SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Enter"/1) | (@(roleclean,performerclean) "Mr Enter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4342 matches on Event Comments, 1150 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Married Man

Afterpiece Title: The Romp

Dance: As17890708

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Comus

Song: II: song in character-Mrs Crouch

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Dance: As17891021

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Taste and Feeling: A Dramatic Caricature

Afterpiece Title: The Liar

Entertainment: Monologue. End I 3rd piece: Liberty; or, Two Sides of the Water-Bannister Jun

Performances

Mainpiece Title: Better Late Than Never

Afterpiece Title: Don Juan

Dance: As17901026

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Minor

Dance: End II: Negro Dance-

Song: End: some of the most favourite Catches and Glees-Bannister, Incledon, Blanchard, Davies, Williamson, Johnstone [for specific songs probably sung, see17910517]

Entertainment: Monologue. After singing: A Description of the Tombs in Westminster Abbey (after the manner of the late Mr Edwin)-the Young Gentleman who performs Trudge

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Minor

Dance: End: a new Dance, The Kiss; or, Give and Take-Byrn, Platt, Mrs Goodwin, Miss DeCamp

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The Kentish Barons

Afterpiece Title: Taste and Feeling

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Double Amour

Dance: End IV: a Dance-Allison, Pupils of Allison

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Oscar and Malvina

Event Comment: By Permission of the Lord Chamberlain. Benefit for Baker and Murray. The Doors to be opened at 5:30. To begin at 6:30. The Public are respectfully apprized that every Exertion will be used to render the Evening's Entertainment worthy their Patronage and Support

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Gentle Shepherd

Dance: End 1st song: The Dance in Fetters-Allison

Song: End: The Cries of Edinburgh-Shaw; End I afterpiece: Hark hark to the Woodlands-Miss Thompson (1st appearance)

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: King Edward-Barrymore; Harcourt-Bland; Sir Walter-Webb; John de Vienne-Aickin; Ribbeaumont-Palmer; Eustache de St. Pierre-Bensley; Officer-Caulfield; John D'Aire-Benson; Citizens-Wewitzer, Waldron, Banks, Jones, Maddocks; O'Carrol-Johnstone (of cg); La Gloire-Bannister Jun.; Crier-Hollingsworth; Carpenters-Parsons, Alfred; Serjeant-Suett; Queen-Mrs Goodall; Julia-Mrs Powell; Madalon-Mrs Bland; Other Vocal Parts-Caulfield, Phillimore, Fawcett, Danby, Cooke, Maddocks, Lyons, Alfred, Shaw, Dorion, Miss Hagley, Mrs Edwards, Miss DeCamp, Mrs Butler, Mrs Edwin, Mrs Gawdry, Mrs Bramwell, Mrs Shaw, Miss Kirton.
Cast
Role: Carpenters Actor: Parsons, Alfred

Afterpiece Title: The Minor

Entertainment: Monologue. Occasional Prologue-Bannister Jun

Performances

Mainpiece Title: The Fugitive

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Irishman in London; or, The Happy African

Dance: I: a Fair Scene-; Statute Dance-; End: As17920410

Song: In afterpiece: a Planxty, descriptive of Ireland If you travel the wide world all over (Morning Herald, 23 Apr.)-Johnstone in Character

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Road To Ruin

Afterpiece Title: The Irishman in London

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Highland Reel

Performances

Mainpiece Title: At King's The Fugitive

Afterpiece Title: Richard Coeur De Lion

Dance: In afterpiece: Master L. D'Egville, Miss Menage, Miss S. D'Egville. [Danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: At King's The Tender Husband; Or, The Accomplished Fools

Afterpiece Title: The Prisoner

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: Harlequin's Museum

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Commissary

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Tom Thumb

Dance: End: The Wapping Landlady-Blurton, King, Mrs Watts

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The School for Arrogance

Song: In III: a song (in character)-Mrs Clendining

Entertainment: As17931004

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. MS: Larpent 1000]: The greatest part entirely new, with a few Select Scenes from the most approv'd Compositions. With new Scenery, Machinery, Dresses and Decorations. The Dresses entirely new. The new Music composed by Shield, the rest selected from Harington, Dr Arne, Eley, Reeve, Pepusch, Galliard, George Ware, Hook, &c. The Scenery and Machinery entirely new painted by Richards, Hodgins, Walmsley, Lupino, Pugh, Phillips and Malton. The Dances entirely new, composed by Byrn. Account-Book, 23 Apr. 1795: Paid James Wild in full for Dr Faustus #40. European Magazine, Jan. 1794, p. 49: Dr Faustus has afforded entertainment to three if not four generations. It was first produced at Drury-lane in 1723, by Mr Thurmond, a dancing-master, and was afterwards succeeded at Lincoln's inn-fields, in the same year, by Mr Rich's more splendid performance [entitled The Necromancer; or, Harlequin Doctor Faustus], which received improvement at different revivals of it. At the latter end of 1766 [at Covent Garden] Mr Woodward made some alterations, and it was revived with great success. It is again brought forward with applause, and recalls to the remembrance of those who formerly saw it with delight, the recollection of the most enchanting period of life. The opening scene of Tartarus . . . was first introduced in the speaking pantomime of The Mirror [at Covent Garden, 30 Nov. 1779). Receipts: #352 13s. 6d. (324/13/6; 28/0/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

Performances

Mainpiece Title: Love's Frailties; Or, Precept Against Practice

Afterpiece Title: HARTFORD BRIDGE

Performances

Mainpiece Title: The Chances

Afterpiece Title: TRISTRAM SHANDY

Afterpiece Title: A DIVERTISEMENT

Dance: In 3rd piece a Ballet by Byrn, Mlle St. Amand, Mme Rossi

Song: In Act II of 1st piece a song by Mrs Mountain