SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Dryden"/1) | (@(roleclean,performerclean) "Mr Dryden")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4344 matches on Event Comments, 1199 matches on Author, 1193 matches on Performance Comments, 563 matches on Performance Title, and 28 matches on Roles/Actors.
Event Comment: Not Acted these Forty Years. Written by Mr Dryden. And new Scenes, Machines, and other Decorations, particularly An Exact Representation of Merlin's Cave, as in the Royal Gardens at Richmond. Boxes and Balconies on the Stage 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. No After-Money will be taken. [According to edition of 1736, the Prologue and Epilogue were written by Mr Sterling.]

Performances

Mainpiece Title: King Arthur Or Merlin The British Enchanter

Related Works
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel

Performances

Mainpiece Title: The Feast Of Alexander

Event Comment: Benefit Castelman, the Treasurer. Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden. [Tickets at Castelman's Lodgings, at Mr Watford's, Upholder, over-against the Sun Tavern, Russel Street, Bloomsbury.

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Mars and Venus

Dance: I: Punches Dance-Master Ferg, Miss Wright; III: Pierots-Leviez, Pelling; IV: Moors Dance-Muilment, Mrs Walter

Music: V: A Concerto-Henry Burgess Jr

Event Comment: Afterpiece: Written by Mr Dryden, and Composed by Mr Henry Purcell

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

Afterpiece Title: Cupid and Bacchus

Event Comment: The King's Company. The date of the premiere is not certain. This performance is known from an entry in the Newdigate newsletters, which also states that Rollo was to be acted on the following Monday. If this statement is accurate, the performance of The Loyal Brother on 4 Feb. 1681@2 may be the third night rather than the opening performance. Newdigate newsletters, 4 Feb. 1681@2: On Monday morn [the Moorish Ambassador] & ye Comers meet to conclude ye treaty and in ye afternoon goes to see Rollo D. of Normandy at ye Ks playhouse wre ye K was this afternoon to see ye new play calld ye Loyall brothr (Wilson, More Theater Notes from the Newdigate Newsletters, p. 59). The Prologue and Epilogue were printed separately and have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 70-72. Luttrell acquired his copies (Huntington Library) on 7 Feb. 1681@2. In The Life of John Dryden (Chapel Hill, 1961), Charles E. Ward believes (pp. 166, 355) that The Loyal Brother was first acted in the autumn of 1681; but the entry in the Newdigate newsletters seems to make February 1682 the more probable time

Performances

Mainpiece Title: The Loyal Brother Or The Persian Prince

Performance Comment: Edition of 1682: The Prologue [Written by John Dryden]-; Seliman-Goodman; Tachmas-Clark; Ismael-Major Moon; Arbanes-Griffin; Osman-Saunders; Begona-Mrs Corey; Semanthe-Mrs Cook; Sunamire-Mrs Guin [Quin]; The Epilogue [Written by John Dryden]-Semanthe [Mrs Cook].Mrs Cook].
Event Comment: The King's Company. The exact date of this performance is not known, but the Prologue refers to "After a four Months Fast," suggesting that the theatre did not reopen until the end of the Long Vacation (24 Oct. 1681 is the beginning of Michaelmas Term). The Epilogue also seems to refer to events at Bartholomew Fair, and the Prologue to the King's visit to Newmarket, from which the King did not return until 12 Oct. 1681. Furthermore, The Impartial Protestant Mercury, No. 54, 28 Oct. 1681, reports: A Revised Play was some days since Acted on an Eminent Publick Theatre, and the Prologue is extreamly talked of. [The periodical reprints some of the lines (which are essentially those in the printed version).] The Loyal Protestant, No. 70, 29 Oct. 1681, refers to the same performance and reprints part of the Epilogue (which also is essentially that of the separately printed Epilogue). All of these elements point to a performance in mid-October. Both the Prologue and the Epilogue were printed separately, and have been reprinted by Wiley, Rare Prologues and Epilogues, pp. 43-45. Broadside copies of the Prologue and Epilogue in the Huntington Library bear Luttrell's manuscript notations that both were written by Dryden. Luttrell's date of acquisition is 13 Feb. 1681@2, an instance in which Luttrell's date of purchase does not apparently correspond closely to a date of performance

Performances

Mainpiece Title: Mithridates King Of Pontus

Performance Comment: For a previous cast, see February 1677@8. A Prologue spoken at Mithridates King of Pontus, the First Play Acted at the Theatre Royal this Year, 1681. Written by John Dryden. Epilogue written by Dryden and spoken by Goodman and Mrs Cox.
Event Comment: [The King's Company. Evelyn, Diary: Saw the Virgin Queene a play written by Mr Dryden &c. [Possibly the run of this play continued, for Pepys saw it again on 25 March and there are no certain performances of other plays at the King's Theatre. If Secret Love was acted without interruption, except for the customary non-acting days in Lent, it was probably given on 16, 18, 19, 21, and 23 March.

Performances

Mainpiece Title: the Virgin Queen

Related Works
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Event Comment: The King's Company. This play is one of a series represented by Prologues and Epilogues in Covent Garden Drollery, 1672, all of which may have been acted by the actress only. Langbaine (English Dramatick Poets, p. 213) states: This Play was One of those that were represented at the old Theatre in Lincolns-Inn-Fields, when the Women acted alone. The Prologue and Epilogue were spoken by Mrs Marshall, and printed in Covent-garden Drollery, pag. 18. About this Time there was a Prologue written on purpose for the Women by Mr Dryden, and is printed in his Miscellany Poems in octavo, p. 285

Performances

Mainpiece Title: Philaster Or Love Lies A Bleeding

Event Comment: Edward Bedingfield to the Countess of Rutland, 1 Jan. 1684@5: Wee are in expectation of an opera composed by Mr Dryden, and set by Grabuche [Grabut], and so well performed at the repetition that has been made before his Majesty at the Duchess of Portsmouth's pleaseth mightily, but the rates proposed will not take soe well, for they have set the boxes at a guyny a place, and the Pitt at halfe. They advance 4,000 l. on the opera, and therefore must tax high to reimburse themselves (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 85)

Performances

Event Comment: Gentleman's Journal, March 1691@2 (licensed 9 March 1691@2): And after Easter we are to have a New Opera; and Mr Dryden's Cleomenes very shortly

Performances

Event Comment: Newdigate newsletters, 26 March 1696: Mr Dryden ye famous Poet is writing a play wch will bee Intituled Englands deliverance from Popish Conspirators (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82)

Performances

Event Comment: Benefit Mills. At the Desire of Several Persons of Quality. Written by the late Famous Mr Dryden

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards With The Loves Of Almanzor And Almahide

Song: As17031102

Dance: duRuel, duRuel's Wife

Music: As17040404

Event Comment: At the particular Desire of several Ladies of Quality. As it was altered from Shakespear by Sir Will. D'avenant, and the late Mr Dryden, Poets Laureat. With new Scenes, Machines, and all the Original Decorations proper to the Play

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Event Comment: Mainpiece: Written by Mr Dryden

Performances

Mainpiece Title: Sir Martin Mar all the Feigned Innocence

Afterpiece Title: The Custom of the Country

Song: Miss Booth

Dance: Birkhead, Mrs Willis

Event Comment: As it was alter'd (from Shakespear) by the late Sir William Davenant and Mr Dryden

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Event Comment: As it was alter'd from Shakespear by Sir Wm. Davenant and the late Mr Dryden, Poets Laureat

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Event Comment: Written by Shakespear. And revised with Alterations by Mr Dryden. Receipts: #21 8s. 6d

Performances

Mainpiece Title: Troilus And Cressida

Related Works
Related Work: Troilus and Cressida; or, Truth Found Too Late Author(s): John Dryden
Event Comment: Written by Shakespear, and revised with Alterations by Mr Dryden. Receipts: #23 5s

Performances

Mainpiece Title: Troilus And Cressida

Related Works
Related Work: Troilus and Cressida; or, Truth Found Too Late Author(s): John Dryden
Event Comment: Not Acted these Twenty-Five Years. Written by the late Mr Dryden

Performances

Mainpiece Title: Cleomenes Or The Spartan Hero

Related Works
Related Work: Cleomenes, The Spartan Heroe Author(s): John Dryden

Dance: Mrs Rogeir, Mrs Tenoe

Event Comment: As it was alter'd from Shakespear by Sir William D'avenant and Mr Dryden. With all Decorations and Dances proper to the Play. Being the last Time of Acting this Summer

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Event Comment: Written by Mr Dryden. Receipts: #23 19s. 6d

Performances

Mainpiece Title: Don Sebastion King Of Portugal

Event Comment: By Their Royal Highnesses' Command. Written by the late Mr Dryden

Performances

Mainpiece Title: The Indian Emperor Or The Conquest Of Mexico By The Spaniards

Related Works
Related Work: The Indian Emperour; or, The Conquest of Granada by the Spaniards Author(s): John Dryden
Related Work: The Indian Emperour; or, the Conquest of Mexico by the Spaniards Author(s): John Dryden

Dance:

Event Comment: Benefit Thurmond, the Dancing-Master. Written by Mr Dryden

Performances

Mainpiece Title: The Comical Lovers Or Marriage A La Mode

Related Works
Related Work: Marriage à la Mode Author(s): John Dryden
Related Work: Marriage A La Mode Author(s): John Dryden

Dance: Shaw, Thurmond Jr, Denoye, Mrs Younger, Mrs Bullock, Miss Tenoe

Event Comment: Benefit a Persons distressed by Losses in Trade. Written by the late Mr Dryden. At Common Prices

Performances

Mainpiece Title: The Feigned Innocence Or Sir Martin Marall

Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

Dance: Mrs Bullock; A new Harlequin-Miss Lindar; Drunken Scene-Harper

Event Comment: Benefit William Wilks, Office Keeper. As it was alter'd from Shakespear by Sir William D'Avenant and Mr Dryden

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden

Song: Singing in Italian-Miss Lindar, being the 2d Time of her Singing upon any Stage; Dear Pretty Youth-

Music: Solo on Little Pipe-Baston

Dance: Dancing after the Turkish Manner, as it was perform'd by the Kister Aga and the Eunuchs of the Seraglio, for the Diversion of the Grand Signior at the last Bairam Feast-