SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Edward Keene"/1) | (@(roleclean,performerclean) "Mr Edward Keene")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4422 matches on Event Comments, 1930 matches on Performance Comments, 957 matches on Author, 605 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lady Pentweazle in Town

Afterpiece Title: The Intriguing Chambermaid

Song: II: a song-King

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Deserter

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Humourist; or, Who's Who

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Farmer

Dance: End: Divertissement-[see17881001]

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Robin Hood

Related Works
Related Work: Robin Hood; or, Sherwood Forest Author(s): Edward Lysaught

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: High Life below Stairs

Entertainment: Monologue.End: Collins's Ode on the Passions (1st and only time)-Mrs Pope

Song: After the monologue: My Mother had a Maid called Barbara (words by Shakespeare, music by Shield)-Incledon, Bowden, Townsend, Linton, Mrs Clendining; The Minstrel's Song [Where is that tow'ring spirit fled?] from The Days of Yore-Mrs Clendining; [accompanied on the harp-Weippert; O why to be happy (music by Shield)-Incledon, Linton, Bowden; Ye Gentlemen of England-Incledon, Bowden, Townsend, Linton

Performances

Mainpiece Title: The Old Maid

Afterpiece Title: Every One has His Fault

Performance Comment: As17960420, but Edward (for that night only)-A Young Lady (1st appearance on this stage [Miss Hay]); Lady Eleanor Irwin-Mrs Pope.
Cast
Role: Edward Actor: A Young Lady

Afterpiece Title: Cymon

Dance: Conclude 3rd piece: Dance-

Song: End: Black@Ey'd Susan-Incledon; End 2nd piece: The Group of Lovers-Munden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Olympus in an Uproar

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: The Guardian

Song: As17970816

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: False And True

Afterpiece Title: The Guardian

Afterpiece Title: The Shipwreck

Cast
Role: Dick Actor: Mrs Edward

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Guardian

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Event Comment: Edward Gower to Sir R. Leveson, 26 Feb. 1660@1: No more plays at court after this night, and but three days this week at the playhouse (HMC, 5th Report, 1876, p. 202). Boswell (Restoration Court Stage, p. 279) accepts this as evidence that a play was acted at Court on this night. As this was Shrove Tuesday, Gower's statement may well reflect the restrictions upon plays during Lent

Performances

Event Comment: Edward the Black Prince [announced on playbill of 20 Mar.] is obliged to be deferred on Account of the Indisposition of a principal Performer. Receipts: #139 13s. (138/3; 0/10; tickets not come in: 1/0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Harlequin Junior

Dance: End of Act III of mainpiece, as17840320End of Act IV, as17840311athi

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Polite Conversation: Morning, or Tea-chat; Noon, or Table-Talk a-la-mode

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: A Will and No Will

Dance: II: Tambourine-Anne Auretti; III: Comic Dance, as17480314 III: Dutch Dance, as17471128

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Ladies' Frolick

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: King Lear

Afterpiece Title: A Trip to Scotland