SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr G"/1) | (@(roleclean,performerclean) "Mr G")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4327 matches on Event Comments, 1310 matches on Performance Comments, 565 matches on Performance Title, 74 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Abimelech

Music: End Part I: Solo on Violincello, as17720311 End II: New Concerto on Violin by Cirri, as17720320(Theatrical Review, p. 219)

Performances

Mainpiece Title: Concerto Spirituale

Performances

Mainpiece Title: The Ladies Last Stake

Afterpiece Title: A Trip to Scotland

Dance: IV: The Sailors Revels, as17711008

Monologue: Linco's Travels. As 24 March

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Afterpiece Title: The Apprentice

Monologue: True Blue. As 18 Jan., but Principal Parts-Mrs Baker, Mrs _Mattocks

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Author

Dance: I: The Amusements of Strasburgh, as17711118

Event Comment: Benefit for Barry. Tickets deliver'd for King Arthur will be taken. Part of Pit laid into Boxes. Ladies send servants by 4 o'clock. Paid Supers, Kettle Drum, & practices to King Arthur #2 16s.; Printer's Bill #8 12s. (Treasurer's Book). Mary Martin to J. M. Rebow, 6 April (MS correspondence in Washington State University Library): There has not been any mention of Barry's Benefit in ye Papers till to Day when it is advertis'd for ye 23rd of this Month, & ye Play. After...ye Constant Couple, which I imagine is no very desirable thing to see so late in ye Season, therefore pray tell me if I must send ye Tickets back directly, or may keep them till you are in Town again, which I hope you certainly will be before that time; I find we are not ye only unfortunates that Mr Johnson disappoints of Places, for that it is his Constant Practice not to let a single Place, till all his Five Guinea Chaps are serv'd even if you are at ye Play House, & apply ye Instant ye Play is given out, for which reason Mr Garrick has desir'd Gentlemen will Write to him upon such Occasions, & it is now very commonly done. Receipts: #264 11s. 6d. Charges: #67. Profits to Barry: #197 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lottery

Dance: End: Comic Dance, as17720326

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Mayor of Garratt

Entertainment: IV: Scrub's Trip to the Jubilee, as17720427 (for that Night only) a Variety of Imitations-Bannister

Dance: End: The Sailors Revels, as17711008

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Padlock

Song: II: By Particular Desire The Rapture-DuBellamy

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Dance: End of Play: By Particular Desire, The Louvre, Minuet-Noverre, Miss Rogers his scholar

Performances

Mainpiece Title: The Funeral Or Grief A La Mode

Afterpiece Title: A Trip to Scotland

Dance: II: By Desire, Hornpipe-Tassoni's 7-year-old scholar, her second appearance on any stage

Song: End: Several Catches and Glees-, some composed by Dibdin

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Lying Valet

Dance: End I Farce: The Sailors Revels, as17711008

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Deuce Is in Him

Dance: End: The Fingalian Dance with Double Hornpipe-Mas. Blurton, Miss Besford

Monologue: Preceded: New Occasional Prelude. The Principal characters-Dyer, Kniveton, Younger, Davis, Cushing, Wignell, Saunders, Fox, a Young Lady Miss Barsanti her first appearance on any stage

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: High Life below Stairs

Dance: II: Comic Dance, as17720922

Event Comment: Mainpiece: Not acted for 14 years, altered from Shirley. [See 7 Feb. 1758.] Characters New Dress'd in the Habits of the Times. This Comedy is reviv'd with Alterations. It is well perform'd & had great Applause (Hopkins Diary). Paid Half year's paving &c. to Mich. last for Drury Lane & Russel St. #14. Mr Godfrey for women's cloaths, #15. Mr Clutterbuck's last summer's balance #57 15s. 2d.; Mrs Foster for men's cloaths, #25 (Treasurer's Book). Receipts: #121 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17721023; II: Minuet, Allemande-Mas. Holland, Miss Armstrong, Scholars of Daigville

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Devil to Pay

Dance: V: Comic Dance, as17720922

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Witches

Event Comment: Paid Mr Davies draft to Mr Groom #6 10s. 6d. Receipts: #252 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Register Office

Dance: V: A Comic Dance, as17720922

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Harlequins Invasion

Performances

Mainpiece Title: All For Love Or The World Well Lost

Afterpiece Title: The Elopement