SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr G"/1) | (@(roleclean,performerclean) "Mr G")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4322 matches on Event Comments, 1310 matches on Performance Comments, 565 matches on Performance Title, 74 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Alfred The Great

Music: I: a Concerto new by Arne on the Violin-Gordon; II: a Concerto on the Organ-Burgess

Event Comment: Benefit Muilment. Mr Garrick's Indisposition not suffering him to play, I have prevail'd upon Mr Mills to endeavour to play his part, as well as the shortness of the time will permit, which I hope will be more agreeable to my Friends than changing the Play. Being the last time of performing till the Holidays. [Craftsman No. 580 this day, quoted in the Gentlemen's Magazine, included a brief plea for the present ministry to get the Play-house Act repealed.

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Lying Valet

Dance: II: New Grand Dance-Muilment; III: New Dance-Muilment; V: Muilment

Song: IV: Gentle Shepherd-Mrs Arne

Performances

Mainpiece Title: The Nonjuror

Afterpiece Title: The Debauchees

Dance: V: Grand Comic Dance, as17450926

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Debauchees

Song: II: The Subscription-Lowe

Dance: III: Dance-the Mechels

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Song: II: Britons Strike Home-Lowe

Dance: V: Mechel, Mlle Mechel

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Lottery

Dance: VIII: Grand Comic Dance, as17450926

Song: V: The Subscription-Lowe

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Lottery

Song: III: Lowe

Dance: V: Mechels, Mlle Mechel

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Flora

Song: Brett

Dance: As17451028

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Flora

Song: Brett

Dance: As17460101

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Stage Coach

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Song: II: Lowe; III: Duet My Faith and Truth, as17460104 IV: Miss Edwards

Dance: V: Muilment

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Musick

Performances

Mainpiece Title: The Lying Lover

Afterpiece Title: Love and Friendship

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Duke and no Duke

Performances

Mainpiece Title: The Humours Of The Army; Or, The Female Officer

Afterpiece Title: The Lottery

Song: II: Lowe

Dance: V: As17461216

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: As17461231

Performances

Mainpiece Title: Diversions Of The Morning

Event Comment: Written by Shakespear. Play to begin at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage-Door of the Theatre. As the Admittance of Persons behind the Scenes has occasioned a general Complaint on Account of the frequent Interruptions in the Performance, tis hop'd Gentlemen won't be offended, that no Money will be taken there for the future. [This notice appears on succeeding bills for the season and will hence not be repeated. See note on public objection to nonadmittance behind scenes 22 Feb. 1748.] Receipts: #150 (Cross); #I26 12s. (Clay MS). Nichols Literary Anecdotes, II, 319-20: There is one part of theatrical conduct which ought unquestionably to be recorded to Mr Garrick's honour, since the cause of virtue and morality and the formation of public manners are very considerably dependent upon it, and that is the zeal with which he ever aimed to banish from the stage all those plays which carry with them an immoral tendency, and to prune from those which do not absolutely on the whole promote the interests of vice such scenes of licentiousness and libertinism as a redundency of wit and too great liveliness of imagination have induced some of our comic writers to indulge themselves in, and to which the sympathetic disposition of an age of gallantry and intrigue had given a sanction. The purity of the English stage was certainly much more fully establish'd during the administration of this theatrical minister than it had ever been during preceding managements; for, what the publick taste had itself to some measure begun, he, by keeping that taste within its proper channel, and feeding it with a pure and untainted stream, seems to have completed; and to have endeavoured as much as possible to adhere to the promise made in the prologue which was spoken at the first opening of that theatre under his direction, @Bade scenic virtue form the rising age@And truth diffuse her radiance from the stage.

Performances

Mainpiece Title: The Merchant Of Venice

Performances

Mainpiece Title: The Rehearsal

Event Comment: GGeneral Advertiser: On Wednesday next at Drury Lane will be reviv'd the Historical Play of King Henry the Fifth, written by Shakespear, the Part of King Henry to be performed by Mr Barry; and the Chorus to be spoken by Mr Garrick. Receipts. #130 (Cross); #132 5s. (Powel)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Anatomist

Dance: II: New Comic Dance call'd The Savoyards-Matthews

Event Comment: CCross: There was a report, that my Lord Hubbard had made a party this night to hiss The Foundling off Stage, that ye Reason was it ran too long, & they wanted variety of Entertainments. Mr Garrick was sent for, he met 'em, & so far prevail'd that they promis'd peace 'till after the 9th night. However there was an attempt made by one Catcall, & an apple Thrown at Macklin & some other Efforts made by a few but without effect--Greatly hiss'd wn given out I believe the main cause of this anger, in spite of their Excuses, was their being refus'd admittance behind the Scenes. Receipts: #170 (Cross); #184 1s. 6d. [Powel)

Performances

Mainpiece Title: The Foundling

Event Comment: CCross: Benefit for ye Author. Mr Garrick order'd ye foundling to be given out for Sat: & as you like it for Mon: But ye Pit rose, & insisted ye Foundling shou'd be given out again for Monday, wch was done, tho; ye Lords who oppos'd it were in ye House. [Horace Walpole's account of the affair Foundling to Sir Horace Mann, in a letter of 11 March 1748 (ed. Cunningham, II, 106) runs as follows: "There has been a new comedy call'd The Foundling; far from good, but it took. Lord Hobart and some young men made a party to damn it, merely for the love of damnation. The Templars espoused the play, and went aamed with syringes charg'd with stinking oil, and with sticking plaisters for Bubby's fair hair; but it did not come to action. Garrick was impertinent, and the pretty men gave over their plot the moment they grew to be in the right."] Receipts: #170 (Cross); house charges #63 (Powel); cash #168 10s. 6d.; tickets #18 5s. (Clay MS)

Performances

Mainpiece Title: The Foundling

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Miss in Her Teens

Dance: Cooke, Anne Auretti

Performances

Mainpiece Title: The Rover; Or, The Banish'd Cavaliers

Afterpiece Title: The Muses Looking-Glass

Song: Singing In Italian and English-Miss Faulkner [Songs unspecified]