SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Frank Roberts"/1) | (@(roleclean,performerclean) "Mr Frank Roberts")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4459 matches on Event Comments, 2258 matches on Performance Comments, 942 matches on Author, 619 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit Ray and Roberts. At the particualr Desire of several Persons of Quality. Written by the late Mr Otway

Performances

Mainpiece Title: Venice Preserv'd

Music: Between the Acts: Select Pieces-

Dance: Thurmond Jr, Mrs Bullock, Miss Tenoe

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Strolers

Dance: End I: The Muzette-Young Rainton, Miss Robinson; III: Whitson Holidays-Boval, Miss Tenoe

Ballet: End Farce: The Cobler's Jealous Wife. As17270505

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Lethe

Dance: SSicilian Peasants, as17571217

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lethe

Dance: SSicilian Peasants, as17571217

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Lying Valet

Dance: As17591005

Event Comment: Benefit for Several, Mr Bride, &c. Shawford, Berrisford, Roberts. Tickets deliver'd by Mrs Johnson will be taken

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Polly Honeycombe

Event Comment: Benefit for Mr Sarjant and Son (book and box-keeper). Tickets deliver'd for the 16th will be taken. Charges #81 15s. 6d. Deficit to Sarjant #57 4s. covered by #167 2s. from tickets (Box 450; Pit 272; Gallery 138) (Account Book). Rec'd the 1!2 value of tickets for 28th inst. from Doe, Reed, Robson, Rose, Pilfold, Roberts, Dixon, and Wooley (Account Book). Receipts: #57 4s. (Account Book)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Orpheus and Eurydice

Dance: II: The Highland Reel, as17680307

Event Comment: Benefit for Quick, Fox, Hamilton and Bates. Tickets sold at the doors will not be admitted. Charges #65 14s. 6d. Deficit to each actor #5 9s. 1 1!2d., covered by income from tickets: Quick #45 13s. (Box 40; Pit 169; Gallery 103); Fox #54 13s. (Box 60; Pit 219; Gallery 68); Hamilton #28 12s. (Box 40; Pit 72; Gallery 78); Bates #27 3s. (Box 28; Pit 69; Gallery 98). Paid Mr Osborne the Balance due for Benefit of New General Lying in Hospital the 22d Dec. last #10 17s. 6d. Half values from tickets receiv'd from Rose, Wilkinson, Mrs Griffiths, Flight, Roberts, Robson, Norbury, Fransdorf, Miller, and Walker (Account Book). Receipts: #43 18s

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Catharine and Petruchio

Dance: End: The Merry Sailors, as17691018

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Harlequin's Invasion

Event Comment: Mrs Hunt Rosetta pretty well receiv'd (Hopkins Diary). Afterpiece: By Desire. Paid Half a year's water, to Midsummer last #2 19s. 6d.; Paid Mr Roberts (shoemaker) #5 3s.; Mrs Ross for women's cloaths #12 12s. (Treasurer's Book). Receipts: #195 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mayor of Garratt

Dance: II: The Sailors Revels-Atkins

Event Comment: Benefit for Curteen, Roberts, Shuter. Tickets delivered by Miller, Walker, Reed, Colley, Robinson, Brandon, Booth, Flight, Mrs Paddick, Mr Watson will be taken. Doors open half past 5. To begin half past 6 o'clock

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: End: The Pilgrim, as17750503

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Yates, and her Infant Children. [Mr and Mrs Litchfield, with Mrs Litchfield as Little Pickle, are identified in Morning Chronicle, 10 Feb. Address by Thomas Roberts (European Magazine. Feb. 1797, p. 121).] Tickets to be had of Mrs Yates, No. 26, Great Pultney-street, Golden-square; and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Spoil'd Child

Entertainment: MonologueEnd: Address (written for the Occasion)-Mrs Yates

Performances

Mainpiece Title: Wit Without Money

Performances

Mainpiece Title: Duke And No Duke; Or, Trapolin Suppos'd A Prince

Performance Comment: Trapolin-Harper; Duke-Bridgwater; Brunetto-Williams; Alberto-Chapman; Barberino-Roberts; Prudentia-Mrs Houghton; Isabella-Mrs Orfeur; Conjuoro-Orfeur; Flametta-Mrs Roberts; Dustress'd Women-Mrs Willis, Mrs Davison; Puritan-Norris.
Cast
Role: Barberino Actor: Roberts
Role: Flametta Actor: Mrs Roberts

Afterpiece Title: Hob; or, The Country Wake

Song: A Quaker's Song-Mrs Willis

Dance: Highland Lilt-Mrs Willis; Running Footman-Houghton; Union Dance-Houghton, Mrs Willis

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Country

Performance Comment: Shacklefigure-Norris Sr; Modely-Bridgewater; Heartwell-Roberts; Sir John-Norris Jr; Lurcher-Williams; Carbuncle-Orfeur; Vulture-West; Freehold-Harper; Aura-Mrs Roberts; Flora-Mrs Houghton.
Cast
Role: Heartwell Actor: Roberts
Role: Aura Actor: Mrs Roberts

Song: Original Songs-

Dance: With the Original Dances-

Performances

Mainpiece Title: The Humours Of Oxford

Performance Comment: Principal parts-Wilks, Mills, Cibber, Bridgwater, Harper, Griffin, Roberts, Norris, Mrs Oldfield, Mrs Porter, Mrs Booth, Miss Raftor; but edition of 1730 lists: Colonel Truemore-Mills; Gainlove-Wilks; Shamwell-Bridgwater; Haughty-Harper; Conundrum-Griffin; Apeall-Cibber; Vicechancellor-W. Mills; Old Apeall-Roberts; Timothy-Norris; Dash-Oates; Lady Science-Mrs Porter; Victoria-Mrs Booth; Clarinda-Mrs Oldfield; Kitty-Miss Raftor; Wife to Haughty-Mrs Grace; Prologue-Wilks; Epilogue-Miss Robinson.

Performances

Mainpiece Title: Sophonisba

Performance Comment: Edition of 1730 lists: Masinissa-Wilks; Syphax-Mills; Narva-Roberts; Scipio-Williams; Laelius-Bridgwater; Sophonisba-Mrs Oldfield; Phoenissa-Mrs Roberts; Prologue-Williams; Epilogue-Mrs Cibber.
Cast
Role: Narva Actor: Roberts
Role: Phoenissa Actor: Mrs Roberts

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Carlos-Roberts, from Drury Lane; Cholerick-Morgan, from Lincoln's Inn Fields; Clodio-Woodward, from Goodman's Fields; Angelina-Mrs Morgan, her first on this Stage; Louisa-Mrs Woodward, her first on this Stage; Antonio-Jones; Charino-Ayres; Governor-Mullart; Duart-Lacy; Manuel-Haverd; Sancho-Reynolds; Elvira-Mrs Mullart; Honoria-Mrs Lacy; With a new Prologue on the Occasion-Roberts.

Performances

Mainpiece Title: The Old Debauchees

Performance Comment: Father Martin-Cibber Jr; Isabel-Miss Raftor; Old Laroon-Shepard; Young Laroon-W. Mills; Old Jourdain-J. Roberts; Beatrice-Miss Williams; edition of 1731 adds: Prologue-William Mills.
Cast
Role: Old Jourdain Actor: J. Roberts

Afterpiece Title: The Covent Garden Tragedy

Performance Comment: Captain Bilkum-Mullart; Lovegirlo-Cibber Jr; Galloon-Paget; Leathersides-Roberts; Chairman-Jones; Mother Punchbowl-Bridgwater; Kissinda-Miss Raftor; Stormandra-Mrs Mullart; Nonparel-Miss Mears; Industrious Jenny-Miss Eliz. Roberts; Prologue-Theophilus Cibber; Epilogue-Miss Raftor.

Dance:

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Polly-Miss Raftor; Macheath-Stoppelaer; Lockit-Mullart; Peachum-Paget; Mrs Peachum-Mrs Mullart; Lucy-Miss Atherton; Mrs Slammekin-Mrs Charke; Beggar-W. Mills; Player-Roberts; Mat-Jones; Filch-Leigh; Jemmy-Cross; Crookfinger'd Jack-Wright; Dreary-E. Roberts; Robin-Peploe; Ned-Vaughan; Paddington-Gray; Budge-Ridout; Drawer-Gray; Sailor-Burnet; Diana-Mrs Mullart; Sukey-Miss Williams; Mrs Coaxer-Mrs Walter; Dolly-Mrs Mullart; Mrs Vixen-Miss Mears; Betty-Mrs D'Lorme; Jenny-Miss Atherton; Molly-Mrs Roger.
Cast
Role: Player Actor: Roberts
Role: Dreary Actor: E. Roberts

Afterpiece Title: The Mock Doctor

Cast
Role: Harry Actor: Roberts

Dance: Juvan d'Vallois

Performances

Mainpiece Title: Henry Iv, Part Ii

Afterpiece Title: Damon and Daphne

Performance Comment: Damon-Mrs Charke; Comus-Mrs Roberts; Aegeon-Ridout; Phaon-Berry; Thirsis-Raftor; Satyr-Jones; Amor-Mullart; Daphne-Mrs Grace; Venus-Miss Raftor; Hymen-Stoppelaer; Cupid-Young Cunningham; First Priest-E. Roberts.
Cast
Role: Comus Actor: Mrs Roberts
Role: First Priest Actor: E. Roberts.

Dance: In I of Afterpiece: Les Bergeries-Essex, Haughton, Miss Robinson

Ballet: In II: A Comic Rural Ballad called The Country Revels. Colin-Essex; Phoebe-Mrs Booth; Yeomen-Lally, Haughton; Yeomen's Wives-Miss Mears, Mrs Walter; Peasants-Lally Jr, F. Tench, Davenport; Peasant Women-Mrs Delorme, Miss Mann, Miss Price

Music: Concerto on the Violin-Charke; Music for two Vox Humanes, a new Invented Instrument-

Performances

Mainpiece Title: Timon In Love; Or, The Innocent Theft

Performance Comment: Parts by Bridgwater, Roberts, Hewitt, Mrs Horton, Mrs Clive; but edition of 1733 lists: Timon-Roberts; Pierrot-Bridgwater; Socrates-Hewit; Mercury or Aspasia-Mrs Clive; Plums-Norris; Iphicrates-Topham; Caricles-Jones; Singing Master-Turbutt; Fencing Master-Hewson; Dancing Master-Davenport; Eucharis-Mrs Horton. Prologue spoken by Bridgwater; Epilogue spoken by Mrs Clive . Epilogue spoken by Mrs Clive .
Cast
Role: : Timon Actor: Roberts

Afterpiece Title: The Country Revels: With Harlequin Restor'd

Event Comment: Benefit Roberts, Boxkeeper. At the particular Desire of several Persons of Distinction

Performances

Mainpiece Title: The Wonder

Cast
Role: Flora Actor: Mrs Roberts

Dance: I: A Scot's Dance, called The Lomphergall (after the manner of the Country) by a Gentleman at the Request of his Friends. II: The Whim by Miss Wherrit and Miss Sandham. III: Tambourine by Miss Wherrit. IV: Scot's Dance by Mrs Bullock. V: Dutch Skipper by Vallois and Mrs Bullock