SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Death"/1) | (@(roleclean,performerclean) "Mr Death")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4349 matches on Event Comments, 1221 matches on Performance Comments, 837 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Double Disappointment

Dance: Mlle Auretti

Performances

Mainpiece Title: The Brothers

Performances

Mainpiece Title: The Earl Of Essex

Dance: IIl Pastore, as17521219

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Mock Doctor

Dance: Devisse, Ferrere, Mlle Auretti

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: A Duke and no Duke

Dance: I: A New Dance-Mlle Auguste; II: A Masquerade Dance-M Gerard first appearance from Paris, never appeared in England; III: A New Pierrot Dance-Devisse, Mlle Auguste; IV: The Matelot Basque-Ferrere; after the Country Dance-; The Louvre and Minuet-Devisse, Mlle Auguste

Performances

Mainpiece Title: Acis And Galatea

Music: Organ-Stanley; First Violin-Sig Giardini

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Bayes in Petticoats

Dance: II: A Comic Dance, as17530402 IV: L'Entree de Flore, as17530324 End Farce: Le Matelot Basque, as17521005

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Mock Doctor

Dance: III: A Comic Dance, as17530402 V: A Hornpipe-Mathews, a Child of five years old his scholar

Performances

Mainpiece Title: Merope

Afterpiece Title: The Double Disappointment

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The What D'ye Call It

Dance: IIl Pastore, as17521219; Grand Scots Ballet, as17521216

Performances

Mainpiece Title: [the Non Juror

Afterpiece Title: The Chaplet

Dance: [I: A +Hornpipe-the Little Swiss, a child 5 years old; II: A Grand Ballet-Devisse, Mlle Auguste; III: A Serious Dance-Janeton Auretti; V: The Louvre, Minuet-Mathews, Janeton Auretti

Ballet: [IV: +La Chacone des Characters. Harlequin-Mlle Auretti; Punch-Devisse

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Englishman in Paris

Dance: II: Grand Scots Ballet, as17521216

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Lethe

Dance: III: Dutch Dance, as17521125; V: Country Amusements, as17530412

Song: I: A Cantata-Beard

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Oracle

Dance: III: Two Pierrots, as17530501; V: Grand Scots Ballet, as17521216

Performances

Mainpiece Title: Alfred The Great

Music: In which will be introduced a new solemn dirge- in honor of the heroes who die in the service of their country

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: Harlequin Sorcerer

Dance: Grandchamps, Madam Camargo

Performances

Mainpiece Title: Boadicia

Music: With new pieces of Between the Acts: Music , adapted to the play, and by Dr Boyce-

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: II: New Dutch Dance, as17531117; V: Gipsey Tambourine, as17531012

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Fortunatus

Song: I: Beard

Event Comment: MMacklin has built two magnificent Rooms, ground floor [one] for Coffee, the other a [meeting] Room (Winston MS 8). [The Tuner pub. at 1s. by Dr Hiffernan. Fifty-three pages touching on theatre in general but particularly on Boadicia. There is no plot in the play...Boadicia is a monster well deserving what she suffers; therefore is neither an object of Terror or Compassion: but of Detestation. Sh deserts us in the third act...Tender-hearted Venusia is introduc'd to be whined to death...There is scarce any sentiment throughout; no moral to be deduced...the Diction...favors more of the level, languid, and underepic, than of the vigorous marrowy, tragic style...Never was Author more oblig'd to Performers, they acted to the full amount of his meaning; the Matter often fail'd Mr Garrick's continued and vigorous exertion."] Receipts: #180 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Fortunatus