The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Gentleman"/1) | (@(roleclean,performerclean) "Mr Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4804 matches on Event Comments, 2056 matches on Performance Comments, 716 matches on Performance Title, 408 matches on Author, and 1 matches on Roles/Actors.
Event Comment: At the Desire of Several Persons of Quality. Benefit for a Gentleman under Misfortunes. Boxes 5s. Pit 3s. Gallery 1s

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: [Concerning Mrs Elmy's acting of Desdemona, the Gentleman's Magazine (Oct., p. 493) quotes the Monitor: And no part has been better represented in our memory, and indeed we scarce knew what it was before she acted it."

Performances

Mainpiece Title: Othello The Moor Of Venice

Afterpiece Title: Harlequin Sorcerer

Event Comment: Benefit for a Gentleman

Performances

Mainpiece Title: The British Roratory

Dance: As17540711

Event Comment: [The Gentleman's Magazine, XXIV, p. 485, has an important note on Shuter's interpretation of Trim.

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: The Double Disappointment

Event Comment: MMiss Haughton did second Constantia-Mrs Cibber gave it up-some days ago ($Cross). [Early in the next year was published The Devil upon Crutches in England; or, Night Scenes in London. By a Gentleman of Oxford. Chapter V gives a Short View of the Theatres including sharp criticism of 'the most barefaced bawdry Farce...that ever disgraced the stage, in which the Manager, who has caused it to be reviv'd, is to perform the principal part. The Play, Sir, is call'd the Chances...and this is the tenth night of its representation to crowded houses...Your fair country women...are fond of the most fulsome obscenity on the stage."] Receipts: #150 (Cross)

Performances

Mainpiece Title: The Chances

Song: II: (By desire) The School of Anacreon-Beard

Dance: IV: The Shepherd's Holiday, as17541008

Event Comment: Mainpiece: At the request of several persons of Distinction, for the Benefit of a gentleman who served as an Officer in Flanders with Reputation during the late war, now under misfortunes

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The What D'ye Call It

Performances

Mainpiece Title: Barbarossa

Performance Comment: Parts-Garrick, Mossop, Havard, Davies, Usher, Mozeen, Walker, Miss Macklin, Miss Minors, Mrs Cibber. Achmet-Garrick; Barbarossa-Mossop; Othman-Havard; Sadi-Davies; Aladin-Usher; Officer-Mozeen; Slave-Walker; Irene-Miss Macklin; Slave-Miss Minors; Zaphira-Mrs Cibber; Music-adapted to the play; Prologue-Garrick in the Character of a Country Boy; Epilogue by Garrick-Woodward in the Character of a Fine Gentleman (Edition of 1755).

Performances

Mainpiece Title: Writ Of Inquiry

Event Comment: The contest finally determined between that Gentleman [the Inquisitor], Dr R-, and Tiddy Doll, and as it is presumed the election will fall upon Frontinbras, his investiture with the Inquisitorial dignity will be triumphantly executed, after the manner of a St Giles's Oration. [Macklin had dropped the contest, this night lecturing on the Constitution of the French and British Theatres, &c.

Performances

Mainpiece Title: Writ Of Inquiry

Event Comment: Benefit for Ridout. No Building on Stage. [The printer of the Public Advertiser seems to have kept his form for the old notices of the cast for the mainpiece, for although changing Bayes to Shuter, with the appropriate remark about his first appearance in the character, he also lists Gentleman Usher as Shuter.

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Lottery

Dance: IItalian Peasants-Granier, Mrs Granier

Performances

Mainpiece Title: Comic Lectures

Performances

Mainpiece Title: The Happy Gallant; Or, The Modern Wife

Afterpiece Title: The Fairy; or, Harlequin in the Shades

Entertainment: Singing, Dancing-

Event Comment: The tragedy of the Revenge is in rehearsal at Covent Garden in which the part of Zanga will be attempted by the Gentleman who appeared in the character of Osman in Zara, will be performed someday this week, as are also the plays of King Lear and Alexander the Great, revis'd and alter'd in which the parts of Lear and Alexander will be played by Barry

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Contrivances

Dance: As17551114

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Chinese Festival

Event Comment: Benefit for an Ancient Gentleman, with a large Family in great distress

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: Miss in Her Teens

Dance: LLes Paisans Gallants, as17551203; also By Desire Fingalian Dance, as17551126

Event Comment: Benefit for the Author. This Day Publish'd Athelstan, a Tragedy, as it is acted at Drury Lane, by the author of Barbarossa, Printed for Lockyer Davis, and Charles Reymers, against Grays Inn Gate, Holborn, and at Lord Bacon's Head in Fleet St. (Public Advertiser). This month was published Critical Remarks on the Tragedy of Athelstan, 6d. Cooper (Gentleman's Magazine). Receipts: #140 (Cross)

Performances

Mainpiece Title: Athelstan

Event Comment: [Pantomime new by Woodward] Went off with great Applause. ye Cyclops Dance encored (Cross). New Habits, Scenes, and Decorations. Full Prices. As the performance greatly depends upon the Music and Machinery, no gentleman can possibly be admitted into the Orchestra or behind the Scenes. [This prohibition repeated in all subsequent performances, will not be further noted here.] N.B. The Play of the Revenge oblig'd to be deferred on account of Mossop's indisposition. Receipts: #210 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Mercury Harlequin

Event Comment: Benefit for a Gentleman under Misfortunes

Performances

Mainpiece Title: Othello

Afterpiece Title: The Virgin Unmask'd

Dance: AAs 17 Dec. 1756

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: None

Event Comment: [This month in the Gentleman's Magazine (p. 168) in an article entitled an Estimate of the Manners and Principles of the Times, appeared this paragraph: 'Tho' a great genius has rendered the stage the last refuge of manly taste, and with a variety of powers beyond example, establish'd nature. Shakespeare and himself, yet it is to be feared the crowd of spectators is drawn by secondary circumstances, as the fashionable part of it sit with the same face of admiration at Lear, an Opera, and a pantomime.'

Performances

Mainpiece Title: None

Performances

Mainpiece Title: A Medley Concert; Or, An Impromptu Of Whim, Novelty And Amusement

Performances

Mainpiece Title: The Humourous Physician; Or, A Cure For All Ills

Afterpiece Title: The Restoration and Adventures of Harlequin

Song:

Dance:

Performances

Mainpiece Title: A School For A Wife; Or, The Lucky Adventure

Song:

Dance: