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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Day"/1) | (@(roleclean,performerclean) "Mr Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7800 results for: Keyword - Mr Day
We found 5815 matches on Event Comments, 1425 matches on Performance Comments, 1025 matches on Performance Title, 18 matches on Author, and 17 matches on Roles/Actors.

7676
28 March 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: The Man of Quality

Dance: End: The Grand Garland Dance, as17760311

7677
30 March 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Jubilee

7678
02 April 1776 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Performances

Mainpiece Title: The Messiah

Music: First Violin, Concerto-Linley Jr

7679
11 April 1776 @ Drury Lane Theatre

Event Comment: House (Hopkins Diary). The new Comedy of The Runaway is unavoidably oblig'd to be deferred till Saturday. Rec'd Mr Stanley's Oratorio Account, 11 nights, #327 5s. Paid Lawrence (paper hanger) #13 7s.; Renters (for 11 Oratorio nights) #88; Cubit (tinman) #7 14s. 6d.; Gardner (shoemaker) #25; Chettle (timber merchant) #22 14s. 6d.; Mist andCo. (brazier) #10 8s.; Thomson (smith) #5 16s. 6d. Barrow andCo. (oil) #106 5s.; Tallow Chandler's 8th Bill #26 12s.; Palmer's Bill of Bath for Spermacetti Candles #162 10s. (Treasurer's Book). [MacMillan quotes from Kemble's note on the playbill, a Garrick interpolation in Drugger 's last speech (IV, vii): "Abel: Did you never see me play the Fool? Face: Yes. Abel: But the wise ones say I have played the Fool long enough; So I am going to leave it off and grow melancholy." [This note does not appear in the Hopkins Diary in the Folger Library.] Receipts: #265 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Spleen

Dance: V: The Irish Fair, as17751003

7680
13 April 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Spleen

Dance: In: The Savage Hunters, as17751118

7681
17 April 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Bon Ton

Dance: In: The Savage Hunters, as17751118

7682
24 April 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Man of Quality

Dance: II: The Jealous Harlequin, as17760117

7683
25 April 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Waterman

Dance: V: The Irish Fair, as17751003

7684
25 April 1776 @ King's Theatre

Performances

Mainpiece Title: Il Bacio

Dance: I: La Fete du Village, as17760224; II: New Serious Ballet, with Chaconne and Minuet de la Cour-Vallouy, Mme Vallouy; End Opera: New Grand Comic Ballet, Les Maissoneurs Distresse-Helm, Mlle Sophie, Sga Tinti, Vallouy, Mrs Vallouy

7685
29 April 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Rival Candidates

Dance: III: The Sailors Revels, as17751220

7686
01 May 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Irish Widow

Dance: V: A Comic Dance, as17760415

7687
06 May 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Bon Ton

Dance: End Opera: a Favourite Dance call'd The Gardeners, as17760116

7688
07 May 1776 @ Covent Garden

Performances

Mainpiece Title: As You Like It

Cast
Role: Phoebe Actor: Miss Dayes

Afterpiece Title: Midas

Dance: I: Rural Merriment, as17751220

Song: IV: At the Request of many Friends, Kate of Aberdeen-DuBellamy

7689
14 May 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Rival Candidates

Dance: V: The Sailors Revels, as17751220

7690
07 October 1776 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Marriage a la Mode [i

Song: II: the grand chorus, See the conquering Hero comes-; Between Acts: Singing, as17760925

Entertainment: Monologue.The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell

7691
09 October 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: New Brooms

Afterpiece Title: As You Like It

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: End I: The Grand Garland Dance-Giorgi, Sga Crespi, Slingsby

Song: In V: a song-Mrs Scott

7692
19 November 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: A ChristmasTale

Dance: As17761115

7693
23 November 1776 @ Drury Lane Theatre

Event Comment: Before the Play began, Reddish went on, and addressed the Audience as follows, which was drawn up by Mr Sheridan, "Ladies and Gentlemen, having in my Address to the Publick on Tuesday Night last accounted for my Omission in the Part of Vainlove in a manner which appeared to reflect highly on the Managers, I now beg Permission to ascribe it to the Confusion I was in from the Displeasure of the Audience, and, as the Managers are satisfied with my Assurance that this was the Case, I humbly hope for the Indulgence of the Publick, whom I never meant to offend, and whom I will ever study to please" (Hopkins Diary). Raceipts: #119 17s. 6d

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Hotel

7694
25 November 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Hotel

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

7695
23 December 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Selima and Azor

Dance: As17761218

7696
02 May 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: All the World's a Stage

Dance: Dance of Spirits, as17770414; In IV: Grand Dance, as17770425; The Court Minuet, as17770403; Allemande, as17770403

7697
28 May 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: St Helena; or, The Isle of Love

Dance: End II: a Hornpipe, as17770430

7698
23 June 1777 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Polly Honeycombe

7699
23 July 1777 @ China Hall, Lower Road, Rotherhithe

Event Comment: [The play was not allowed to conclude, nor was the afterpiece, All the World's a Stage, performed. "Yesterday evening, during the representation of...A Bold Stroke for a Wife, at China Hall, Rotherhithe, a party of the inhabitants, who had laid an information against the performers, rushed into the theatre, behind the scenes, and seized Mr Russell (who played the character of Colonel Feignwell), and carried him, in his stage dress, before Justice Smith, at the Rotation-Office, St Bennet's-hill, who committed him to the House of Correction, for further examination this morning" (Morning Chronicle, 24 July). What happened to Russell is not known, but because of this occurrence the theatre did not re-open until the following season, on 25 May 1778. See my article on the history of this unlucky playhouse, Theatre Notebook, VIII, 76-80.

Performances

Mainpiece Title: A Bold Stroke For A Wife

7700
17 September 1777 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mayor of Garratt

Dance: III: a Hornpipe-

Entertainment: ImitationsEnd: New Imitations Vocal and Rhetorical-Hutton