SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr George White"/1) | (@(roleclean,performerclean) "Mr George White")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5307 matches on Author, 4838 matches on Event Comments, 2088 matches on Performance Comments, 729 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: The Fugitive

Afterpiece Title: Harlequin Captive

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Merry Wives of Windsor

Afterpiece Title: The Gentle Shepherd

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Prisoner

Ballet: End: The Scotch Ghost. As17961029, but Villagers-Mrs _Thompson

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Deserter

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: The Jew

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: The Honest Thieves

Afterpiece Title: The Village Fete

Song: End: Wigs-, including His own Wig, Doctor's Wig, Coachman's Wig; The Storm-Incledon; In 3rd piece: Chorusses, As17970518

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Irishman in London

Afterpiece Title: The Liar

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: A Divertisement

Dance: In afterpiece: a Ballet-Blurton, Mrs Watts, Mlle St.Amand

Performances

Mainpiece Title: The Rival Soldiers

Afterpiece Title: Rule a Wife and Have a Wife

Afterpiece Title: Three Weeks after Marriage

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Chimney Corner

Performances

Mainpiece Title: The Will

Afterpiece Title: The Prize

Entertainment: Monologue.As17971016; An Occasional Address-Wroughton

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Wedding Day

Afterpiece Title: A Trip to the Nore

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Irishman in London

Song: As17980705

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Wedding Day

Afterpiece Title: Feudal Times

Related Works
Related Work: Feudal Times; or, The Banquet Gallery Author(s): George Colman, the younger

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Feudal Times

Related Works
Related Work: Feudal Times; or, The Banquet Gallery Author(s): George Colman, the younger

Performances

Mainpiece Title: The Funeral Or Grief A la mode

Afterpiece Title: Feudal Times

Related Works
Related Work: Feudal Times; or, The Banquet Gallery Author(s): George Colman, the younger

Performances

Mainpiece Title: Zorinski

Afterpiece Title: The Irishman in London

Song: End II: Crazy Jane-Mrs Bland; End: a favorite Mock Italian Song-Fawcett

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Prize

Performances

Mainpiece Title: The Secret

Afterpiece Title: The Pavilion

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: The Ingratitude Of A Common wealth Or The Fall Of Caius Martius Coriolanus

Performance Comment: Edition of 1682: Prologue by Sir George Raynsford-; Epilogue-Valeria.
Cast
Role: Sir George Raynsford Actor:
Event Comment: Tom Brown, writing to George Moult, 30 Aug. 1699: As I have observ'd to you, this noble Fair is quite another thing than what it was in the last Age; it not only deals in the humble stories of Crispin and Crispianus, Whittington's Cat, Bateman's Ghost, with the merry Conceits of the Little Pickle-herring; but it produces Opera's of its own Growth, and is become a formidable Rival to both the Theatres. It beholds Gods descending from Machines, who express themselves in a language suitable to their dignity; it trafficks in Heroes; it raises Ghosts and Apparitions; it has represented the Trojan Horse, the Workmanship of the divine Epeus; it has seen St. George encounter the Dragon, and overcome him; In short, for Thunder and Lightning, for Songs and Dances, for sublime Fustian and magnificent Nonsense, it comes not short of Drury-Lane or Lincolns-Inn-Fields (in Thomas Brown, Works, 4th edition, 1715, I, 212-13). [For a colorful account of Bartholomew Fair at the turn of the century, see The London Spy Compleat, 1703, Parts X and XI, particularly pages 228-58.]

Performances