SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Door"/1) | (@(roleclean,performerclean) "Mr Door")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5127 matches on Event Comments, 1141 matches on Performance Comments, 542 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of Their Majesties. Doors, &c. as 6 Dec. 1797. Receipts: #472 2s. 6d. (463.14.0; 8.8.6)

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Lock and Key

Event Comment: By Command of Their Majesties. Doors, &c. as 6 Dec. 1797. Receipts: #335 14s. (327.3; 8.11)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Peeping Tom

Event Comment: Afterpiece: Taken from Ossian; composed by Byrn. A View of the Sea and Rock from which Oscar escapes, by leaping from a Precipice into the arms of his Soldiers; A View of the Bridge with the Camp of Carrol; The Death of Carrol by the Hand of Malvina, with his Descent into the Sea, and the Burning of the Camp of Carrol. [This was included in all subsequent performances.] The Ballet under the direction of Farley. The Overture by Reeve, with a Harp Accompaniment by Weippert. The Doors to be opened at 5:30. To begin at 6:30, and so continue for the remainder of the Season. Receipts: #234.13 (228.13; 6.0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Song: In afterpiece: Come every jovial Fellow-Mrs Martyr, Gray, Mrs Mountain; O ever in my Bosom live-Mrs Martyr, Mrs Mountain

Event Comment: The Doors to be opened this Evening, and during the rest of the Season, at 5:30. To begin at 6:30. Receipts: #404 7s. (338.19.0; 64.1.6; 1.6.6)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Children in the Wood

Event Comment: By Permission of the Most Noble the Marquis of Salisbury [the Lord Chamberlain]. Benefit for Wilkinson. 1st piece: Compress'd into 4 acts. The Doors to be opened at 5:30. To begin at 6:30 precisely. Tickets to be had of Wilkinson, No. 16, Lisle Street, Leicester Square

Performances

Mainpiece Title: The Jew

Afterpiece Title: A Naval Interlude

Afterpiece Title: The Mayor of Garratt

Afterpiece Title: The Ghost

Song: 2nd piece: With Songs-

Event Comment: Benefit for Twaits, Ives, Hallam, Brown & Mrs Brooks. Pit 2s. Gallery 1s. Back Seats 6d. The Doors to be opened at 6:00. To begin at 7:00. The above Performers, with the utmost Deference and Respect, inform the Ladies and Gentlemen of Greenwich, they have selected those Entertainments which they flatter themselves will meet their Approbation; being compelled to answer their Engagements in another Town, they jointly solicit their Patronage on this occasion, the honour of which will ever be remembered with the most lively effusions of gratitude

Performances

Mainpiece Title: Douglas; Or, The Noble Shepherd

Afterpiece Title: Sylvester Daggerwood; or, A Trial for a London Engagement

Afterpiece Title: The Waterman

Song: Between acts: Twaits, Master Seabrook

Event Comment: 3rd piece: Taken from the French of Patrat; Performed but once [at cg on 24 Apr. 1798]. [On this night the following performers appeared both at dl and at the hay: Aickin, Caulfield, Wathen, Trueman, Bannister, Miss DeCamp, Miss Heard.] On playbill of 13 June: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be had of Rice, at the Theatre. Printed by T. Woodfall, No. 104, Drury-Lane

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Battle of Hexham; or, Days of Old

Afterpiece Title: Blue Devils

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 11 Mar. 1799]. Receipts: #226 13s. (224.12; 2.1)

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: Catherine and Petruchio

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 9 Mar. 1799]. Receipts: #148 10s. 6d. (84.5.0; 62.16.0; 1.9.6)

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Blue-Beard

Event Comment: By Command of Their Majesties. Doors, as 21 Nov. Receipts: #464 14s. (461.4; 3.10)

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Jew and the Doctor

Event Comment: By Command of Their Majesties. Doors, &c. as 21 Nov. Receipts: #470 5s. 6d. (466.11.6; 3.14.0)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Jew and the Doctor

Event Comment: A new Serious Opera; the music by Sarti. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 29 Dec.]. Pit 10s. 6d. Gallery 5s

Performances

Mainpiece Title: Medonte

Dance: End I: Peggy's Love-Didelot, Laborie, Mme Rose, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; End Opera: Ariadne et Bacchus- [Performers not listed]

Event Comment: By Command of Their Majesties. Doors, &c. as 21 Nov. 1798. Receipts: #530 12s. 6d. (524 19s. 6d.; 5.13.0)

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: Two Strings to Your Bow

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Choral Fund, instituted for the Relief of their decayed Members, Widows and Orphans, under the Patronage of his Royal Highness the Duke of Clarence. The Band and Chorus will be select, and the Young Gentlemen of the Westminster Choir will assist. A New Organ, built by Lincoln, will be opened on this occasion. Boxes #S. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

Event Comment: By Command of Their Majesties. Doors, &c. as 21 Nov. 1798. Receipts: #418 4s. (414.4; 4.0)

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: The Irish Mimic; or, Blunders at Brighton

Event Comment: By Command of Their Majesties. The many Ladies who have Places for the suceeding nights of the new Pantomime [The Magic Oak] are respectfully acquainted that, on account of Bologna Jun.'s accident, it cannot be performed before Easter Monday. [The Mouth of the Nile, also advertised on playbill of 5 Mar., was not acted on this night.] Doors, &c. as 21 Nov. 1798. Receipts: #364 13s. 6d. (361.13.6; 3.0.0)

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Jew and the Doctor

Event Comment: The Doors to be opened at 5:30. To begin at 6:30, and during the remainder of the Season. Receipts: #271 5s. (216.18; 53.3; 1.4)

Performances

Mainpiece Title: The Secret

Afterpiece Title: High Life below Stairs

Dance: As17980920, but Mock Minuet-Miss Mellon in place of Miss Pope

Event Comment: The Doors to be opened at 5:30. To begin at 6:30, which regulation will continue for the remainder of the Season. Receipts: #243 2s. 6d. (234.16.6; 8.6.0)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Oscar and Malvina

Song: As17990309

Event Comment: [Prologue to Douglas by John Home.] Tickets to be had of Frimbley at the Old Crown. Pit 2s. Doors to open at 6:00; to begin at 7:00. Nights of playing: Monday, Wednesday & Friday

Performances

Mainpiece Title: Douglas; Or, The Noble Shepherd

Afterpiece Title: The Poor Soldier

Song: Between the Acts: Watkinson, Master Crisp, Hayden

Entertainment: Monologues A Prologue and Epilogue-a Gentleman

Event Comment: [Account-Book: Tickets delivered by Jackson, Thompson (box-keeper), Webb (door-keeper), Dibdin, Purkins, Pitt, Williamson, Goodwin, Anselmo, Roberts, Loyd, West, Berecloth, Young, Norton will be taken.] Receipts: #374 16s. (38.1.6; 4.18.0; tickets: 331.16.6)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Hartford Bridge

Dance: End: A Scotch Divertisement-Jackson, Platt, Dyke, Miss Bologna, Mrs Watts

Event Comment: Benefit for Hill, Rees and Miss Sims. Morning Chronicle, 6 June: Tickets to be had of Hill, No. 24, Bow-street, opposite the Pit Door. [Others not listed.] 2nd piece [1st time: M. INT 1]. Receipts: #287 7s. (50.17.6; 4.0.6; tickets: 232.9.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Brilliants

Afterpiece Title: Comus

Dance: In II 3rd piece: a Dance-Naiads

Song: In: Maria; or, The Beggar Girl-Mrs Atkins; Young William-Incledon; a new song, The Negro Boy (written by Rees, and composed by Attwood)-Miss Sims (in character)

Event Comment: 2nd piece [1st time; D 3, by Henry Neuman, based on Der Opfertod, by August Friedrich Ferdinand von Kotzebue. Text (R. Phillips, 1799) assigns no parts]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice, at the Theatre. The Theatre, since the last Season, has been newly Decorated. [Beginning with 19 June the playbill: Printed by T. Woodfall, Drury Lane; on 4 Sept.: No. 104, Drury Lane.] Morning Chronicle, 27 June 1799: This Day is published Family Distress (2s.). Gentleman's Magazine, May 1800, pp. 406-8, prints a letter from "J. B." in which strong exception is taken to Kotzebue in general, and this play in particular. "Theatrical entertainments have an extensive influence upon the manners of Society. When well regulated, and the pieces for representation well selected both as to matter and manner, they may be esteemed friendly to morality, and improvers of public taste. But what shall we say when both these ends are disregarded; when moral virtue is banished from the scene, and purity of taste is destroyed by affected language and pantomimical decorations? Improvements in almost every art and science have been within a few years, rapid and important. But that is not the case with the stage; nor can it be, while Kotzebue and his friends usurp the venerable boards of Shakespeare." The writer then, in sarcastic terms, outlines the plot of Family Distress. [Pope and Miss Chapman were both from cg.

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: Family Distress

Afterpiece Title: The Village Lawyer

Event Comment: Benefit for the Box and Box-door-keepers. The Last Time of the Company's Performing this Season. Receipts: #63 7s. 6d. (33.1.0; 19.7.0; 0.0.6; odd money: 10.19.0; tickets: none listed) (charge: #201 5s.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Liar

Dance: As17981129

Event Comment: [Address by Thomas John Dibdin (T. J. Dibdin, Reminiscences, 1, 256).] Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [see 9 Dec.]. Places for the Boxes to be taken of Brandon at the Box office in Hart-street. No Money to be returned. [On playbill of 6 May 1800: Printed by E. Macleish, 2, Bow-street, Covent-Garden.] Receipts: #290 3s. 6d. (279.12.0; 10.11.6)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Rosina

Entertainment: Monologue Preceding: New Occasional Address-Pope

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 26 Apr. 1800]. Receipts: #214 7s. (134.5; 77.9; 2.13)

Performances

Mainpiece Title: The Will

Afterpiece Title: Blue-Beard

Ballet: End: The Scotch Ghost; or, Little Fanny's Love. Jamie-Gheri (1st appearance); Glaude-Grimaldi; Saundy-Master Chatterley; Donald-Whitmell; Elpsa-Mrs Brooker; Fanny (with a Hornpipe)-Sga Bossi DelCaro