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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Death"/1) | (@(roleclean,performerclean) "Mr Death")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6068 results for: Keyword - Mr Death
We found 4349 matches on Event Comments, 1221 matches on Performance Comments, 837 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

1301
19 November 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Wedding Ring

1302
26 December 1677 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

1303
November 1693 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

1304
07 December 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Intriguing Chambermaid

Dance: By Poitier and Mlle Roland

1305
19 September 1758 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Virgin Unmask'd

Dance: TThe German Hunters, as17580916

1306
17 December 1763 @ Drury Lane Theatre

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Deuce Is in Him

Dance: End: Reviv'd The Prussian Camp-Grimaldi, Aldridge, Lauchery, Miss Baker

1307
31 March 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: Thomasand Sally

Dance: The Irish Lilt, as17630922

1308
05 October 1768 @ Drury Lane Theatre

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Padlock

1309
13 January 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: Epicoene; Or, The Silent Woman

Afterpiece Title: The Jubilee

1310
05 February 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Blackamoor

1311
08 June 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Devil to Pay

1312
15 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Who's the Dupe

Song: In course of Entertainment: his favourite Planxty [descriptive of Ireland-Johnstone (in the character of Murtough Delany) [see The Irishman in London, cg, 21 Apr.]

1313
29 May 1660 @ no theater listed

Event Comment: Charles II entered London on this day, an event which occasioned several works of a quasi-dramatic nature. One was The Famous Tragedie of the Life and Death of Mrs Rump...As it was presented on a burning Stage at Westminster the 29th of May, 1660. It has a Prologue and Epilogue; the author is not known. A second is An Ode Upon the Happy Return of King Charles II to his Languishing Nations, May 29. 1660. This work, by James Shirley, with music by Dr Coleman, was printed in 1660, and reprinted in A Little Ark, ed. G. Thorn-Drury (1921), pp. 21-23. A third is A True Relation of the Reception of his Majestie and Conducting him through the City of London...on Tuesday the 29 of this instant May, being the Day of his Majesties Birth

Performances

1314
08 August 1660 @ no theater listed

Event Comment: Edition of 1660: A Tragy-Comedy. Relating to our latter Times. Beginning at the Death of King Charles the First. And ending with the happy Restaurant of King Charles the Second. Written by a Person of Quality. [This work was probably not acted. The British Museum copy (E 1038) has a MS date 8 Aug. 1660.

Performances

Mainpiece Title: Cromwell's Conspiracy

1315
05 May 1661 @ no theater listed

Event Comment: On Sunday Charles, Duke of Cambridge, the son of the Duke of York, died. On 7 May 1661, Francis Newport wrote to Sir Richard Leveson: The Duke of Cambridge dyed on Sunday in the afternoon and was buryed yesternight without any solemnity, noe mourning in the Court for him (HMC, Sutherland MSS, 5th Report, Appendix, 1876, p. 151). If the theatres were closed because of this death, the closure was for not more than ten days

Performances

1316
07 March 1664 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: My wife and I by coach to The Duke's house, where we say The Unfortunate Lovers; but I know not whether I am grown more curious than I was or no, but I was not much pleased with it, though I know not where to lay the fault, unless it was that the house was very empty, by reason of a new play at the other house. Yet here was my Lady Castlemaine in a box. In An Elegy on the Death of Edward Angel, 1673, two lines suggest that Angel acted Friskin: @Adieu, dear Friskin: Unfort'nate Lover weep,@Your mirth is fled, and now i' th' Grave must sleep.

Performances

Mainpiece Title: The Unfortunate Lovers

1317
30 May 1664 @ The Red Bull Theatre

Event Comment: A facsimile of a bill announcing A Trial of Skill at this playhouse, 30 May 1664, is in Rariora, ed. John Eliot Hodgkin (London, n.d.), III, 53-54. See also William VanLennep, The Death of the Red Bull, Theatre Notebook, XVI (1962), 133-34

Performances

1318
11 October 1666 @ Whitehall or St. James's

Event Comment: Rugge's Diurnal, BM Add. Mss. 10117, folio 179: Acted at Whitehall atcourt a play witt wt'out mony before King and nobility. Pepys, Diary, 15 Oct.: But she [Lady Carteret] cries out of the vices of the Court, and how they are going to set up plays already; and how, the next day after the late great fast, the Duchesse of York did give the King and Queene a play. Nay, she told me that they nave heretofore had plays at court the very nights before the fast for the death of the late King [i.e., on the night preceding 30 Jan.]

Performances

Mainpiece Title: Wit Without Money

1319
03 September 1669 @ no theater listed

Event Comment: The news of the death of Henrietta-Maria, the Queen Mother, reached London ca. 3 Sept. 1669. There may well have been an order forbidding playing, although it is not extant; but an order, L. C. 5@12, p. 251 (in Nicoll, Restoration Drama, p. 322) directs the two companies to act again on Monday, 18 Oct. 1669. Probably the theatres were closed for approximately six weeks

Performances

1320
22 June 1670 @ no theater listed

Event Comment: On this day arrived in London the news of the death of the King's sister, the Duchess of Orleans, which occured on 20 June 1670. According to The Bulstrode Papers (I, 144), 25 June 1670: The players are silenced dureing this tyme of sadness. [Probably acting ceased for at least six weeks, the customary period for silencing the companies when the Court went into full mourning. Nevertheless, the Duke's Company may have been permitted to act at Oxford. See Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713," Review of English Studies XIX (1943), 366-67.

Performances

1321
01 April 1671 @ no theater listed

Event Comment: An order of the Lord Chamberlain (5@12, p. 202) dated 1 April 1671, states that the theatres are to be closed because of the death of the Duchess of York on 31 March 1671. See Nicoll, Restoration Drama, p. 322. It is uncertain how long the theatres were closed, but probably the closure extended for six weeks

Performances

1322
20 February 1680 @ Whitehall or St. James's

Event Comment: The Duke's Company. This is another in the series of Court performances in L. C. 5@145, p. 120. See also Nicoll, Restoration Drama, p. 350, and 11 Feb. 1679@80. Mountstevens to Henry Stevens, 20 Feb. 1679@80: Upon Sunday the Court is to be in mourning for the death of the Princess Elizabeth, sister to Prince Rupert. (R. W. Blencowe, Diary of the Time of Charles the Second [London, 1843], I, 283)

Performances

Mainpiece Title: Epsom Wells

1323
September 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. As the play was not printed until 1689, the date of composition is uncertain. In Act I, however, a reference to the death of the Earl of Rochester (26 July 1680) suggests that the play probably followed that even rather closely. On the other hand, the latest likely date for the first production seems set at late 1682 by the fact that Thomas Farmer's music for the play in BM Add. Mss. 19183-19185 is dated December 1682. The play has been placed in September 1680 as the earliest likely date (the presence of an experienced cast makes somewhat unlikely a production in mid-summer 1680). A song, All other blessings are but toys, with music by Thomas Farmer, is in Choice Ayres and Songs, The Fourth Book, 1683. A song, Lovely Selina, innocent and free, with music by John Blow, is in the same collection; and another, Weep all ye nymphs, with music by John Blow, is in The Theater of Music, The First Book, 1685

Performances

Mainpiece Title: The Princess Of Cleve

1324
12 September 1682 @ Southwark Fair

Event Comment: Domestick Intelligence, 11-14 Sept. 1682: Southwark 12--This day the Scaffold of a Booth fell down, with several Actors, Men and Women on it, and falling upon a Child that stood underneath, crushed it to death

Performances

1325
29 November 1682 @ Drury Lane Theatre

Event Comment: The United Company. As the play was certainly acted on 1 Dec. 1682, it was probably given also on 29 Nov., in spite of the death of Prince Rupert on that day

Performances

Mainpiece Title: The Duke Of Guise