Event Comment: Benefit for Fearon, L'Estrange, Thompson & Stevens. Tickets delivered for The Funeral and a favourite Comedy will be admitted. Tickets sold at the Doors will not be admitted. Receipts: #265 18s. (75.10; tickets: 190.8) (charge: #105)

Event Comment: Benefit for Burton and Harwood, prompter. Mainpiece: Not acted these 4 years [not acted since 27 Oct. 1774]. Tickets delivered by the Miss Stageldoirs will be taken. Tickets sold at the Doors will not be admitted. Receipts: #208 9s. 6d. (37.17.0; 26.6.6; 0.16.0; tickets: 143.10.0) (charge: none listed)

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets sold at the Doors will not be admitted. Receipts: #292 11s. (33.9; tickets: 259.2) (charge: #105)

Event Comment: Benefit for Curteen, Condell & Colborne, box-keepers. Tickets sold at the Doors will not be admitted. Receipts: #203 4s. (54.5; tickets: 148.19) (charge: #105)

Event Comment: Benefit for Brereton, Longley, Colley & Robson, pit door-keeper. Tickets delivered by Stephenson, Robinson, Varley, W. Ansell, Smallwood, Shuter, Pilbrow will be taken. Receipts: #226 17s. 6d. (25.15.6; 3.4.0; tickets: 197.18.0)

Event Comment: Afterpiece: An Original, Whimsical, Operatical, Pantomimical, Farcical, Electrical, Naval, Military, Temporary, Local Extravaganza. 12th time [i.e. in continuation of the reckoning for the previous season]. The views of the Temple of Health, and the Camp in St. James's Park designed and executed by Rooker. [Prologue by George Colman elder (Colman, Prose, III, 229). Miss Lyon is identified in playbill of 11 June. Delpini was from dl.] The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre

Event Comment: Opera [1st time; Past 3, author unknown]. The music [to Part I] composed by Giovanni Battista? Bianchi, [to Part II by] Rauzzini, [to Part III by] Giordani. With Grand Chorusses. With new Decorations devised and painted by Novosielski, and new Dresses. The Side-boards, with a cold Collation and all sorts of Wines, at 12 o'clock. The Performance under the direction of Vestris Sen., and to conclude with a Ball. Tickets, at 2 Guineas each, are ready to be delivered at the Office in Union-court, where Boxes may be taken. No Masks will be admitted. The Doors will be opened at 9:00, and the Performance to begin at 10:00. Books of the Performance will be given out (gratis) at the Theatre. Morning Herald, 7 June: The Omaggio, or homage paid by the vassals and tenants to their Lord, is naturally calculated to give free scope to lively, and sentimental music. In the former stile Bianchi and Giardini [sic] were equally succesful; and in the latter Rauzzini was surprisingly great, both as composer and performer...Slingsby would, in our opinion, have come out with as great a share of applause as the best of them, having to go through an English dance in his own stile, but by some unaccountable accident...the music-band stopped short when he was in the very climax of his exertions. The scenes are in the rural stile, with the addition of natural trees, flowering shrubs, &c., set in the neatest order...The company did not begin to move till about four, and by five the rooms were cleared. Public Advertiser, 7 June: The Vestris' gave incontrovertible proof of the variety of their powers...They did more, they shewed what this country had never seen-the possibility of presenting to the eye a large and extensive stage filled with dancers all in motion at the same time

Event Comment: [This was Vernon's last appearance on the stage.] The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season]. Receipts: #220 3s. 6d. (172/12/0; 47/4/6; 0/7/0)

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season]. Receipts: #150 10s 6d. (148/16/0; 1/14/6)

Event Comment: A revived Serious Opera; the Music by the most eminent Composers [Bertoni, Gugliclmi, Giordani, Rauzzini, Gretry, &c], under the direction of Bertoni. With entire new scenes painted by Novosielski. New Dresses and Decorations both for the Opera and Dances. The Doors to be opened at 6:00. To begin exactly at 7:00 [see 18 June 1782]. By Command of Their Majesties no Persons to be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. Upper Gallery 3s. To prevent inconvenience in getting to their carriages, the Nobility and Gentry are requested to order their servants to set down and take up with their horses' heads towards Pall-Mali. The Subscribers to the Opera are intreated to send their instructions to Jewell and Johnson at the Office in Union-court before the opening of the Theatre, when the final arrangement of the Boxes will take place, and those which are not retained will then be disposed of. Subscriptions to be paid on delivery of the tickets. Books of the Opera, with an account of the Pantomime Dance, to be had at the Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: Written by Wycherly, with Alterations [from Love in a Wood; or, St. James's Park]. Not acted these 100 years [acted at DL, 15 Aug. 1718. Author of Prologue unknown]. Afterpiece: Taken from Mrs Centlivre's play of the same title. The Doors to be opened at 5:00. To begin at 6:00

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Lefevre. [Author ofPrologue unknown.] Afterpiece: Never performed here [acted 5 Apr. 1734]. Doors to be opened at 5:15. To begin at 6:15. Tickets and places to be had of Mrs Lefevre, No. 25, Frith Street, Soho, and of Rice at the Theatre. Tickets delivered by Holland will be taken

Event Comment: By Permission of the Lord Chamberlain. Mainpiece [1st time; c 5 (?), author unknown; perhaps an alteration of Love at a Venture, by Susannah Centlivre. MS not in Larpent; not published. Authors and speakers of Prologue and Epilogue unknown]. Afterpiece: As it was originally performed at this theatre [on 15 Oct. 1770]. The Doors to be opened at 5:30. To begin at 6:30. The above entertainments have been a long time in rehearsal, and care has been taken in getting them well up, and to have the principal parts supported by veterans

Event Comment: Mainpiece: The characters to be entirely new dressed. The Doors to be opened at 5:00. To begin at 6:00

Event Comment: For the better convenience of the company, during the Performance the Pit will be open as usual, and the passage through the Boxes into the Galleries will be open. As soon as the Performance is over, the Supper Rooms will be opened, and, during the time of Supper, the Pit will be covered and the Galleries shut up. The Decorations are entirely new planned, and executed by Novosielski. The whole under the Direction of Crawford. Tickets 2 guineas each. The Doors to be opened at 9:00. The Performance to begin at 10:00. [Le Picq was from the Opera, Naples.]

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets sold at the Doors will not be admitted. Receipts: #294 l8s. (41/10; tickets: 253/8) (charge: #105)

Event Comment: Benefit for Rolles, Brereton, Longley & Colley. Tickets delivered by Robson (pit door-keeper), Stephenson, Robinson, Varley, W. Ansell, Smallwood, Shuter, Pillbrow, Turtle, Haliburton, Jennings will be admitted this Evening. [Afterpiece in place of The Citizen, announced on playbill of 28 May.] The last Time of the Company's performing this Season. Receipts: #240 8s. 6d. (27/13/6; 1/14/0; tickets: 211/1/0)

Event Comment: Ansani continuing extremely ill, it is impossible to give L'Eroe Cinese [announced in Morning Herald, 17 June] this evening. The Doors to be opened at 6:30. To begin exactly at 7:30 [same for rest of season]

Event Comment: Mainpiece [1st time; T 3, as altered by George Colman, the elder]: Written by Lillo, Author of George Barnwell. Not acted these 50 years [acted 4 Sept. 1755. Prologue by the alterer (Colman, Prose, III, 233)]. The Words of the Song in the Tragedy will be given at the Doors of the Theatre. Public Advertiser, 28 June 1783: This Afternoon will be published Fatal Curiosity (1s)

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Davis. Mainpiece: Altered from Fielding. Not acted these 60 years [acted at GF 27 Apr. 1736. Authors of Prologue and Epilogue unknown]. The Doors to be opened at 6:00. To begin precisely at 7:00

Event Comment: [For afterpiece see also 20 Sept.] The Doors to be opened at 5:15. To begin at 6:15 [see 3 May 1783]. Receipts: #246 8s. (213/19/0; 31/9/6; 0/19/6)

Event Comment: "Among other Obligations that the Town has to the new Open is that it has, for this year, delivered the Play-goer from his periodical Endurance of Rowe's Tamerlane" (Public Advertiser, 6 Nov.). The reference is to the long established custom of performing Tamerlane either on 4 Nov. (the date of William III's birth) or 5 Nov. (the date of his landing in England). In the play the virtuous Tamerlane was held to be the portrait of an upright monarch, and the vicious Bajazet [i.e. Louis xiv] as that monarch's enemy. At DL Tamerlane was acted on either or both of these nights uninterruptedly from 1716 to 1777; at LIF and CG, with the exception of five seasons, from 1721 to 1784. The Doors to be opened at 5:15. To begin at 6:15 [see 1 May 1783]. Receipts: #155 2s. 6d. (153/4/0; 1/18/6)

Event Comment: It having been discovered that many Persons going in upon Subscription Tickets, have returned and taken Money from the Receivers, No Money will in future be returned at the doors of this Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: Written by Beaumont and Fletcher. [Authors and speakers of Prologues and Epilogue unknown; they are printed in Public Advertiser, 30 Nov. Ryder was not Thomas Ryder, who at this time was acting at the Smock Alley Theatre, Dublin.] The Doors to be opened at 5:00. To begin at 6:00

Event Comment: Mainpiece [1st time; T 4, but published in 5, by Richard Bentley. The assignments of Fearon, Booth, Mahon (who are not listed in the text) are my own conjecture. Prologue and Epilogue by Richard Bentley Jun. (Public Advertiser, 18 Dec.)]: New Dresses, &c. Words of the Epithalamium will be given at the Box Doors. Public Advertiser, 11 Jan. 1783: This Day is published Philodamus (1s. 6d.). Afterpiece: Never performed at this Theatre. Receipts: #203 2s. (198/16/6; 4/5/6)