SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Crown"/1) | (@(roleclean,performerclean) "Mr Crown")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4297 matches on Event Comments, 1157 matches on Performance Comments, 531 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Sparks. Tickets and places to be had of him at Gresham's Warehouse, the Crown in York St., Covent Garden, and of Crudge at the Stage Door

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The School Boy

Dance: As17570103

Event Comment: Benefit for Holland. Afterpiece: By particular Desire. Tickets of Holland at No 17 New Crown Court, Bow St., Covent Garden. Receipts: #150 (Cross)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Chaplet

Event Comment: Benefit for myself & Wife (Cross). Last time of performing the afterpiece this season. Tickets of Cross at Crown-Court, Russel St., Covent Garden, &c. Receipts: #256 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Lethe

Music: By Desire aConcerto on the Violin-Cross Jun

Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VIv ; the Artful Acquisition of the Crown by Richardv ; the Cruel Murder of the young King Edward Vv and his brother in the Tower; the Landing of the Earl of Richmondv ; and the Death of Richard in the memorable Battle of Bosworth Fieldv ; being the last that was fought between the Houses of York and Lancasterv ; with many other historical passages [a regular notice appearing with performances of this play]. Receipts: #118 18s. 6d. [Paid to] Lee one third of the surplus of this night's receipts over the charge of #100, #3 19s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Contrivances

Dance: Lucas, Miss Hilliard

Event Comment: Receipts: #124 17s. Barry's 1!3 of profits came to #14 19s. Miss White entered from the 4th Inst. 4 days at 3s. 4d.-13s. 4d. Paid Mrs Griffith for Flowers, a sash, and work for the dancers, #4 15s. Also paid her for a Crown and Garter for King Lear, 7s. One pair ear rings for Miss Condill #4 4s. Bought 3 1!2 doz. wax candles at 3s. per dozen, #5 8s. 6d. (Account Book)

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The Englishman Returned from Paris

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Receipts: #173 5s. [The Occasional Song is Larpent MS 164, a patriotic one on George II's victories: "Amherst by land Boscawen by sea" referring to victories at Cape Breton, Crown Point, Niagara, Guadeloupe, Senegal, and Quebec.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Fair

Event Comment: Boxes #24 15s. Paid Dall for a modal and making a Crown intended for the King's Box-#1 2s. 6d. (Account Book). Receipts: #134 17s. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Thomasand Sally

Event Comment: Whereas the Cloaths of many Ladies and Gentlemen sitting in the Crown Gallery have been spoiled, at different Times this Winter, by the Indecency of the Footmen: The Manager most humbly hopes that the Nobility and Gentry will not take it amiss, should he be under a necessity of shutting up the Footmen's Gallery' in case the said rude practice is repeated (Public Advertiser)

Performances

Mainpiece Title: Tolomeo

Event Comment: Mainpiece: An English Opera [from Rolt's The Royal Shepherd]. Never perform'd there. The Music selected from the best composers, and adapted by Tenducci. Books of Opera to be had at theatre. [Argument from Edition of 1769: Among the most celebrated actions ascribed to Alexander the Great, may be well ranked that of delivering the Kingdom of Sidon from the tyrant Strato; and instead of taking the dominion himself, restoring the crown to the next lawful heir, who, ignorant of his pretensions to it, lived as a shepherd in the country near Sidon, of which a more particular account may be found in Quintus Curtius, Book IV, Chap. 10. The superstructure of the fable raised on this historical foundation, will be seen in the course of the drama." The Plot sketched out in a review in the Freeholder's Magazine, Dec.] Receipts: #137 14s

Performances

Mainpiece Title: Amintas

Afterpiece Title: The Englishman in Paris

Dance: I: A New Pastoral Dance-Fishar, Sga Manesiere

Event Comment: At the Crown and Anchor. A Religious Allegorical Poem to be rehearsed, yet in Manuscript, and by the author himself the Reverend George Marriott after the example of the most ancient bards and minstrals, with the assistance of a full orchestra, and vocal performers in the chorusses. The Band conducted and the music (entirely new) composed by Arnold. Postponed by reason of unforseen difficulties in preparing sufficient musical copies of the great number of chorusses. To begin at 7:00 p.m. Prices a quarter guinea each

Performances

Mainpiece Title: The Jesuit

Event Comment: At the Great Room, Crown and Anchor. Second Night

Performances

Mainpiece Title: The Jesuit

Event Comment: Great Room, Crown and Anchor. Third time. Still announced as to be Rehearsed, and still in Manuscript

Performances

Mainpiece Title: The Jesuit

Event Comment: Benefit for Mrs Woodman, late of Covent Garden, left a Widow with five Children. By Permission of the Lord Chamberlain. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. [Public Advertiser, 21 Feb., contained a long letter concerning the small attendance on this occasion: "One of the finest Female Singers this Country has for many years produced is now, through a Series of Misfortunes as unavoidable as unforeseen, in a State of Wretchedness scarcely credible. [Her husband, a schoolteacher, died.] Alas! she had five helpless innocent to drink of the same bitter Cup, to harrow up all the Heartstrings of a Mother, and to tear her Soul unavailingly for that Support, of which she herself was depriv'd by the Death of their Father. [The expenses of the benefit performance exceeded the receipts of the house.] Calamity became heaped upon Calamity, and she is now weeping in a Prison, over her unhappy little ones, for a Sum not exceeding #50." Appeal is made for gifts to relieve her. On 23 May, Mrs Woodman released from prison, gave a Benefit Concert at the Crown and Anchor Tavern, concluding with an Occasional Musical Address to the Town called The Grateful Acknowledgment, written and the music compiled from a most eminent Master by Adam Smith, sung by Mrs Woodman.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil to Pay; or, the Wives Metamorphosed

Dance: II: Hornpipe-Rawlins

Song: End Opera: Aileen a Roon-Mrs Woodman

Event Comment: Benefit for Wild, prompter. Mainpiece: Not acted these 7 years [acted 6 Jan. 1773]. End of mainpiece: The Procession from Westminster Abbey Coronation. Public Advertiser, 8 May: Tickets to be had of Wild at his house, No. 20, Crown-court, Bow-street. Receipts: #224 18s. (146.1; tickets: 78.17) [charge: #72 6s.)

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: Poor Vulcan

Song: End I: new song, The Cottage on the lawn (composed by Michael? Arne)-Mrs Farrell

Ballet: End Procession: The Sailors' Revels at Portsmouth. As17780502

Event Comment: Benefit for Whitfield and Mrs Pitt. [2nd piece in place of The Ephesian Matron, announced on playbill of 12 May.] Public Advertiser, 2 May: Tickets to be had of Whitfield, No. 14, Crown-court, Bow-street, Covent Garden. Receipts: #144 15s. [51.14; tickets: 93.1) [charge: #74 7s.)

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Afterpiece Title: True-Blue

Afterpiece Title: The Commissary

Dance: End 2nd piece: The Poney Races, as17780421

Song: As17780511

Event Comment: Benefit for Whitfield and Mrs Morton. Public Advertiser, 17 Apr.: Tickets to be had of Whitfield, No. 14, New Crown Court, Russel Street, Covent Garden; of Mrs Morton, No. 15, same address

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Comedy of Errors

Afterpiece Title: True-Blue

Afterpiece Title: The Invasion

Related Works
Related Work: The History of Charles the Eighth of France; or, The Invasion of Naples by the French Author(s): John Crowne

Dance: 3rd piece: As17790405; End IV: Hornpipe-Master Davies (scholar to Hurst; 1st appearance in public)

Song: In III: song in character-Mrs Morton

Event Comment: "Henderson's Iago was perhaps the crown of all his serious achievements. It was all profoundly intellectual like the character. Any thing near this, I have never seen...The most perplexing difficulty in the [character] is to turn the inside of design outward to the spectators, and yet externally seem to be cordial and sincere and interesting among the victims-it demands an instant versatility, that yet must not savour of trick. You must hear his insinuations with curses, and yet confess that you also would have been deceived. Other Iagos were to be seen through at once...Though a studious man, there was no discipline apparent in the art of Henderson; he moved and looked as humour or passion required...[He] cared little about the measure of the line; he would not consider the fame of the versifier while the heart was to be struck' (Boaden, Siddons, II, 28-29, 49). Receipts: #149 18s. (146.9; 3.9)

Performances

Mainpiece Title: Othello

Afterpiece Title: Tom Thumb

Event Comment: Benefit for Mrs Barnes. Morning Herald, 15 Apr.: Tickets to be had of Mrs Barnes, No. 21, Crown-street, Westminster. Receipts: #134 11s. 6d. (69/3/6; tickets: 65/8/0) (charge: #105)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Barnaby Brittle

Dance: End of mainpiece The Gala, as17820409, but omitted: Harris

Event Comment: Benefit for Zuchelli, Delpini & the Miss Stageldoirs. Mainpiece: With Alterations [by Richard Brinsley Sheridan]. Afterpiece [1st time; P 2, author unknown]: The whole under the direction of Delpini and Zuchelli. The Music by the celebrated Chevalier Clough. An Historical Account of the Pantomime, with the Songs, may be had at the Theatre. Morning Herald, 27 Apr.: Tickets to be had of Zuchelli, No. 81, Hay-market; Ibid, 30 Apr.: of the Miss Stageldoirs at their house, No. 26, Crown-street, Little Russel-street, Covent-garden [Delpini not listed]. Receipts: #226 13s. (67/7; 28/12; 0/3; tickets: 130/11) (charge: #120 16s. 9d.)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Don Juan; or, The Libertine Destroy'd

Dance: End of Act III of mainpiece a new Masquerade Dance, in which a Minuet by Zuchelli and Miss M. Stageldoir; Afterpiece to conclude with a Dance of Furies (performers not listed)

Song: In Masquerade Dance a favorite song by Miss Romanzini, and to conclude with a Serious and Comic Air by Delpini

Event Comment: Benefit for Barrymore and Mrs Wilson. Morning Herald, 19 Apr.: Tickets to be had of Barrymore, No. 8, Martlet-court; of Mrs Wilson, No. II, Crown-court, Bow-street. Receipts: #295 13s. (75/6; 15/15; 1/6; tickets: 203/6) (charge: #105 8s. 6d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Who's the Dupe

Dance: End of mainpiece The Lucky Return, as17860420

Song: End of Act II of mainpiece Bright Phoebus (composed by Hook) by Dignum

Event Comment: Benefit for Nix, Mrs Hedges & Miss Barnes. [As mainpiece the playbill announces The School for Scandal, but "Smith having an inflammation in his eyes, and Aickin being suddenly laid up with the gout, the play was obliged to be changed [to] The Beggar's Opera" (Morning Herald, 25 May).] Morning Chronicle, 22 May: Tickets to be had of Nix, No. 21, Crown-court, Little Russel-street, Covent Garden; of Mrs Hedges, No. 168, opposite New Bondstreet, Piccadilly; of Miss Barnes, at Cateman's, No. 52, Drury Lane. Receipts: #300 0s. 6d. (60/10/0; 19/13/6; 2/0/0; tickets: 217/17/0) (charge: #108 8s. 1d.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Romp

Dance: End of Act III of mainpiece, as17860502

Song: End of Act I of mainpiece Sweet, O sweet!; End of Act II Niddity Nod; End of Act IV a favourite Hunting Song, all three by Miss Barnes [the 3rd song omitted?, i.e. mainpiece has only 3 acts]

Performances

Mainpiece Title: Redemption 0; Triumph Of Truth 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Performance Comment: Ye Sons of Israel-Chorus; O had I Jubal's Lyre-Mrs Ambrose (Joshua); Jehovah crowned-Miss Lockhart; He comes!-Chorus (Esther); Angels ever bright and fair-Mrs Ambrose (Theodora); Welcome mighty King-Chorus (Saul); March-(Judas Maccabaeus); In sweetest harmony-Mrs Crouch (Saul); Their bodies are buried in peace-Chorus (Funeral Anthem); Dead March-(Saul); Lord remember David-Kelly (Sosarmes); The sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).

Afterpiece Title: Redemption 3

Music: As17890311

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Cast
Role: Jehovah crowned Actor: Pearson, Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Jehovah crowned-Pearson, Chorus; He was Eyes unto the Blind-Miss Cantelo; Second Hautboy +Concerto-; So shall the Lute and Harp-Miss Mahon (Judas Maccabaeus); Gird on thy Sword-Chorus; Thanks to my Brethren, How vain is Man-Harrison (Judas Maccabaeus); Then round about the starry Throne-Chorus (Samson); Every Day will I give Thanks-Sga Storace (Chandos? Anthems); Fix'd in his everlasting Seat-Chorus (Samson).
Cast
Role: Jehovah crowned Actor: Pearson, Chorus

Afterpiece Title: Grand Selection 3

Music: As17890306

Performances

Mainpiece Title: Redemption, A Sacred Oratorio Selected From The Great And Favourite Works Of handel That Were Performed At His Commemoration, In westminster-abbey And At The pantheon On 26 And 27 May 1784 0; Messiah

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Performance Comment: Ye Sons of Israel-Chorus; Oh! Had I Jubal's lyre-Miss Hagley (Joshua); Jehovah crowned-Reinhold; He comes!-Chorus (Esther); Angels ever bright and fair-Sga Storace (Theodora); Welcome mighty King-Chorus (Saul); March (Judas Maccabaeus)-; In sweetest harmony-Mrs Crouch (Saul); Their Bodies are buried in Peace-Chorus (Funeral Anthem); Dead March (Saul)-; Lord remember David-Kelly (Sosarme); The Sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).
Cast
Role: Jehovah crowned Actor: Reinhold

Afterpiece Title: Redemption 3

Music: As17900219

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Jehovah crown'd-Saville; He comes he comes-Chorus (Esther); Let me wander, Or let the merry Bells ring round-Miss Mahon, Chorus (L'Allegro); Softly sweet-Miss Cantelo (Alexander's Feast); Crown with festal pomp-Chorus (Hercules); Oft on a Plat-Harrison (L'Allegro); As from the power of sacred Lays-Miss Cantelo, Grand Chorus; accompanied on the trumpet-Sarjant (Dryden's Ode); God save Great George our King-.

Music: As17900224