SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Death"/1) | (@(roleclean,performerclean) "Mr Death")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4352 matches on Event Comments, 1221 matches on Performance Comments, 837 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Written by Shakespear Containing the Death of the Duke of Buckingham; the Divorce of Queen Katherine; the Fall of Cardinal Wolsey; the Christening of Queen Elizabeth; with many other Historical Passages. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: Henry Viii

Event Comment: Containing a Relation of the Death of Edward VIv, Founder of the Reformation. His appointing Lady Jane his Successor. Her Advancement to the Throne. The Intrigues of Gardiner, Bishop of Winchester, for her destruction, and that of the Protestant Religion. The Cruelties of Queen Maryv exercised during her short but bloody reign, beginning with the Execution of Lord Guilford Dudleyv and his wife the Lady Jane, who suffered in defence of the ever memorable Reformation

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Debauchees

Song: IV: The Subscription-Lowe

Event Comment: This day is publish'd, neatly printed in a pocket volume, (price bound 3s.) The History of the Life of Tamerlane the Great from the time of his being made Regent of Sachetay, till his death. Originally written in Arabic. By Alhacen a learned Arabian. Translated, abridg'd and methodized from the French of Jean DuBec@Abbot@of@Mortimer. With political notes. Printed for W. Owen, at Homer's Head near Temple Bar

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Mock Doctor

Event Comment: By Command of the Princess of Wales, for the first time since the Prince's Death (Cross). [This is the mother of George III, now Prince of Wales. His father Frederick, Prince of Wales, had died 19 March 1751.

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Harlequin Sorcerer

Event Comment: [The bill contains the customary advertisment for this play -"Containing the death of Cardinal Wolsey; the Christening of Princess Elizabeth, and many other other historical passages." Repeated on subsequent bills.] Receipts: #120 (Cross)

Performances

Mainpiece Title: King Henry Viii

Song: II: The School of Anacreon-Beard

Event Comment: Benefit for Miss Macklin (Cross). Receipts: #180 (Cross). Ladies to send for tickets for the places they taken at Miss Macklin's, Russel St. next door to Tom's Coffee House. Part of Pit laid into Boxes and Amphitheatre on stage. Afterpiece: By Particular Desire. Last time of Performing till the Holidays. On seeing Miss Macklin in the character of the Mourning Bride: @Should Death (for Oh! what power can save Our tragic heroine from the grave)@At Cibber aim his dart:@Tears should forever speak my moan,@For oh! 'tis she, and she alone@Can melt the feeling heart.@Britannia spake, when Lo! a Voice@Britain be happy, and rejoice,@That, when your Cibber dies@The Gods have yet in store for thee,@A Macklin; and in her you'll see@Another Cibber rise.--Public Adveriser@

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Englishman in Paris

Dance: As17550203

Event Comment: This Night by the Crowd upon the upper Gallery Stairs two Women & a Man were Kill'd (Cross). 2 or 3 Persons squeezed to death getting into Drury Lane (Winston MS 8). The Tragedy of the Mourning Bride will be acted at the latter end of this week at Drury Lane, in which Mrs Glen will perform the character of Zara, it being the second time of her appearing on that stage. The reviv'd Comedy of the Gamesters and the tragedy of the Fatal Marriage will be played after the holidays. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin Ranger

Event Comment: Sunday the 21st about 4 in the afternoon I receiv'd an order form the Duke of Devonshire [Ld. Chamberlain] to Shut up the House 'till farther Notice, -Fryday 26th about eleven in ye Morn[in]g I receiv'd an Order from my Lord to open on the Monday following (Cross). Theatre clos'd from 20 January 1759 on account of the death of the Princess Royal of England, Countess Dowager of Holland & Governant of the United Provinces & of the Miny of the Stadholder (Winston MS 8)

Performances

Event Comment: Afterpiece: Scene of the Drawing in Guild-Hallv. Receipts: #69 1s. 6d. Rec'd of Mrs Bellamy #10 7s. 8d. for 6 nights deducted for last season on death of Princess of Orange

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Lottery

Dance: TThe Plowman, as17591121

Performances

Mainpiece Title: Dramatic Turtle

Performance Comment: Yates, from the Theatre Royal in Drury Lane, will dress his Dramatic Turtle for the entertainment of the town. This most excellent dish will comprise the essence of every Theatrical Rarity. IN THE CALIPASH will be found the most extraordinary Adventures of Timur Koran; or, The Favourite of the Sun. The Love and Distress of the Princess Karansa; her confinement in the Brazen Tower; the Cruelty of the Emperor Albufazar her Father; Karanza's Trial and Condemnation; the Banishment of Timor Koran; the wicked Machinations of the Vizier, Prime Minister to Albufazar, the Procession of the Princess and Timur Koran to the Funeral Pile; their strange delivery from Death by the spirit Seraphel. IN THE CALIPEE will be the Eighth Wonder of the World; or, The Heroic Taylors, with the Humours of General Trinculo and his pleasant companion Humpkinn Buzz, the merry exploits and miraculous Adventures of Barnaby Bodkin, Tom Thimble, Ben Buckram, Nich. Canvas, all Gentlemen of the Light Horse. THE BLUE FAT AND FINNS will contain the various entertainments of Singing, with the Machinery and Decorations. The whole to be seasoned by the way of Chian Butter, with a most extraordinary band of music.
Event Comment: Never acted there before. [The Death of George the Second prevented the performance of the 25th taking place. The Theatres closed for three weeks--heretofore six weeks. See Remarks on the Minor, with Foote's Answer, Gentlemen's Magazine, Nov. 1760, pp. 502 ff. Opened 17 Nov.

Performances

Mainpiece Title: The Minor

Afterpiece Title: A Duke and no Duke

Dance: II: The Colliers, as17601024

Event Comment: ctually no play. Death of George II closed theatres three weeks.] Mainpiece: Not acted in 2 years. [See 28 April 1759. There was no income this night, but the play list had to be met. The house carried a profitable balance of #318 16s. 5d. The payroll plus other expenses came to #284 12s. 9d., leaving a thin balance of #34 3s. 8d. (Account Book). Other bills included #14 17s. to Luppino for making dancing dresses; Robertson 10s. for attendance four nights in The Rape; Miss Ibbott #5 5s. for performing the part of Queen Elizabeth in the Earl of Essex; Marenesi and wife advanced weekly #2 2s. till the Theatre opened again (Account Book)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Skeleton

Dance: As17601015; III: A Comic Dance not perform'd these 5 years call'd The Colliers-Sg Marenesi, Mlle Capdevlle

Event Comment: Mainpiece: Not acted this season. [The Ode, by Robert Lloyd and A. Murphy (according to J. P. Kemble's note on the playbill), combines an Elegy on the death of George II with a compliment on the accession of George III.

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Tears and Triumphs of Parnassus

Dance: II: Reviv'd the Pantomime Dance, call'd The Prussian Camp The Prussian Soldiers by the Comedians, the Characters of the Dance-Grimaldi, Miss Baker

Music:

Song: n Ode for Music, call'dThe Tears and Triumphs of Parnassus-. The Music compos'd by Stanley

Event Comment: TThe Jovial Crew, as advertised for this Day cannot be perform'd on account of the indisposition of Miss Brent. Positively the last time of the company's performing this season. Boxes #5 17s. 6d. Paid Younger a bill for writing parts #2 12s. Paid Ross in full to make his sallery #300 for the season: #60. The Account Book indicates a deficit this night of #1240 12s. 4d. after all salaries are paid. This deficit was reduced by #301 18s. 8d. on May 27 by deductions from the annual salaries of 23 actors and dancers for 19 nights on account of "the death of His Late Majesty King George the Second." A little more than 10 per cent was taken from the salary of each: From Miss Macklin's salary of #300, was deducted #31 16s. 10d., &c. The others who were similary taxed were: @Name Salary Deduction@Ross #300 #31 16s. 10d.@Maranesi & Mrs Maranesi[Wife #270 #28 13s. 2d.@Sparks #250 #26 10s. 8d.@Dyer & Mrs Dyer[Wife #250 #26 10s. 8d.@Beard #210 #22 5s. 9d.@Ridout #180 #19 2s. 1d.@Poitier Jr #150 #15 18s. 6d.@Miss Capdeville #150 #15 15s. 5d.@Barrington #100 #10 12s. 3d.@Bencraft #100 #10 12s. 3d.@LaLauze #100 #10 12s. 3d.@Poitier Sr #80 #8 9s. 9d.@Leppie #80 #8 9s. 9d.@Mrs Jansolien #60 #6 7s. 4d.@Mrs Viviez #60 #6 7s. 4d.@Rotchford #50 #5 6s. 1d.@Mrs Marianne #50 #5 6s. 1d.@Hussey #35 #3 14s. 3d.@Mrs Welsch #35 #3 14s. 3d.@Mrs Crawford #35 #3 14s. 3d.@ On 30 May the deficit was further reduced by receipts from 26 actors for advances, one-half value of tickets for their benefit performances, &c., plus #200 from John Rich, in the amount of #506 6s. 5d. (Account Book).] Receipts: #43 7s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Rape of Proserpine

Event Comment: Not acted in 5 years. [See 4 Feb. 1758.] The Drummer was revived at this period at both theatres...to take advantage of the reigning weakness of the people, who went in crowds many days and nights to an Haunted House, by what was called the Cock-Lane Ghost-a delusion set on foot, and very ingeniously carried on by a girl of 12 years of age, daughter of a clerk of St Sepulchre's Church, who resided in Cock Lane near Smithfield. [The Ghost was supposed to be that of one Fanny, a gentleman's mistress buried in the church. By knockings and scratchings she supposedly haunted the girl intimating foul practices concerning her death.] It would be incredible to relate the numbers of persons of distinction that attended this delusion! many of whom treated it as a serious and most important affair...at last the girl's father and three or four others were tried in the King's Bench, found guilty' Pillioried and imprisoned. This most effectively laid the Ghost; and is the best and properest cure for every ghost that may arise hereafter. (Victor, History of the Theatres, III, 18 ff). [The theme exploited again by Garrick in The Farmer's Return from London, dl 20 March.

Performances

Mainpiece Title: The Drummer Or The Haunted House

Afterpiece Title: The Genii

Song: II: Hearts of Oak, as17620115; End: An Occasional Ballad by Way of Epilogue, in the Character of Abigail,-Mrs Clive

Event Comment: Benefit for Robinson, at Hickford's Room, Brewer St. Benefit originally announced for Miss Robinson, to be given 29 Jan.; new date for concert chosen after her death. Tickets 5s

Performances

Mainpiece Title: Acis And Galatea

Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: The Patron

Afterpiece Title: Tragedy a la Mode

Performance Comment: As17640829, but Parts-Death.
Cast
Role: Parts Actor: Death.

Dance: As17640824, but order reversed

Event Comment: MMrs Cibber extremely ill, benefit to have been tomorrow deferred. Her death reported (Winston MS 9) [but see 29 March]

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Capricious Lovers

Event Comment: MMrs Cibber's death reported yesterday contradicted. She prov'd out of danger (Winston MS 9)

Performances

Mainpiece Title: None

Event Comment: [Scheduled for performance, but theatres closed on account of the death of the Duke of Cumberland.

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Daphne and Amintor

Event Comment: Theatres closed for death of Prince William. Died Sunday 29 Dec

Performances

Mainpiece Title: None

Event Comment: Cancelled. On account of death of Edward Augustus, Duke of York, next Brother to His Majesty. [Theatre closed to 5 Oct.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Perseus and Andromeda

Event Comment: Theatres closed, also Sadlers Wells and all the public gardens for the death of the Duke of York (Winston MS 10)

Performances

Mainpiece Title: None

Event Comment: Afterpiece: Never performed before. Written by Milton, the Music entirely New (playbill). Music by William Jackson (Wyndham, Annals of Covent Garden, I, 178). As condolence on Death of Duke of York (Genest, V, 186). Paid for licensing Lycidas #1 1s. (Account Book). Receipts: #251 11s. (Account Book)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Lycidas