; Countess Freberg-Miss Heard; Abbess-Mrs Crouch; Nuns-Miss DeCamp, Miss Stephens; Maid-Miss Tidswell; unassigned-Cory, Packer, Holland, Archer, Maddocks, Clarke, Sparks, Trueman, Surmont, Fisher, Chippendale, Ryder; Prologue-Mrs Powell; Epilogue-Mrs Siddons.
Cast
Role: Countess Freberg Actor: Miss Heard

Afterpiece Title: The Purse

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Danby, Wentworth, Maddocks, Evans, Cook, Danby Jun., Tett, Caulfield Jun., Sawyer, Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Stephens, Ms Leak, Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Jacobs, Ms Saunders, Ms Maddocks, Ms Bristow, Ms Butler, Ms Gawdry

Performances

Mainpiece Title: Indiscretion

Performance Comment: Characters by King, Bannister Jun., Barrymore, Talbot, Palmer, Holland, Wewitzer, Wathen, Webb, Evans, Miss Pope, Mrs Jordan, Miss Biggs, Mrs Walcot, Miss Heard, Mrs Coates. Cast from text (J. Barker, 1800), and Larpent MS 1293: Sir Marmaduke Maxim-King; Burly-Bannister Jun.; Clermont-Barrymore; Algernon-Talbot; Frederic-Palmer; Gaylove-Holland; Lounge-Wewitzer; Thomas-Wathen; Francis-Webb; John-Evans; Victoria-Miss Pope; Julia-Mrs Jordan; Fanny-Miss Biggs; Mrs Goodly-Mrs Walcot; Laura-Miss Heard; Betty-Mrs Coates; Prologue-Talbot; Epilogue-Miss Biggs.
Cast
Role: Laura Actor: Miss Heard

Afterpiece Title: The Liar

Cast
Role: Miss Godfrey Actor: Miss Heard

Song: [not listed on playbill.]In: I rise with the morn-Mrs Jordan; IV: a Glee-Dignum, Trueman, Danby (Dramatic Censor, II, 169, 171)

Event Comment: The King's Company. Pepys, Diary: With my wife by coach to the Duke of York's play-house, expecting a new play, and so stayed not no more than other people, but to the King's house, to The Mayd's Tragedy; but vexed all the while with two talking ladies and Sir Charles Sedley; yet pleased to hear their discourse, he being a stranger. And one of the ladies would, and did sit with her mask on, all the play, and, being exceeding witty as ever I heard woman, did talk most pleasantly with him; but was, I believe, a virtuous woman, and of quality. He would fain know who she was, but she would not tell.... By that means lost the pleasure of the play wholly, to which now and then Sir Charles Sedley's exceptions against both words and pronouncing were very pretty

Performances

Mainpiece Title: The Maid's Tragedy

Performances

Mainpiece Title: She Would If She Could

Event Comment: [The King's Company. Pepys, Diary: My wife and Mercer, and W. Hewer and Deb., to the King's playhouse, and I afterwards by water with them, and there we did hear the Eunuch (who, it seems, is a Frenchman, but long bred in Italy) sing, which I seemed to take as new to me, though I saw him on Saturday last [see 10 Oct. 1668], but said nothing of it; but such action and singing I could never have imagined to have heard, and do make good whatever Tom Hill used to tell me. [The Eunuch may be Baldassare Ferri.

Performances

Mainpiece Title: The Faithful Shepherdess

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Faithful Shepherdess again, that we might hear the French Eunuch sing, which we did, to our great content; though I do admire his action as much as his singing, being both beyond all I ever saw or heard

Performances

Mainpiece Title: The Faithful Shepherdess

Event Comment: London Gazette, No. 961, 1-4 Feb. 1674@5: A Rare Concert of four Trumpets Marine, never heard before in England. If any Persons desire to come and hear it, they may repair to the Fleece Tavern, near St James's, about two of the clock in the Afternoon every day in the Week (except Sundays). Every Concert shall continue one hour, and so to begin again; the best places are one shilling, the other six pence

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Otho, King Of Germany

Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performances

Mainpiece Title: The Universal Passion

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Harlequin-Denoyer's Apprentice; V: Dutchman and Frow-Philips, Miss Brett. [Daily Advertiser, 14 March, a less authoritative source, differs on the dances: I: Drunken Peasant-Philips; III: Turkish Dance-Muilment; Villeneuve, Livier; V: Grand Ball-Denoyer, Mlle Roland.

Music: A Comic Medley Overture-composed by Arne

Event Comment: AA Compleat List (1747), pp. 182-83: [After some resentment at Quin's refusing a part in Fatal Retirement, 12 Nov.]. When coming on one Night to play the Part of Pierre...and he was treated in the same Manner, he came forward, and speaking to the Audience said, 'That he had met with Insults of that kind for several Nights past, and that he judged they came from the Friends of the Author of a Play lately acted at that House, called Fatal Retirement; that the Author of it desired him to read it before it was acted, which he did, at his Requests, and likewise, at his Request, gave him his sincere Opinion of it, which was, that it was the very worst Play he had read in his Life; and therefore he had refused to act a Part in it, &c.' After his Speech was ended, he found a thundering Applause from the Audience, and went thro' the whole Play without any farther Disturbance. But we ought not entirely to form out Judgment of its being the very worst Play, from what this Gentleman was pleased to say of it, in the Heat of his Resentment for being ill-treated; nor wonder that an Audience should applaud a Sentence which condemned an Author, at a Time when it was the Fashion to condemn them all, right or wrong, without being heard; and when Parties were made to go to new Plays to make Uproars, which they called by the odious Name of The Funn of the first Night. For the Afterpiece, A Compleat List, p. 183: And on the very Night I am speaking of it, at the End of the Play, was acted for the first [second] Time a new Farce, called, An Hospital for Fools, of which one single Word was not heard that the Actors spoke, the Noise of these First-Night Gentlemen was so great; however, the Actors went thro' it, and the Spectatbrs might see their Mouths wag, and that was all

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: An Hospital for Fools (being generally Insisted on by last Night's Audience)

Song:

Dance: As17391116

Event Comment: A New Opera [a pasticcio, Metastasio text altered by Rolli, form Pergolesi's Olimpiade, 1735 (Loewenberg, Annals of Opera, I, 183)]. Music by Pergolesi, Scarlatti, Lampugnani. L. Leo, F. Leo [libretto in L. C.]. Two of the principal Performers being greatly indispos'd, the Dancers are oblig'd to be deferr'd. Thomas Gray to John Chute, 24 May: Our fifth Opera was the Olimpiade, in which they retain'd most of Pergolesi's Songs & yet 'tis gone already, as if it had been a poor thing of Galuppi's. Two nights did I enjoy it all alone, snugg in a Nook in the Gallery, but found no one in those regions had ever heard of Pergolesi, nay, I heard several affirm it was a Composition of Pescetti's.-Gray, Correspondence, I, 203

Performances

Mainpiece Title: Meraspe O L'olimpiade