SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Gentleman"/1) | (@(roleclean,performerclean) "Mr Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4804 matches on Event Comments, 2056 matches on Performance Comments, 716 matches on Performance Title, 408 matches on Author, and 1 matches on Roles/Actors.
Event Comment: Afterpiece: Not acted these 6 years. [See 11 May 1772.] [Young gentleman identified by Hopkins MS Notes. Genest, V, 517, also calls attention to the fact that the text lists Douglas as Norval and Old Norval as Stranger (1757) or Prisoner (1768). Webster first named as Douglas on bill for 27 Feb. 1776. Review of Webster's acting appeared in the Westminster Magazine for Jan.: "His person is rather elegant; his voice is full and harmonious, his pronunciation distinct and correct, and his delivery graceful and unembarassed. Those are his excellencies, and considering it was his first performance, he seems to possess them in a degree far superior to the various candidates for theatrical fame which the managers of both houses have brought forward for some years past. On the other hand he is aukward, and in some parts unanimated. His arms are too long, or he flung them about in a very disgusting manner. He seemed to express the sense of his author much better than his own feelings. His voice though full, wants variety and modulation; not but on some occasions he managed it with infinite grace and judgement. But if this want of variety of tones and extent of voice, which is so indispensibly necessary to constitute a first rate actor, be not the effect of Nature, the Public may behold with less anxiety their decayed veterans giving nightly proofs of their increasing infirmities, and quick approaching theatrical dissolution."

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-A Young Gentleman, first appearance any stage (Webster); Lord Randolph-Wroughton; Officer-Thompson; Glenalvon-Aickin; Old Norval-Barry, being their first appearance in those characters; Anna-Miss Dayes; Lady Randolph-Mrs Barry.

Afterpiece Title: The Cheats of Scapin

Dance: End Tragedy: Mirth and Jollity, as17760102

Event Comment: Benefit for Brereton. Mainpiece: Not acted these 9 years. [See 26 Nov. 1766. MacMillan's note from Kemble: "A Young Gentleman (Francis Rundell) appeared in Alcanor.-A tall aukward figure-spoke sensibly-and came off with applause," does not appear in Hopkins Diary.] Receipts: #63 6d. Charges: #69 13s. Deficit to Brereton: #6 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Mahomet

Performance Comment: Alcanor-A Young Gentleman, first appearance; Mirvan-Bransby; Hali-Whitfield; Hersides-Norris; Zaphna-Brereton; Pharon-Packer; Mahomet-Bensley; Palmira-Miss Younge, first time.

Afterpiece Title: Bon Ton

Dance: End: The Savage Hunters, as17751118

Performances

Mainpiece Title: Title Unknown

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Afterpiece Title: Calisto's Additional performers

Performances

Mainpiece Title: The Feast Of Alexander

Event Comment: Full Prices. [Young Gentleman-Bridges according to Genest, IV, 634.]

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Bridges, first appearance on this stage; Desdemona-Mrs Cibber; Iago-Havard; Brabantio-Burton; Cassio-Palmer; Roderigo-Yates; Emilia-Mrs Kennedy [playbill, which names Othello as a Young Gentleman].playbill, which names Othello as a Young Gentleman].

Afterpiece Title: The Coronation

Dance: A Comic Dance-Master Rogie, Miss Capitani. As17610912

Event Comment: By Permission of the Lord Chamberlain. Benefit for a Performer, thirty years a Servant of the Publick at Covent-garden and Haymarket Theatres [unidentified]. Mainpiece: Written by the ingenious Mrs Behn, with Alterations by a Gentleman well known in the Dramatick World and Republick of Letters. The Characters new dressed in the Habits of the Times. [Writers and speakers of Prologue and Epilogue unknown.] Afterpiece: Altered from Sir John Vanbrugh. The Doors to be opened at 5:00. To begin at 6:00

Performances

Mainpiece Title: The Amorous Prince

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Waterman

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performances

Mainpiece Title: Achilles; Or, Iphigenia In Aulis

Performances

Mainpiece Title: The City Politiques

Performances

Mainpiece Title: The Deceiver Deceived

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: Imposture Defeated; Or, A Trick To Cheat The Devil

Performances

Mainpiece Title: Courtship A La Mode

Performances

Mainpiece Title: Tunbridge Walks

Music: A piece of Instrumental Musick- to be perform'd on the Stage

Song: Mr Laroon, Mrs Hughs; particularly a Two/part Song-Mr Laroon, Mrs Hughs compos'd by the late Mr Henry Purcell

Song: Country Farmer's Daughter, Highland Lilt-the Devonshire Girl; The Whip of Dunbyn-Claxton; a new Entry-Mrs Campion, others; A Scotch Dance-Mrs Bicknell; a new Scaramouch Man and Scaramouch Woman-Laferry, Mrs Lucas

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Historical Register

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: IV: A Dutch Dance-Master Settree, Master Blagdon, Miss Blagdon

Performances

Mainpiece Title: Albion And Albanius

Performances

Mainpiece Title: The Rehearsal

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: The Royal Slave Author(s): Francis Gentleman

Performances

Mainpiece Title: The Younger Brother; Or, The Amorous Jilt

Performances

Mainpiece Title: The City Bride; Or, The Merry Cuckold