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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Deputy Nichols"/1) | (@(roleclean,performerclean) "Mr Deputy Nichols")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5667 results for: Keyword - Mr Deputy Nichols
We found 4236 matches on Event Comments, 1168 matches on Performance Comments, 537 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

876
03 November 1775 @ Drury Lane Theatre

Event Comment: Paid Mr Hatsell [Mercer] 3 bills in full of last season #122 17s.; Nichols [sic] (rope maker) #18; Barrett (wax chandler) #28 3s. 6d. Receipts: #92 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Elopement

877
24 April 1730 @ Goodman's Fields

Event Comment: For the Entertainment of the Grand Master, the Deputy Grand Master, the Grand Wardens, and the Rest of the Brethren of the Antient and Honourable Society of Free and Accepted Masons. Written by Shakespear

Performances

Mainpiece Title: The Merry Wives Of Windsor

Song: Miss Thornowets

Dance: SShepherd's Holiday-Burney, Sandham, Eaton, Mrs Haughton, Mrs Mountfort, Miss Sandham

878
17 March 1739 @ Drury Lane Theatre

Event Comment: Benefit Milward. Tickets at Milward's in Brownlow-Street. [Henry Brooke has a note in the Daily Post, 17 March, stating that on 24 Feb. he gave to Chetwin, Deputy-Licencer of plays, a copy of Gustavus Vasa but has received neither a licence nor a statement of exceptions to it.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Dance: II: Pierots-Master Ferg, Miss Wright; IV: Grand Ballet, as17390313 V: Aethiopian Dance-Muilment

879
01 June 1786 @ King's Theatre

Event Comment: Benefit for Carnevale, deputy manager

Performances

Mainpiece Title: Armida

Dance: End of Act I Les Amans Surpris (not performed these 4 years [not since 30 June 1781]) by Vestris, Rochfort (1st appearance in England), Fabiani, Mlle Mozon, Mlle Baccelli; End of Opera Ninette a la Cour (not performed these 4 years [not since 3 July 1781]) by Vestris, Rochfort, Fabiani, Mlle Mozon, Mlle Baccelli. In the course of the ballet The Minuet de la Cour, with a favourite Gavotte, by Fabiani and Mlle Carolina, and a Pas de Deux of a particular Invention (the music newly composed by Mortellari) by Mlle Baccelli and Vestris

880
01 March 1787 @ King's Theatre

Event Comment: A Serious Opera in 2 acts; the music entirely by Handel, and selected from the various Operas set by that admirable composer, under the direction of [i.e. arranged and added to by] Dr Arnold. Benefit for Carnevale, deputy manager. No receipts listed. "In order to induce the king to visit the theatre called his own [see 17 Mar.], but which he seldom frequented, the Giulio Cesare of Handel was revived, or rather a medley from his Italian works, for little of the original music was retained, and many of his most favorite songs from other operas were introduced, Verdi prati [from Alcina], Dove sei [from Rodelinda], Rendi sereno il ciglio [from Sosarme], and others. This ancient music was particularly suited to Rubinelli, and was familiar to Mara, both of whom sung it incomparably well" (Mount-Edgcumbe, 61)

Performances

Mainpiece Title: Giulio Cesare In Egitto

Dance: End I: a new ballet, representing The Muses on Mount Parnassus-; End Opera: a new ballet, The Triumph of Julius Caesar-

881
20 December 1790 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

882
20 December 1793 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

883
04 November 1734 @ Goodman's Fields

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Necromancer

Performance Comment: As17341028, but Nichols and Cunningham added to Spirits .

884
01 May 1750 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Event Comment: To begin at Twelve noon. The Gentlemen are desired to come without swords and the Ladies without hoops (Deutsch, Handel, p. 688). The seating capacity of the Hospital was 1,000. There was a tremendous crush and confusion...a number of distinguished people drove up at the last moment, many without tickets, and found it impossible to gain admission (R. H. Nichols and F. A. Wray, History of the Foundling Hospital (London 1935), p. 202). Handel offered to give a repeat performance to accomodate those disappointed. [See 15 May.

Performances

Mainpiece Title: The Messiah

885
20 February 1767 @ Drury Lane Theatre

Performances

Mainpiece Title: King John

Afterpiece Title: The Cunning Man

886
14 May 1774 @ Covent Garden

Event Comment: Benefit for Miss Bassan and Abbott. Tickets delivered by Furkins, Longley, Robson, Flight, Curteen, Paddick, Stephenson, as well as those delivered for the Inconstant and Love for Love will be taken. [No charges. House received ready money receipts plus half-value of tickets]: @Tickets Box Pit Gallery Value Half Value@Miss Bassan 22 38 43 #15 10s. #7 15s.@Abbott 18 52 72 #19 10s. #9 15s.@Furkins 27 42 19 #14 19s. #7 9s. 6d.@Longley 22 206 82 #44 12s. #22 6s.@Robson 13 107 42 #23 10s. #11 15s.@Flight .. 72 62 #17 #8 10s.@Curteen 24 57 55 #20 1s. #10 6d.@Mrs Paddick 7 30 13 #7 11s. #3 15s. 6d.@Stephenson 3 21 85 #12 8s. #6 4s.@Total 136 625 473 #175 1s. #87 10s. 6d.@ Paid Nichols (gilder) 1s. 6d., McMillen (shoemaker) #4 3s.; D. Almaine (embroiderer) #3 3s.; Morris (painter) #7 7s.; Rowson (gunsmith) #6 11s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Commissary

Dance: II: (By Desire) a Minuet (1st time)-Blurton, Miss Bassan; End Opera: Hornpipe-Miss Bassan

887
04 May 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Bon Ton

Dance: End: The Sailors' Revels, as17780425

888
15 May 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Quaker

Song: As17790503

889
02 June 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

890
27 May 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

891
24 October 1768 @ Covent Garden

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

892
10 June 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

893
11 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

894
June 1697 @ Dorset Garden Theatre

Performances

Mainpiece Title: The World In The Moon

895
March 1693 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

896
18 April 1707 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; viz. A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester

897
03 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

898
20 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

899
07 April 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17630922

900
27 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018