SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Gentleman"/1) | (@(roleclean,performerclean) "Mr Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4804 matches on Event Comments, 2056 matches on Performance Comments, 716 matches on Performance Title, 408 matches on Author, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: The Intriguing Lover; Or, A Tit-bit For A Nice Palate

Afterpiece Title: Harlequin's Vagaries

Dance:

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Mercury Harlequin

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Male Coquette

Event Comment: Benefit for a Gentleman under Misfortunes. By the Desire of several Persons of Distinction

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: A Duke and no Duke

Dance: newComic Dance, as17580417

Event Comment: At Marybone Gardens. Translated into English. The Music by Pergolesi. Admittance 2s. 6d., tea and coffee included. [Daily Advertiser, 15 May, notice: Only 26 Tickets for ball room will be sold each night. Admittance one shilling; Ballroom five shillings to admit one gentleman and two ladies.

Performances

Mainpiece Title: La Serva Padrona; Or, The Servant Mistress

Event Comment: OObrien did Brazen, for his first appearance, & met with great Applause (Cross). [See a two-column comment on The Recruiting Officer and O'Brien's acting in Theatre No II published in The London Chronicle, No. 277, 5-7 Oct., p. 343: "The character of Brazen never existed in human nature, but is merely the child of Farquhar's own licentious invention...and for this reason I imagined it impossible for any actor to appear to advantage in it, without having recourse to that buffoonery and grimace which has always been made use of by the most eminent to support it; but I was agreeably surprised to find myself mistaken: for the young gentleman who has now got it into his possession goes through the whole with a genuine comic spirit; and, by his peculiar method of acting it, in a great measure corrects the unnatural absurdity of the writer." Specific details of his acting as well as comments on other roles are given.] Receipts: #150 (Cross); #174 3s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Anatomist

Event Comment: TThe London Chronicle 1758 (p. 461): Having already read the play [The London Cuckolds] it was no wonder if my inclinations to attend the exhibition of it were very small; however, being in some measure oblig'd to perform that penance, I paid my money and sat down in the pit, where I underwent three hours entertainment, if I may call it so, only to be rooted in a former opinion, that the author of this comedy deserved to be hanged; and that the only excuse which could be made for suffering it to be acted would be invincible stupidity. This monstruous production of nonsense and obscenity, is the spawn of one Ravenscroft, a writer whose wit was as contemptible as his morals were vitious. He does not seem to have had one sentiment either of a man of Genious of a gentleman, at least if we may judge by the characters he has daubed, which are a pack of reprobates of the lowest kind. Nor are the things which look like incidents in this play the produce of his own invention, but the squeezings from an extravagant novel of Scarron, and two or three ill-chosen fables of LaFontaine; of which ingredients he has contrived to mix up a sort of hog-wash, sweetened with a few luscious expressions and a large portion of the grossest lewdness, to the palates of swine, or what is the same thing, men like them; but which must be odious to, and nauseated by all people of delicate taste, or common modesty. The three gallants in this comedy, Townly, Ramble and Loveit, never make their appearance upon the stage but to talk bawdy, and that in terms very little different from the most vagabond inhabitants of Covent Garden, nor do they make their exit but with a professed intention to commit adultery with one woman or another, who walks off with him very contentedly for that purpose. I must here observe that adultery is committed no less than seven times during the five acts. [The play an insult to the London aldermen and their wives.] There were several men of distinction in the boxes at this play, and I think about eight ladies. What their inward feelings might be I know not; but if one might judge of their thoughts by the gravity of their looks, they were rather mortified than diverted. But of the women of the town, who as we suppose were unwilling to let slip so fair an opportunity of getting a supper and a bed-fellow, there were crowds both in the pit and green boxes...

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Double Disappointment

Dance: As17581016

Event Comment: The Farce dislik'd (Cross). Receipts: #160 (Cross); #169 18s. 6d. (Winston MS 8). [See review of the reception and circumstances of publication in Gentleman's Magazine (p. 37), which presents Hill in no good light. See also review of A Letter to the Honourable Author of the Rout (idem.) with its charges against Garrick.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Rout

Event Comment: This Play tho' all new dress'd and had Fine Scenes did not seem to give ye audience any great plasure, or draw any applause (Cross). Written by Shakespear. Never Acted there. New Habits, Scenes, and Decorations. Nothing under Full Prices will be taken during the Performance. No Gentleman can possibly be admitted behind the Scenes, or into the Orchestra on account of the Music, Decorations, and number of Performers which are necessary to the Representation (playbill). [See "Garrick's Presentation of Antony and Cleopatra," RES, Jan. 1937. The following characters appear in Capel's acting text, 23 Oct. 1958, Maecenas-Atkins; Proculeius-$Austin; Soothsayer-$Burton; Mardian-$Perry; Seleucas-$Burton.] Receipts: #200 ($Cross); #193 14s. (Winston MS 8)

Performances

Mainpiece Title: Antony And Cleopatra

Performances

Mainpiece Title: La Serva Padrona

Event Comment: [This month published Observations on the Use of Theatres, their present regulations and possible improvements. Price 1s. Printed for Cooper. See review in Gentleman's Magazine (p. 232). Proposal is that the "conduct of theatrical entertainments be for the future taken under the care of the goverment, and a person of judgment and integrity appointed by the name of comptroller, or conductor of the stage, who alone shall determine what old plays shall be acted, and what new ones received; and who shall take charge of the money received, and defray the necessary expenses, accounting for the remainder to the public. The author seemingly Dr John Hill, lately (see 21 Dec. 1758) upset by the failure of his farce, The Rout. (Winston MS 8). Receipts: #108 (Cross); #122 6d. (Winston MS 8)

Performances

Mainpiece Title: The Orphan Of China

Event Comment: TThe Guardian deferred; Mrs Clive indisposed. Tomorrow will be reviv'd Comus, the characters of the Bacchanal and Euphrosyne by a Gentleman and Gentlewoman who never appeared on the stage before. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Fair: With Additional Scenes of Action

Event Comment: Went off with applause (Cross). Afterpiece: a New Pantomime after the Manner of the Italian Comedy, with New Scenes, Habits, Decorations. Nothing under Full Prices will be taken. No Gentleman can possibly be admitted behind the Scenes or into the Orchestra, on account of the Machinery and Music. The Music composed by Dr Boyce. The Songs will be printed, and deliver'd at the doors. Receipts: #200 (Cross)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: Harlequin's Invasion; or, A ChristmasGambol

Event Comment: Receipts: #115 3s. [The Weekly Magazine; or, Gentleman and Lady's Polite Companion (1760), pp. 61-63, deplores the lack of new plays and lack of competition for the Patent houses. "Our theatres seem now to aim at glorious opposition: Harlequin is set against Harlequin, one dancing master opposes another; the scene shifters, the singers, and even the drummers figure at each house by turns, and it is to be hoped soon that the mere actor will become useless....The Fair has scarce even pantomime probability...for instance Harlequin should never exercise his magical power without reason, and should never make escapes without being pursued, but here he conjures, leaps, runs and waggles without any apparent design; and the whole seems destitute of plot, a if contrived by a dancing master. Harlequin's Invasion at the other House is still rather more absurd." The author expected a speaking Harlequin, Pantaloon, Pierot, Mezzetin, &c. but found the customary figures banished for the substitution of a "stupid Taylor and his more stupid wife." Regrets the sinking of stage performance to such absurdity.

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Fair

Performances

Mainpiece Title: Mrs Midnight's Concert And Oratory

Performance Comment: Bombasto, Signora Tambourina, Miss Karver, Miss Gaudry, a young Gentleman (1st appearance on the stage); Orations-Mrs Midnight; Instrumentals-the best performers With a band of originals, viz. Mynheer Broomsticado; Solo-Sg Twangdillo; and a Rhapsody on the Death of a late Noble Commander-Mrs Midnight.

Afterpiece Title: The Contest of Love and Glory

Event Comment: Benefit for Gibbs, Miss White, and a Gentleman in Distress. Tickets delivered out by Courtney, Rawlins, Mrs Gold, Mrs Gwinn, and others for 26 April will be taken. Tickets sold at the doors will nto be admitted. Receipts: #89 5s. in cash and 1!2 value of tickets: @Tickets Gibbs Box@Pit 4@Gallery 22@Value #2 16s.@1!2 Value #1 8s.@Tickets Courtney Box 30@Pit 141@Gallery 39@Value #32 11s.@1!2 Value #16 5s. 6d.@Tickets Rawlins Box 17@Pit 44@Gallery 44@Value #15 5s.@1!2 Value #7 12s. 6d.@Tickets Person Distress'd Box 37@Pit 92@Gallery 57@Value #28 15s.@1!2 Value #14 7s. 6d.@Tickets Miss White Box 17@Pit 29@Gallery 37@Value #12 6s.@1!2 Value #6 3s.@Tickets Mrs Gold Box 3@Pit 15@Gallery 31@Value #6 2s.@1!2 Value #3 1s.@Tickets Mrs Hitchcock Box 12@Pit 30@Gallery 10@Value #8 10s.@1!2 Value #4 5s. Gratis@Tickets Mrs Gwynn Box 2@Pit 28@Gallery 47@Value #9 8s.@1!2 Value #4 14s. Gratis@Box 108@Pit 383@Gallery 287@Value #115 13s.@1!2 Value #57 16s. 6d.@Cash #31 8s. 6d.@Receipt #89 5s.

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: Harlequin Statue

Dance: III: The Lamp Lighters, as17600318 End: The Knife Grinders, as17600417

Event Comment: Being positively the last time for the afterpiece this season. [In June was published A Scotsman's Remarks on the Farce Love-a-la-Mode (Gentleman's Magazine, p. 339), scene by scene.

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Love a-la-Mode

Dance: I: The last new Comic Dance-Sg and Sga Giorgi; II: The Cow Keepers, as17600313 but Mrs _Vernon, Mrs Preston

Song: III: By Desire, The Sailor's Song-Champnes, and a Dance in character by the Sailor

Event Comment: Benefit a Gentleman who has written for the Stage. Tickets delivered by Sansom, and for The Conscious Lovers will be taken. For ye Bricklayers Benefit. (Cross Diary)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The King and The Miller

Dance: DDutch Dance, as17600619

Performances

Mainpiece Title: Dramatic Turtle

Performances

Mainpiece Title: Don Quixote In England

Event Comment: Tickets deliver'd out for the 2nd of January will be taken. [Full value from these tickets amounted to #33 7s. (Box 74; Pit 99). House receiv'd half value paid 14 Jan. by Mrs Young "for the benefit of a Gentleman under Misfortune." Sg Maranesi and his wife (as a team) receiv'd a pay increase of 6s. 8d. per day from 29 Dec. 1760, and Mrs Burden received an advance in her salary of 1s. 8d. per day from the same date (Account Book).] Receipts: #114 1s. 6d. (Account Book)

Performances

Mainpiece Title: King John

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: The Jealous Wife

Dance: TThe Cuckow, as17610212

Event Comment: Mainpiece: Not acted this season. Full Prices. [Sparked by Victor's publication of his History of the Theatres of London and Dublin, 1730 to the Present, a series of articles on the Rise and Progress of the English Stage appeared in the Gentleman's Magazine for May (p. 214 ff); June (p. 264 ff); and July (p. 297).

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Register Office