SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Hallam jun"/1) | (@(roleclean,performerclean) "Mr Hallam jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4441 matches on Event Comments, 3317 matches on Performance Comments, 619 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Performances

Mainpiece Title: The Mourning Bride

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 8-10 June 1697, suggests a first performance in late May or the beginning of June. Preface: I [Motteux] write the Masque of Hercules, and Mr Eccles, having set it with his usual Success, and yet more masterly than my Mars and Venus, if possible, I prevail'd with the ingenious Mr J. Oldmixon to give me a short Pastoral, while I scribbled over a Farce after the Italian Manner, and an Imitation of part of a diverting French Comedy of one Act (for such Plays are very common in Foreign Parts). Then I wanted nothing but a Tragedy....At last I bethought myself of one already studied, called The Unnatural Brother, written by an ingenious Gentleman and acted 6 Months ago, tho not with the success it deserv'd. Yet the latter Part was extremely applauded: So I was persuaded to make bold with it, as I do....I could easily contract the most moving Part of the Story into the Compass of one Act, with some Additions....All this was done in a very short time, the warm Season threatening me with your Absence....The foregoing Lines were published as a Preface to that Masque, some few copies of which were printed for the use of the Audience, the first day of the Novelty's being Acted. A Comparison Between the Two Stages (1702), p. 20: Every Word stolen, and then Damn'd

Performances

Mainpiece Title: The Novelty 0

Afterpiece Title: The Novelty 1; Thyrsis, A Pastoral

Afterpiece Title: The Novelty 2; All Without Money

Afterpiece Title: The Novelty 3; Hercules [By Peter Motteux

Afterpiece Title: The Novelty 4; The Unfortunate Couple

Afterpiece Title: The Novelty 5; Natural Magick

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Performances

Mainpiece Title: The Siege Of Damascus

Performances

Mainpiece Title: The Old Batchelor

Music: Instead of Act Tunes will be perform'd Select Pieces of Musick adapted to various Instruments, Being deisgn'd as a Concert Intermix'd with the Play. For theOverture: a Grand Concerto- by Dr Pepusch, in which the Kettle Drums are principal,; accompanied with Trumpets Hautboys Violin-; The Kettle Drums-Mr Benj. Baker; V: That celebrated Piece, The Water Musick-; by Mr Handel, for Trumpets, French Horns, Kettle-Drums, Hautboys. Concluding with a Preamble on the Kettle@Drums-Benj. Baker

Dance: II: Tambourin-Miss Rogers; In III: Scots Dance-Mrs Bullock; III: Two Pierrots-Poitier, Pelling; IV: Sicilian-Glover, Mrs Pelling; V: Comic Dance in the Footing Manner-Jones, Mrs Ogden, with some Additions to it, never performed before

Song: I: Mrs Wright

Performances

Mainpiece Title: The Drummer

Song: The Apprentices, Wardens, and Masters Songs, to be sung by a worthy Brother

Performances

Mainpiece Title: King Arthur; Or, Merlin The British Enchanter

Performances

Mainpiece Title: Concert

Music: The Vocal part-Mrs Arne; late Miss Cecilia Young. With select Songs and Pieces of Musick; compos'd by Mr Arne, particularly, a New Ov e rture-; a new Concerto for Hautboys-; the March in Zara-; with a Comic Medley Overture-; two new Songs in English-; (by particular Desire) a Ballad Air call'd, Come and Listen to my Ditty-Mr Arne on the Violin, with many Variations; Also variety of Pieces by other Authors-; particularly the first and eighth Concertosof Corelli-; two Italian Songs-

Performances

Mainpiece Title: Rosamond

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Contrivances

Song: Miss Medina, Mrs Jones

Dance: HHornpipe-Yates

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Judgment of Paris

Performance Comment: Written by Congreve, New Set by Mr Arne; Paris-Beard; Mercury-Lowe; Venus-Mrs Arne; Pallas-Mrs Clive; Juno-Mrs Edwards.
Cast
Role: Juno Actor: Mrs Edwards.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Lottery

Dance: TThe Grand Scotch Dance, as17491031; Venetian Gardeners, as17491031

Performances

Mainpiece Title: The Old Woman's Oratory

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Enchanter; or, Love and Magic

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Man of Quality

Dance: V: The Mountaineers, as17730930

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Performances

Mainpiece Title: The Spanish Fryar; Or, The Comical Discovery

Afterpiece Title: Midas

Performance Comment: Midas-Wellman; Jupiter-Harrison; Sileno-Wright; Pan-Kerridge; Damaetas-Payne; Apollo (for that night only)-Miss Cranford; Nysa-Mrs Benson; Mysis-Mrs Monk; Juno-Miss Bird; Daphne-A Lady (1st appearance on this stage [unidentified]) .unidentified]) .
Cast
Role: Juno Actor: Miss Bird

Afterpiece Title: Mother Shipton; or, Harlequin Gladiator

Song: End of Act II of 1st piece The Pidgeon by Miss Cranford; End of 1st piece Four and Twenty Fidlers all on a Row by Wellman

Monologue: 1785 07 15 End of 2nd song Bucks have at ye all by Benson

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Love in a Camp

Performances

Mainpiece Title: The Mask'd Friend

Afterpiece Title: The Way to Get Un-Married

Afterpiece Title: The Farmer

Song: In 2nd piece: The Sportman's snug little Cot-Incledon

Entertainment: Monologues, with Songs.End: The Barber's Petition-Fawcett (1st time); [with a song in character, Wigs [including His Own Wig, The Lover's Wig, Doctor's Wig, Coachman's Wig, Counsellor's Wig-Fawcett; End 2nd piece: A Ramble to Bath (1st time) [with a descriptive song in the character of Jacob Gawkey [in The Chapter of Accidents]-Knight

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81, a last, undated entry in a series of plays acted from 28 May 1675 to 12 May 1677. See also Nicoll, Restoration Drama, p. 348. A performance, dated 12 May 1677, is on the L. C. lists at Harvard; see VanLennep, Plays on the English Stage, 1669-1672, p. 12. Downes (pp. 36-37): All the Musick was set by Mr Banister, and being well Perform'd, it answer'd the Expectation of the Company. Two of the songs, with the music by Bannister, are in Choice Ayres and Songs, The Second Book, 1679. The Songs in Circe, published separately in 1677, bears a licensing date of 7 May 1677. The play was licensed 18 June 1677, and entered in the Stationers' Register, 19 June 1677

Performances

Mainpiece Title: Circe