SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Gay"/1) | (@(roleclean,performerclean) "Mr Gay")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4259 matches on Event Comments, 1414 matches on Author, 1148 matches on Performance Comments, 535 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Queen Mab

Dance: II: The Savage Hunters, as17751020

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Padlock

Performances

Mainpiece Title: New Brooms

Afterpiece Title: The Runaway

Afterpiece Title: The Elopement

Performances

Mainpiece Title: A Bundle Of Prologues

Afterpiece Title: Twelfth Night

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Norwood Gypsies

Dance: As17771229

Performances

Mainpiece Title: The Humours Of Oxford

Afterpiece Title: A Mirror for the Ladies

Afterpiece Title: The Wrangling Lovers

Song: End III: Hunting Song-Miss Harris

Monologue: Vaudeville.Between Acts 3rd piece: a few Pantomimical Scenes. Harlequin-Best; Columbine-Miss Dudley

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Afterpiece Title: The Double Amour

Music: With an entire new Scotch Overture-, composed by JonasBlewitt; End: songs-Mrs Bayley; between the Acts of the Farce: songs-Mrs Bayley, composed by JonasBlewitt

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: The Enchanted Castle

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Midas

Afterpiece Title: The Dreamer Awake or The Pugilist Matched

Song: End I 1st piece: Say Bonny Lass: Highland Lad-Mrs Martyr, Highland Lassie- Mrs Mountain; End I 3rd piece: The Musical Courtship-Incledon, Mrs Martyr

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: Next Door Neighbours

Afterpiece Title: The Author

Performances

Mainpiece Title: The Welch Heiress

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Bank Note Or Lessons For Ladies

Afterpiece Title: The Sailors Prize or May Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Battle Of Hexham Or Days Of Old

Afterpiece Title: The Poor Sailor

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: The Prisoner

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: Knave Or Not

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: The Deserter

Entertainment: Vaudeville In II afterpiece: Military Manoeuvres-; [the Dead March-; [the Ceremony used in Shooting a Deserter-. [These were included in all subsequent performances.

Performances

Mainpiece Title: The Island Princess

Performance Comment: As17161025, but Governor-Keene; Quisara-Mrs Spiller; With a new Comi/Tragi/Mechanical Prologue in the gay Stile by Spiller-Spiller.

Song: Leveridge, Pack

Dance: As17161221; La Folie-Moreau, Mrs Bullock

Event Comment: Admission as 7 Nov. 1722. See also London Journal, 2 Feb., and John Gay to Jonathan Swift, 3 Feb

Performances

Mainpiece Title: Otho

Event Comment: For the fortunes of The Beggar's Opera, see Gay to Swift, 20 March, in Correspondence of Pope, II, 478-79

Performances

Event Comment: [By Ebenezer Forrest.] By Command of His Royal Highness. After the Manner of the Beggar's Opera. All the Habits and Scenes entirely New. Receipts: #161 18s. 6d. [For a comment on this performance, see Thomas Edwards to John Clerke, "Unrecorded Comments on John Gay, Henry Travers, and Others", N & Q (August 1953), p. 338.

Performances

Mainpiece Title: Momus Turnd Fabulist Or Vulcans Wedding

Event Comment: [The theatres this night met competition from (I) an Assembly at the king's Theatre in the Haymarket, tickets 26s. each, to admit one Gentleman and two ladies. (2) another Assembly at the Five Bells Tavern, behind the New Church, in the Strand, where was opened the Temple of Taste, where will be exhibited a grand concert of Music. Also an attempt towards the Introduction of a new rational entertainment, consisting of an Occasional Prologue by a Gentleman; a panegyric on the Utility of Public Speaking, in which the Design is particularly illustrated; Propositions made from a Gentleman in the Chair, to be debated by the company, such as the Gay and Polite may be supposed to understand, and speak upon with success; to conclude with an Original Epilogue; the whole interspers'd with several grand concertos, Overtures, and Full pieces of Musick. This design, which has for its object the interest of Knowledge, Eloquence and Politeness, needs no Apology, and can be opposed by those, with whom to be at variance, is Virtue. No subject of so Sacred Nature as Religion, will be there canvass'd nor anything that can give Occasion to Indecency, or unmannerly reflection on any Undertaking or Party.-In this attempt all Men of Taste are interested, as they will have an opportunity not only of being pleased, but giving pleasure by considering every subject with candour, and reasoning upon it, with Eloquence and propriety. To this entertainment, the Ladies are likewise invited, who have an unexceptionable right to be present at all Attempts, calculated for the promotion of knowledge, and as their appearance will naturally secure polite behavior, so they may reap some advantage from the Circulation of ideas, which is such an Assembly must necessarily take place. The price of entrance-half a crown each. To begin precisely at seven. The room which is very commodious, will be elegantly illuminated. The SUBJECT for the first Night's Debate will be, "If the Custom of Portioning Daughters was entirely suppress'd, would it not be a good Expedient towards the promotion of Matrimony and the felicity of that state." It continued on four Wednesday nights. Then seems to have died.

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: Harlequin Sorcerer