SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Field"/1) | (@(roleclean,performerclean) "Mr Field")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4463 matches on Event Comments, 1252 matches on Performance Comments, 551 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Revenge Or A Match In Newgate

Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Performances

Mainpiece Title: Venice Preserved

Performances

Mainpiece Title: A Duke And No Duke

Performances

Mainpiece Title: The Devil Of A Wife Or A Comical Transformation

Performances

Mainpiece Title: The Luckey Chance Or An Aldermans Bargain

Performances

Mainpiece Title: The Emperour Of The Moon

Performances

Mainpiece Title: The Injured Lovers Or The Ambitious Father

Performances

Mainpiece Title: A Fools Preferment Or The Three Dukes Of Dunstable

Performances

Mainpiece Title: The Massacre Of Paris

Performances

Mainpiece Title: The Treacherous Brothers

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Fairy Queen

Performances

Mainpiece Title: The Volunteers Or The Stock jobbers

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: She Ventures And He Wins

Performances

Mainpiece Title: Agnes De Castro

Performances

Mainpiece Title: The Cornish Comedy

Performances

Mainpiece Title: The Unnatural Mother

Performances

Mainpiece Title: Phaeton Or The Fatal Divorce

Related Works
Related Work: Tumble Down Dick; on Phaeton in the Suds: With Harlequin a Pick Pocket Author(s): Henry Fielding

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Campaigners Or The Pleasant Adventures At Brussels