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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Day"/1) | (@(roleclean,performerclean) "Mr Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7800 results for: Keyword - Mr Day
We found 5815 matches on Event Comments, 1425 matches on Performance Comments, 1025 matches on Performance Title, 18 matches on Author, and 17 matches on Roles/Actors.

7726
08 August 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Romp

Afterpiece Title: The Elopement

7727
27 November 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Afterpiece Title: Richard Coeur de Lion

7728
31 January 1787 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Dance: End: The Wapping Landlady-Blurton, Rayner, Miss Cranfield

7729
29 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: Bon Ton; or, High Life above Stairs

Entertainment: Monologue. Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot

7730
31 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Dr Last's Examination before the College of Physicians

Afterpiece Title: The Padlock

Song: V: a Grand Funeral Procession-; Solemn Dirge-; Vocal Parts-Wilson, Mrs Fowler, Miss Fowler, Mrs Marriot; Between the Acts: Singing-Wilson

7731
21 July 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Comus

7732
28 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Sir John Cockle, At Court

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

7733
12 January 1788 @ King's Theatre

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End I: a new ballet, The Military Dance (composed by Chevalier)-Didelot, Chevalier, Coulon, Vestris, Mlle Coulon, the two Miss Simonets, Sga Bedini, Mlle Hilligsberg; End Opera: Les Offrandes a l'Amour, as17871208

7734
26 April 1788 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Romance of an Hour

Dance: As17880301

Entertainment: Monologues. End I: A Dissertation on Macaronyism-Bernard; End: Shuter's Observations in a Post@haste Journey to Paris-Bernard

7735
14 May 1788 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Minor

Dance: As17880328

7736
17 September 1788 @ Covent Garden

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Midas

7737
17 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Regent

Afterpiece Title: The Deserter

7738
28 April 1789 @ Covent Garden

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Midas

Dance: As17881010

Entertainment: Monologue. Preceding: Occasional Address-Middleton

7739
22 May 1789 @ Covent Garden

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The British Sailor; or, The Fourth of June

Afterpiece Title: The Quaker

Entertainment: Monologue End 2nd piece: Ned Shuter's Observations in a Post Haste Journey to Paris-Bernard

7740
31 July 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Portrait

Entertainment: Imitations End: Theatrical Imitations Serious, Comic, Vocal, and Rhetorical,-Rees; Duologue End afterpiece: Hobby@Horses Describing the Statesman's Hobby, the Ladies' Hobby, the Lawyer's Hobby, the Physician's Hobby, the Manager's Hobby, and R. Palmer's own Hobby,-R. Palmer, Iliff

7741
10 November 1789 @ Covent Garden

Event Comment: 1st piece: 1st Time [at this theatre; see dl, 7 Nov.]. "Mr Hayley's Marcella, which was anticipated on Saturday evening at Drury Lane, and was received with considerable marks of disapprobation...was brought forward [at Covent Garden] under the auspices of the Author" (Public Advertiser, 11 Nov.). "[The performers all acted well at Covent Garden; and Kemble was the only one at Drury Lane who even knew his part" (Prompter, 11 Nov.). Receipts: #201 17s. (197.13.6; 4.3.6)

Performances

Mainpiece Title: Marcella

Afterpiece Title: Rosina

Afterpiece Title: The Death of Captain Cook

7742
22 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Spoil'd Child

7743
04 October 1790 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Provocation

7744
23 October 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Romp

7745
01 January 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Deuce is in Him

7746
31 January 1791 @ Drury Lane Theatre

Event Comment: ["When the Commemoration of King Charles's Death [on 30 Jan.] falls on a Sunday we always act on Monday. "This occurred for the first time, at both dl and cg, on 31 Jan. 1785. Previously, when 30 Jan. was a Sunday, both theatres had observed the commemoration on Monday 31 Jan. In mainpiece the playbill retains Kemble as Faulkland, but "Mr Benson read FaulklandR for me [this because Kemble was detained returning from Bath to London]" (Kemble Mem.).] Receipts: #231 7s. (180.12.0; 50.1.6; 0.13.6)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Fairy Favour

7747
12 April 1791 @ Pantheon, Oxford Street

Event Comment: [The playbill retains Sga Calvesi, but Morning Post, 14 Apr., prints a letter from her dated 13 Apr., stating that "she returns her most grateful thanks to the Subscribers and the Public for their indulgence in dispensing with her performance yesterday evening. She was one of the many unfortunate performers who were left unpaid in the year of 1783 by Mr Taylor. Deprived of resources, she naturally contracted debts, for one of which (yesterday evening going to obey her duty to the Public) she was arrested, and so expeditiously and secretly hurried away as to deprive her of the assistance of the Manager or her Friends to liberate her 'till an hour too late for Performance." The name of the singer who took her place is not known.

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: Amphion et Thalie, as17910409

Ballet: End Opera: Telemachus in the Island of Calypso

7748
29 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Citizen

Dance: End I: The Russian Minuet-Master D'Egville, Miss DeCamp

Song: As17901027

7749
05 May 1791 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Love a-la-Mode

Song: End I: Wine cannot cure the pain I endure for my Chloe-Johnstone, Incledon; with new accompaniments by Shield-; End: Catches and Glees-Bannister, Johnstone, Incledon, Davies, Blanchard, Williamson; The Anacreontic Song-Bannister; The Introductory Dialogue, in Irish Character-Rock

7750
24 May 1791 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: Primrose Green; or, Love in the Country

Dance: After Monologue: The Jockies, as17910507

Song: End II: Black Eyed Susan-Incledon

Entertainment: Monologue. End: Dissertation on Hobby@Horses: The Statesman's Hobby; The Soldier's Hobby; The Beau's Hobby; The Lady's Hobby; The Fidler's Hobby; Mrs Mountain's Hobby; The Manager's Hobby; and His Own Hobby-Bernard