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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr George Farquhar"/1) | (@(roleclean,performerclean) "Mr George Farquhar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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11143 results for: Keyword - Mr George Farquhar
We found 5308 matches on Author, 4746 matches on Event Comments, 1743 matches on Performance Comments, 701 matches on Performance Title, and 0 matches on Roles/Actors.

5401
26 December 1785 @ Covent Garden

Performances

Mainpiece Title: George Barnwell

Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: Omai and see17851220

5402
03 March 1786 @ Drury Lane Theatre

Event Comment: Tickets to be had and Places [for the boxes] to be taken of Fosbrook, at the Stage Door of the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performance to be had at the Theatre. New Lady's Magazine, Mar 1786, p. 110: performance under the direction of Dr Arnold, who conducted from the organ. I know that my redeemer liveth sung by Miss George; He was despised and rejected by Master Pring; How beautiful are the feet by Mrs Forster

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Parts by Bellamy, Arrowsmith, Carter, Master Pring; Mrs Forster, Miss George .

5403
07 December 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: George Barnwell

Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: The Island of St

5404
06 April 1795 @ Covent Garden

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Cast
Role: Sir George Gauntlet Actor: Middleton

Afterpiece Title: Windsor Castle

Afterpiece Title: Windsor Castle

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

5405
25 April 1702 @ Chelsea College

Performances

Mainpiece Title: Concert

Music: Mr Abell's new Consort of English Musick-; [composed on the Royal Subject [the Queen's Coronation]: With other Songs in several Languages-; accompanied-the greatest Masters [of Instrumental Musick

5406
25 November 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: The Emperor Of The Moon

Song: Mr Mason, who never appear'd upon the Stage before

Music:

Dance:

5407
26 November 1713 @ Tennis Court

Performances

Mainpiece Title: Rope Dancing

Entertainment: Mr Gibbons's Company of French Rope Dancers; where you will see stiff Rope-little Child (about two Years and a half old) perform such wonderful things, as is surprising to all that behold him; extraordinary Dancing on the stiff Rope-A Young Maiden who dances to Admiration; Dancing on the Rope, Playing on the Violin-the famous Scaramouch lately come from France, who turns himself as if he was going on the Ground; Walking on the Slack Rope after the Italian manner-A Young Man; Lastly Tumbles-The Famous Gibbon who has had the honour to perform before most of the Courts in Europe, for Lightness, and Agility, far beyond what has ever yet been seen; You will likewise be entertained with good Musick-

5408
03 October 1720 @ Southwark

Performances

Mainpiece Title: Love For Love

Song: Comical Dialogue between Dr Thornhill and his Old Merry Andrew-Mr Platt, others

Dance: Mr Jones, others

5409
14 April 1722 @ Greenwich

Performances

Mainpiece Title: Tamerlane

5410
20 December 1725 @ Drury Lane Theatre

Performances

Mainpiece Title: The Funeral

Dance: Mr Sandham's Children, who never appeared on any Stage before; La Folette, as17250928

5411
24 March 1726 @ Haymarket Theatre

Performances

Mainpiece Title: La Fille Allamode Ou La Parisien Duppe

Afterpiece Title: LOmbre DArlequin

Dance: Mr Poitiers, others

5412
09 May 1726 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Dance: I: Passacaille-Miss Robinson; II: Peirette-Mrs Brett; III: Polonese-Miss Robinson, Rainton; IV: Harlequin-Rainton; V: Spanish Entry-Miss Robinson

Music: II: Serenade on Violin-Roger , to his Mistress in the Character of Pierot

5413
14 November 1726 @ Clare's Academy

Performances

Mainpiece Title: Tartuffe

5414
09 November 1727 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provokd Wife

Dance: Mr Lally's young son, a little Girl (who have never appear'd upon any Stage before)

5415
09 April 1730 @ Goodman's Fields

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The What Dye Call It

5416
13 November 1732 @ Fulham

Performances

Mainpiece Title: Eunuchus

5417
20 March 1734 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Concertos by Corelli and Geminiani. Favourite Songs of Mr Handel's. Solo upon the German Flute and Violin. A Concerto, the Solo Part upon the Harpsichord

5418
16 May 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Intriguing Chambermaid

Music: A new Comic-Medley-Overture composed by Lampe

Dance: Comic Dance by Master Oates and Miss Oates, both Scholars to Davenport. Scots Dance by Mr and Mrs Davenport. Pierrots by Topham and Davenport

5419
23 May 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Dance: I: Pierrots by Fisher Tench and Davenport. II: Dutchman and his Wife by Le Brun and Mrs Walter. III: Scot's Dance by Mr and Mrs Davenport. IV: English Maggot by S. Lally and Mrs Walter, V: Revellers by Essex, Miss Latour, &c

5420
23 May 1734 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The School Boy

Dance: Irish Trot by Master Oates. A comic Peasant Dance by Master Oates and Miss Oates Jr. Pierrot by Topham and Mrs Davenport. Scotch Dance by Mr and Mrs Davenport

5421
14 November 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Astrologue Statue Enfant Ramoneur Perroquet With The Scene Of The Moor

Afterpiece Title: Les Amours de Nanterre

Music: Mr Job Baker will perform a Preamble on the Kettle Drums, accompanied by other Instruments

5422
15 July 1735 @ Haymarket Theatre

Performances

Mainpiece Title: The London Merchant

Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: The Honest Yorkshireman

Music: Concerto for Two Hautboys by Woodbridge and Neale. A fine Piece of Mr Handel's on the little Flute by a Friend of Carey

Dance: houvre and Minuet by Vallois and Mrs Anderson. V: Two Pierrots by Vallois and his Scholar

Song: By a Scholar of Carey's

5423
18 July 1735 @ Haymarket Theatre

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Honest Yorkshireman

Music: As17350715

Dance: Louvre and Minuet by Vallois and Mrs Anderson. Two Pierrots by Vallois and Davenport. Scotch Dance by Mr and Mrs Davenport

Song: English Cantata by a Scholar of Carey's

5424
15 May 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The Contrivances

Dance: I: Two Pierrots by Davenport and Pelling. II: Whim by Delamayne. nI: Serious Dance by Delamayne and Miss Brett. IV: Double Jealousy by Poitier, Mlle Roland, &c. V: Comic Dance by Mr and Mrs Davenport. End Afterpiece: Harlequin by Delamayne

5425
05 May 1737 @ Haymarket Theatre

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: The Sailors Opera

Dance: Mr Sant[, Dancing-Master, from Chester, who has perform'd several Times at dl] with great Applause, by the Name of the Chesire Boy