SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Freeman"/1) | (@(roleclean,performerclean) "Mr Freeman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4234 matches on Event Comments, 1585 matches on Performance Comments, 530 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Post Boy, No 482, 4-7 June 1698: At York Buildings this Day, being the 7th of June, will be performed an Entertainment of New Musick, Vocal and Instrumental, Mr Pate, Mr Leveridge, Mr Freeman, Mr Bowen, and all the best Masters perform their Parts. Composed by Mr Daniel Purcell for his Benefit

Performances

Mainpiece Title: Concert

Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Event Comment: James Brydges, Diary: Toward seven...to ye Playhouse in Lincolns Inn fields; here I saw Mr Freeman, Mr Worsely, Sr Edwd Ernly &c.: from hence I went to ye Playhouse in Covent Garden, thinking to have met my Brother Frank, Sister Jacob &c.: there, but did not. I sat with Mr Cook of Darby, & spoke with Mr Winninton &c. (Huntington MS ST 26)

Performances

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 28-30 April 1698, suggests a first performance in late March. The Songs, published separately, include: Come all ye shepherds, set by Daniel Purcell and sung by Freeman. Let every shepherd bring his lass, set by Daniel Purcell and sung by Magnus. Life is but a little span, set by Daniel Purcell and sung by Young Bowin and Mrs Campion. Fond shepherd, set by Daniel Purcell and sung by Pate. To pensive years resign your pining, set by Daniel Purcell and sung by Young Bowen. Look down, set by Daniel Purcell and sung by Pate. Dedication, edition of 1698: I have no Reason to complain of the Success it had on the Stage. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: Phaeton; Or, The Fatal Divorce

Event Comment: Rich's Company. The date of the first performance is not known, but the Prologue to Bonduca refers to She Ventures and He Wins. As Bonduca was advertised in the London Gazette, No. 3126, 24-28 Oct. 1695, the play was certainly not acted later than early October 1695, probably not later than September 1695. The Edition of 1696 includes on the titlepage: With A New Entertainment of Musick, Vocal and Instrumental. [The music was composed by Henry Purcell. See Purcell's Works, Purcell Society, XVI, vii-xiii.] Those songs for which a performer is named are as follows: O lead me to some peaceful gloom, sung by Miss Cross, and Sing ye Druids, all your voices raise, sung by Mrs Ayliff, both in Songs in the Tragedy of Bonduca, ca. 1696. To arms, sung by Freeman and Edwards, is in Thesaurus Musicus, The Fifth Book, 1696

Performances

Mainpiece Title: Bonduca; Or, The British Worthy

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and one in the Box at the Grove an Opera. 10s. See Hotson, Commonwealth and Restoration Drama, p. 378. It is not known whether this performance was the premiere, but the publication of this work on 16 March 1699@1700 (Post Man, 14-16 March 1699@1700) suggests that if the usual month between premiere and publication intervened for this work, the premiere may have been in mid-February. On the other hand, a letter-see 20 Jan. 1699@1700-may refer to this work. The music was composed by Daniel Purcell. In Songs in the New Opera Called The Grove or Love's Paradice (1700) the following singers are listed: Mrs Irwin, Freeman, The Boy, Hughes, Mrs Lindsey, Pate, and Mrs Shaw. The Preface implies that the opera was a failure: As for the Persons who were not so generous...who thought the Catastrophe was not enough prepar'd, and that the discovery in the last Act was huddled and in confusion, they will now see if what he had writ had been spoken, every thing would have appear's clear and natural, which, to shorten the Entertainment had been before broken and disorder'd

Performances

Mainpiece Title: The Grove; Or, Love's Paradice

Event Comment: Benefit Stone and Freeman. By Desire. Mainpiece: Written by the late Sir John Vanbrugh. 6 P.M

Performances

Mainpiece Title: The Relapse

Performance Comment: Foppington-Stone; Loveless-Hulstone; Young Fashion-Freeman; Sir Tunbelly-Archer; Berinthia-Miss Bennet; Amanda-Mrs Ferguson; Hoyden-Mrs Hallam .
Cast
Role: Young Fashion Actor: Freeman

Afterpiece Title: The Fatal Extravagance

Song:

Dance:

Event Comment: Benefit Freeman. Mainpiece: Not Acted these Twelve Years. By particular Desire. Afterpiece: With Alterations. And a Description of Tom King's Coffee-house in Covent-Garden. At Common Prices [4s., 2s. 6d., and 1s. 6d. in Daily Advertiser]. 6 P.M

Performances

Mainpiece Title: Busiris, King Of Aegypt

Performance Comment: Memnon-Freeman. With a New Prologue .

Afterpiece Title: The Rival Milliners

Dance:

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for Freeman [who, as Chamont, is identified in Public Advertiser, 7 Apr.]. Tickets to be had of Freeman, Vine-street, Piccadilly; of Massey, at Marshall's, Bedford-court, Covent Garden. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Chamont-A Gentleman (1st appearance on any stage [Freeman]); Acasto-Massey; Page-Master Benson; Polidore-Swendall; Chaplain-Bowles; Ernesto-Bailey; Castalio-Cooke; Serina-A Young Gentlewoman [unidentified]; Florella-Mrs Bailey; Monimia-Mrs Massey.

Afterpiece Title: The Irish Widow

Entertainment: Monologue. End I afterpiece: an Epilogue-Master Benson

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes; Or, The Effects Of A West India Ramble

Performance Comment: Characters-Everard, Mrs Gardner; [Larpent MS lists the parts: Freeman , Hearley , Trunnell , Tom , Mrs Doggrell .] A new Occasional Prologue-Thornton.

Afterpiece Title: The Clandestine Marriage

Afterpiece Title: The Author

Performances

Mainpiece Title: Title Unknown

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Afterpiece Title: Calisto's Additional performers

Performances

Mainpiece Title: The Fathers; Or, The Good Natur'd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Waterman

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Marriage-hater Matched

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: The City Politiques

Performances

Mainpiece Title: The Deceiver Deceived

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: Imposture Defeated; Or, A Trick To Cheat The Devil

Performances

Mainpiece Title: Courtship A La Mode

Performances

Mainpiece Title: Tunbridge Walks

Music: A piece of Instrumental Musick- to be perform'd on the Stage

Song: Mr Laroon, Mrs Hughs; particularly a Two/part Song-Mr Laroon, Mrs Hughs compos'd by the late Mr Henry Purcell

Song: Country Farmer's Daughter, Highland Lilt-the Devonshire Girl; The Whip of Dunbyn-Claxton; a new Entry-Mrs Campion, others; A Scotch Dance-Mrs Bicknell; a new Scaramouch Man and Scaramouch Woman-Laferry, Mrs Lucas

Performances

Mainpiece Title: The Rover

Entertainment: Young Gentlewoman, as17100817; Likewise a Vaulting the Managed Horse-famous Master who never appear'd on the Publick Stage

Dance: Ladder Dance-; French Peasant-; Wooden Shoe-; Harlequin Scaramouch Cooper and Wife-

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Historical Register