SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Door"/1) | (@(roleclean,performerclean) "Mr Door")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5127 matches on Event Comments, 1141 matches on Performance Comments, 542 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Doors to be opened at 5:30. To begin at 6:30 [see 19 Oct.]

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: King Henry the Fifth

Afterpiece Title: The Wives Revenged

Dance: End: The Shepherd's Wedding-Harris, Miss Matthews

Event Comment: [Mainpiece in place of Romeo and Juliet, announced on playbill of 15 Oct.] The Doors to be opened at 5:15. To begin at 6:15 [see 7 May 1779]. Receipts: #224 7s. 6d. (190.17.0; 33.2.6; 0.8.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Camp

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 27 Oct.]

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Medley

Event Comment: The Doors to be opened at 5:30. To begin at 6:30 [see 2 Nov.

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Norwood Gypsies

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 6 May 1779]

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Medley

Event Comment: [As afterpiece the playbill announces the 31st night of The Touchstone (see 20 Feb.), but "The entertaiment at Covent-garden theatre was obliged to be changed last night, on account of Lee Lewes being seized with a most violent inflammation in his right arm...Hand-bills, announcing that The Reprisal would be the farce, were distributed at each door of the theatre as the company came in; when the tragedy, however, was ended, some persons in the galleries...began an alarming disturbance, calling out vociferously for the pantomime...and continued throughout the farce to behave in the most savage manner, pelting every actor and actress as fast as either came on the stage. Mrs Morton stood their fire of oranges, apples, and pieces of wood, with more heroism than prudence. At length the brutes aimed at her head with an orange, which struck her a violent blow, and she fainted immediately" (Morning Chronicle, 16 Feb.).

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Reprisal

Event Comment: Benefit for a Family under Misfortunes. [Author of Prologue unknown.] The Doors to be opened at 5:00. To begin at 6:00

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Prejudice of Fashion

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: The Messiah

Song: End Part I: an Italian duet see17790310by Vinci Tu vuoi ch'io vivi o cara-Mrs Barthelemon, Miss Cecilia Barthelemon

Music: End Part II: concerto on the violin-Barthelemon

Event Comment: Mainpiece [1st time; T 5]: Written by the Author of Percy [Hannah More. Prologue by the author; Epilogue by Richard Brinsley Sheridan (see text)]. Public Advertiser, 1 Dec. 1779: This Day is published The Fatal Falsehood [sic] (1s. 6d.). Afterpiece [1st time; CO 2, by Charles Dibdin]: The Overture and all the Music composed by Dibdin. With new Scenes, Dresses, and Decorations to both Pieces. Books of the Entertainment to be had at the Theatre. Public Advertiser, 6 May 1779: This Afternoon at three is published The Chelsea Pensioner (1s.). The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]

Performances

Mainpiece Title: Fatal Falshood

Afterpiece Title: The Chelsea-Pensioner

Event Comment: Benefit for Harwood, Thompson & Miss Wright [who had 1st appeared as a singer in the oratorios, 19 Feb.]. Public Advertiser, 3 May: Tickets to be had of Harwood at Mrs Powel's, New Nelson-street; of Thompson, No.7, Great Marlborough-street; of Miss Wright, No. 136, Drury-lane. Receipts: #267 4s. (69.5.0; 19.2.6; 0.6.6; tickets: 178.10.0) (charge: #105). The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Song: As17790503

Entertainment: End: Imitations-Bannister Jun

Event Comment: Benefit for Brandon, box-book and house-keeper. Tickets sold at the Doors will not be admitted

Performances

Mainpiece Title: Illumination

Afterpiece Title: Amphitryon; or, The Two Sosias

Afterpiece Title: The Touchstone

Monologue: In IV: Masque of Singing and Dancing. Plutus-Reinhold; Wit-Miss Valois

Event Comment: By Authority of the Lord Chamberlain. Benefit for Mitchell and Sinclair. The Doors to be opened at 5:15. To begin at 6:00 precisely. Tickets to be had of Mitchell at the Old Castle Tavern, near Gray's Inn Gate, Holborn; of Sinclair, Church-Lane, near St. Martin's Church, Strand

Performances

Mainpiece Title: Douglas

Afterpiece Title: Wit's Last Stake

Afterpiece Title: The Brave Irishman

Dance: End Monologue: Hornpipe-Lapper

Song: End III: He's aye kissing me-Miss Harris; End: Hunting Song-Miss Harris

Music: Between the Acts: The original Scotch Music-

Entertainment: Monologue.End 2nd piece: Hippisley's Drunken Man-Lewis (1st appearance on that stage these 3 years)

Event Comment: Benefit for Wright and Butler, carpenter. Afterpiece: To conclude with the Scene of the Waterfallv, as it was originally performed. Public Advertiser, 5 May: Tickets to be had of Wright, No. 24, Bennet-street, Westminster; of Butler, next door to the Theatre. Receipts: #267 9s. 6d. (37.11.0; 13.8.6; 0.4.0; tickets: 216.6.0) (charge: #74 14s.)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Elopement

Dance: End II: Hornpipe-Wright

Song: As17790503

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the Doors will not be admitted. Mainpiece: On account of the additional Airs, contracted into 3 Acts. The Music by Purcell, Smith, Arne & Fisher. [Wright is identified by MS annotation on Kemble playbill. And see 8 May.] Public Advertiser, 7 May: Tickets to be had of Condell, Cross-court, Bow-street, Covent Garden; of Evans, at Bromfield's, trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, Whitefriars

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Tempest

Afterpiece Title: The Upholsterer

Dance: In: Aldridge, Miss Valois

Event Comment: Benefit for Brereton, Longley, Colley & Robson. Tickets delivered by Stephenson, Robinson, Varley, Wm. Ansell, Smallwood, Baker, Shuter, Painter will be admitted. Tickets sold at the Doors will not be admitted. Afterpiece: With an Indian Processionv

Performances

Mainpiece Title: The Strategem

Afterpiece Title: Gallic Gratitude

Event Comment: Benefit for Booth, Mahon & L'Estrange. Tickets delivered for Friday, May 7th, will be taken. Tickets sold at the Doors will not be admitted. Mainpiece: Not acted these 7 years [acted 16 Apr. 1773]

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Albion Queens; or, The Death of Mary Queen of Scots

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Comus

Event Comment: Benefit for Dickinson, pit office-keeper, and Carleton Jun., box lobby door-keeper. [Afterpiece in place of The Irish Widow, announced on playbill of 25 May.] Morning Chronicle, 18 May: Tickets to be had of Dickinson, No. 5, Wild-court, Wild-street, Lincoln's-Inn-Fields [Carleton not listed]. Receipts: #280 3s. 6d. (26.1.0; 6.9.0; 0.18.6; tickets: 246.5.0) (charge: #105)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Lyar

Dance: End: Hornpipe, as17790521

Event Comment: Benefit for Mortimer, Tomlinson, Carleton Sen. & Woollams. Tickets delivered by Bayne, Page, Finney, Barthrope and Whittey will be taken. Tickets sold at the Doors will not be admitted. Receipts: #243 3s. (15.3; 3.11; 0.5; tickets: 224.4) (charge: #105)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Miller of Mansfield

Dance: End III: Double Hornpipe, as17790417

Event Comment: The Doors to be opened at 6:30. To begin at 7:30 [same for rest of season]

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Les Paysans Voles, as17790529; End II: Hippomene et Atalante, as17790325End Opera: New Divertisement, as17790529

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Davis. 1st piece: Altered from [The Soldier's Fortune, by] Otway, by John Brownsmith. [not in Larpent MS; not published.] 2nd piece: A Poetical Interlude altered from Prior's Nut-brown Maid. 3rd piece: Altered to 3 acts. [Prologue by Shatford Jones. Author of Epilogue unknown. For authorship of 1st piece and prologue see Morning Chronicle, 25 Oct.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for Davis and Wright will be admitted

Performances

Mainpiece Title: The Touchstone Of Invention; Or, The Soldier's Fortune

Afterpiece Title: Henry And Emma

Afterpiece Title: The Busy Body

Dance: 2nd piece: With a Hornpipe-Lonsdale

Song: End I: two part song, Damon and Clora-Leach, Miss Mitchell (1st appearance); End III: My sweet pretty Mogg-Wright

Event Comment: Afterpiece [1st time; B 3, by Richard Brinsley Sheridan. Prologue by the Hon. Richard Fitzpatrick (Public Advertiser, 3 Aug. 1781)]: With a Procession. [This was included in all subsequent performances. For the Sea Fight see 20 Nov.] With New Scenes, Dresses and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season, except on 1 May 1780]. "The House was so crowded that there were many disturbances, one so great that Smith when he had nearly finished 'To be or not to be' was obliged to leave the Stage, and when the noise subsided, to return and begin the soliloquy again... As The Critic took up two hours and a half in performance, it must of necessity be considerably shortened" (Morning Chronicle, 1 Nov.). "The scene of the battle with the Armadav [was] executed in the most masterly manner. The Motion of the sea, the engaging of the ships, and the destruction occasioned by the fire-ships were happily contrived and accurately represented" (London Chronicle, 1 Nov.). Account-Book, 9 Nov.: Paid R. B. Sheridan on Acct. of Critic #320. Receipts: #241 19s. 6d. (222.11.0; 19.3.6; 0.5.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Event Comment: [Mainpiece in place of The Orphan, announced on playbill of 30 Oct.] The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season]. Receipts: #124 8s, 6d, (123.4.6; 1.4.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Plymouth In An Uproar

Event Comment: By Permission [of the Lord Chamberlain]. By Desire of the Most Noble Order of Bucks. Benefit for Griffith. [Author of Epilogue unknown.] Tickets delivered for November 22 and for The West Indian will be admitted. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Wrangling Lovers; or, Like Master Like Man

Entertainment: Imitations. After the Epilogue: a Variety of new Imitations-Decastro; Monologue. End IV: Address to the Town, in which several Dramatic Characters will be introduced-Master Russell

Event Comment: Permission [of the Lord Chamberlain]. Mainpiece: Written in imitation of Shakespeare by the late ingenious Dr Kenrick. Never performed there. The Characters entirely dressed in the Habits of the Times. Afterpiece: Not acted these 60 years [acted 4 Mar. 1737]. [Authors of Prologues and of Epilogue unknown.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:15. Tickets delivered for M'Cready and Mrs Davis will be admitted

Performances

Mainpiece Title: Falstaff's Wedding

Afterpiece Title: The Rival Milliners; or, A Medley of Suitors

Dance: V: Lonsdale

Song: End: Blow high blow low-Colvill

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for a Gentlewoman. Mainpiece: Not acted these 7 years. [Author of Prologue unknown.] Afterpiece: Written by Thomas King, Esq. The Doors to be opened at 5:00. To begin at 6:30. The Public may be assured that the principal Performers in the above play and farce are Persons accustomed to the Stage, and that the utmost Attention will be paid to the credit of Performance. Tickets delivered by Mrs Lefevre and Blackburn will be admitted

Performances

Mainpiece Title: The Modish Wife

Afterpiece Title: Wit's Last Stake

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])