SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Gentleman"/1) | (@(roleclean,performerclean) "Mr Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4804 matches on Event Comments, 2056 matches on Performance Comments, 716 matches on Performance Title, 408 matches on Author, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Deuce Is in Him

Dance: End: The Grand Garland Dance, as17760410

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: Gentleman in Balcony (for that night only; in the course of which a much greater Variety of Imitations than has ever yet been offered)-A Young Gentleman (1st appearance in publick [Kean]); Irishman in the Pit-Marriot; Lady in Balcony-Mrs Lefevre .

Afterpiece Title: The English Merchant

Afterpiece Title: The Lying Valet

Monologue: 1784 03 22 End of 2nd piece Shuter's Post-haste Observations on his Journey to Paris by Dutton

Event Comment: Gentleman's Journal, March 1691@2 (licensed 9 March 1691@2): And after Easter we are to have a New Opera; and Mr Dryden's Cleomenes very shortly

Performances

Event Comment: Gentleman's Journal, April 1692 (licensed 13 April): Mr Banks hath writ a Tragedy call'd the Innocent Usurper....However, there being some reasons which hinder it from appearing on the Stage, he designs to submit it to the Judgment of every Impartial Reader, and it will very speedily appear in print

Performances

Event Comment: Gentleman's Journal p. 26, August 1692 (licensed 24 Aug. 1692): The first of the three Songs which I send you is set by Mr Purcell the Italian way; had you heard it sung by Mrs Ayliff you would have owned that there is no pleasure like that which good Notes, when so divinely sung, can create. [The song, Ah me! Ah me! to many, many deaths, the words by John Crowne and the music by Henry Purcell, is in Crowne's Regulus. See Early June 1692.

Performances

Event Comment: Gentleman's Journal, October 1692: We are promised a Comedy by Mr Shadwell in a short time, and two or three new Plays after that

Performances

Performances

Mainpiece Title: Zemire Et Azor

Dance: With Dances [(composed by Didelot) incidental to the Opera,-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Flore et Zephire- (originally composed by Didelot and now obligingly revived by him, in the absence of the Ballet-Master [Gallet], who is not yet arrived)

Performances

Mainpiece Title: Alonzo

Afterpiece Title: A Peep behind the Curtain

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as 18 Sept

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Poor Soldier

Song: End: The Waggoner (composed by Dibdin)-Wathen

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: May Day

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Man and Wife

Afterpiece Title: Poor Vulcan

Dance: End of 2nd piece The Poney Races, as17840504

Song: Procession to conclude with a new Theatrical Glee, composed by Shield, by Reinhold, Brett, Johnstone

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Gentle Shepherd

Dance: End: L'Amour au Rende'vous; or, The Conflict of Love, in which will be displayed the Customs of the American Indians, to conclude with the War Dance,-the young D'Egvilles, Miss Blanchet, Miss D'Egville, Miss DeCamp; End I afterpiece: A Highland Reel-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: A Peep behind the Curtain

Dance: V: Comic Dance, as17720922

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Comus

Dance: As17780211

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Comus

Song: In afterpiece: Sweet Echo-Leoni, Mrs Farrell (of cg)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Catherine And Petruchio

Dance: As17791022

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Tom Thumb

Dance: As17801027

Performances

Mainpiece Title: the Feast Of Thalia; Or, A Dramatic Olio

Performance Comment: [Bill of Fare, in which every Dish belonging to the Drama will be served up: Prelude, Tragedy, Comedy, Opera, Interlude, and Burlesque. By way of Relish: The Manager in Distress. [Principal Characters by Palmer, Aickin, R. Palmer, Egan, Bannister Jun., Mrs Cuyler, Mrs Jewell, Miss Hale, Mrs Webb. [Cast from text (T. Cadell [1780]): Bustleton-Palmer; Manager-Aickin; Easy-R. Palmer; Irishman in the Pit-Egan; Gentleman in the Balcony-Bannister Jun.; Actresses-Mrs Cuyler, Mrs Jewell, Miss Hale; Lady in Balcony-Mrs Webb.

Afterpiece Title: First Course, a substantial Dish from: Henry IV

Afterpiece Title: Second Courae, a Comic Dish, never serv'd up before: Kensington Gardens; or, The Walking Jockey

Afterpiece Title: Third Course, an Operatic Dish: The Son-in-Law

Afterpiece Title: Also by way of Entremet: Ripe Fruit; or, The Marriage Act

Afterpiece Title: Desert: Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Son-in-Law

Dance: As17811101

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Choice of Harlequin